Image
Complete Citation:
Abraham, Gerald. The Concise Oxford History of Music, 824. London, United Kingdom: Oxford University Press, 1979.
Bibliography
Genres
Abraham, Gerald
Year: 1979
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Alexander, J. Heywood
Year: 2002
Complete Citation:
Alexander, J. Heywood. “Charles Ives.” In To stretch our ears: a documentary history of America's music. New York, NY: W.W. Norton, 2002.VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Austin, William F.
Year: 1966
Complete Citation:
Austin, William F. Music in the Twentieth Century, from Debussy through Stravinsky. New York, New York: W.W. Norton, 1966.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Austin, William W.
Complete Citation:
Austin, William W. Music in the 20th Century, 57-61. New York, NY: W.W. Norton, 1966.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Baldwin, Linda, producer-director
Year: 1979
Complete Citation:
Baldwin, Linda, producer--director. “12th Street Rag.” Nebraska Educational Television Network for the Mid--America Arts Alliance. November 22, 23, 24, 1979.Source: Telecast
Reprints:
Telecast on stations in Missouri, Oklahoma, Kansas, and Nebraska.
XV. Television Broadcasts, Films, and Videocassettes
A. Television Broadcasts
A. Television Broadcasts
Bernstein, Leonard; New York Philharmonic
Complete Citation:
“Charles Ives: American Pioneer.” New York Philharmonic Young Peo-ple’s Concerts with Leonard Bernstein. New York, NY: CBS-TV, 60 minutes. February 23, 1967.Source: Telecast
XV. Television Broadcasts, Films, and Videocassettes
A. Television Broadcasts
A. Television Broadcasts
Bernstein, Martin and Martin Picker
Year: 1966
Complete Citation:
Bernstein, Martin and Martin Picker. “Contemporary American Music.” In An Introduction to Music, 525, 541-549. Third Edition. Englewood Cliffs, NJ: Prentice-Hall, 1966.Notes:
Section on Charles Ives
Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Brockway, Merrill, producer
Year: 1970
Complete Citation:
Brockway, Merrill, producer. “La Belle Epoque.” Camera Three. Virgil Fox, organ. WCBS-TV, 30 minutes. Fall 1970.Source: Telecast/Videocassette
Reprints:
Includes Variations on “America.” Available on videocassette.
XV. Television Broadcasts, Films, and Videocassettes
A. Television Broadcasts
A. Television Broadcasts
Budiansky, Stephen
Year: 2013
Complete Citation:
Budiansky, Stephen. “Ives, Diabetes, and His ‘Exhausted Vein’ of Composition.” American Music 31.1 (Spring 2013): 1-25.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Carlson, Michael
Year: 1996
Complete Citation:
Carlson, Michael. “The Discomposing Composer.” Specta-tor 277/8781 (November 2, 1996): 44.Notes:
“[H]is marvelous 'From Hanover Square North' ranks with Nielsen's Fifth as the most moving reactions to the Great War.”
Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Cave II, Lawrence Harold
Year: 1984
Complete Citation:
Cave II, Lawrence Harold. “Abstract: The Role of the Organ in Ives’ Develop-ment as Composer.” Sonneck Society for American Music Bulletin 10 (Fall 1984): 62.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Chase, Gilbert
Year: 1966
Complete Citation:
Chase, Gilbert. “America’s Music: From the Pilgrims to the Present.” New York: McGraw-Hill Book Company, 1966.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Year: 1966
Complete Citation:
Chase, Gilbert. “Composer from Connecticut.” In America’s Music: From the Pilgrims to the Present. 2nd ed., 403-28. New York, NY: McGraw Hill, 1966.Source: Chapter in Book
Reprints:
Chase, Gilbert. “Composer from Connecticut.” In <i>America’s Music: From the Pilgrims to the Present</i>. 3rd ed. Urbana, IL: University of Illinois Press, 1987: 429-446.
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Collaer, Paul; Sally, Abeles, translator
Year: 1961
Complete Citation:
Collaer, Paul. A History of Modern Music, 43, 366-367, 388. Translated from French to English by Sally Abeles. New York, NY: Grosset & Dunlap.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Cooke, Deryck
Year: 1959
Complete Citation:
Cooke, Deryck. The Language of Music. Stocksbridge, United Kingdom: Clarendon House Publications, 1959.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Dahlhaus, Carl
Year: 1980
Complete Citation:
Dahlhaus, Carl. Musik des 19. Jahrhundert (Neues Handbuch der Musikwissenschrift). Vol. 6. Wiesbaden, Germany: Akademie Verlagsgellschaft Athenian, 1980.Notes:
Cites Concord Sonata's “random accumulation of dissonance.”
Source: Book
Reprints:
Dahlhaus, Carl. Musik des 19. Jahrhundert (Neues Handbuch der Musikwissenschrift) [<i>Nineteenth-Century Music</i>]. Translated to English by J. Bradford Robinson. California Studies in 19th Century Music, 5. Berkeley, CA: University of California Press, 1989.
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Davis, David M., producer/director; Aaron Copland, host/writer
Year: 1965
Complete Citation:
Davis, David M., producer/director; Copland, Aaron host/writer. “Experi-mental Attitudes (I).” Music of the Twenties series, Program 11. National Educational Television, 30 minutes. June 6, 1965.Notes:
Originally telecast on over Performances of The Unanswered Question (Roger Voisin, trumpet, four flutes, Cambridge Festival Orchestra; Aaron Copland, conductor; Kalman Novak, associate conductor), and Two Little Flowers', Serenity, and Charlie Rutlage (Donald Gramm, baritone; Richard Cumming, piano). Viewing copy in Library of Congress.
Source: Telecast
Reprints:
Rebroadcast on Boston, MA: WGBH-TV, 30 minutes.
XV. Television Broadcasts, Films, and Videocassettes
A. Television Broadcasts
A. Television Broadcasts
Demuth, Norman
Year: 1952
Complete Citation:
Demuth, Norman. Musical Trends in the Twentieth Century. London, United Kingdom: Rockliff, 1952.VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Denahan, Donal
Year: 1982
Complete Citation:
Henahan, Donal. “When the Music Ceases to Sound: Ego, Morale or Changing Times Can Cause Composers to Quit at Their Peak.” Kansas City Star. April 25, sec. K, 10.Notes:
“In 1916 he finished Symphony No. 4, and that was it: for the next 40 years, until his death in 1954 at the age of 79, Ives sat silent in Con-necticut.”
Source: Newspaper
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Discussion by Morton Gould (nar-rator), Henry Cowell, Corinne Curry, and Harold Farberman.
Complete Citation:
“Charles Ives: American Original.” The World Of Music Series. Program No. 17. Newark, NJ: WNDT, 30 minutes. 1965.Source: Telecast
Reprints:
Rebroadcast on National Educational Television.
XV. Television Broadcasts, Films, and Videocassettes
A. Television Broadcasts
A. Television Broadcasts