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Complete Citation:
Budiansky, Stephen. “Ives, Diabetes, and His ‘Exhausted Vein’ of Composition.” American Music 31.1 (Spring 2013): 1-25.
Bibliography
Genres
Budiansky, Stephen
Year: 2013
Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Burkholder, J. Peter
Year: 2001
Complete Citation:
Burkholder, J. Peter. “Ives, Charles Edward.” In New Grove Dictionary of Music and Musicians, edited by Stanley Sadie. 2nd edition. New York, NY: MacMillan Publishers, 2001.Source: Encyclopedia article
VII. Entries in Larger Volumes
C. Dictionary Entries
C. Dictionary Entries
Carlson, Michael
Year: 1996
Complete Citation:
Carlson, Michael. “The Discomposing Composer.” Specta-tor 277/8781 (November 2, 1996): 44.Notes:
“[H]is marvelous 'From Hanover Square North' ranks with Nielsen's Fifth as the most moving reactions to the Great War.”
Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Cave II, Lawrence Harold
Year: 1984
Complete Citation:
Cave II, Lawrence Harold. “Abstract: The Role of the Organ in Ives’ Develop-ment as Composer.” Sonneck Society for American Music Bulletin 10 (Fall 1984): 62.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Denahan, Donal
Year: 1982
Complete Citation:
Henahan, Donal. “When the Music Ceases to Sound: Ego, Morale or Changing Times Can Cause Composers to Quit at Their Peak.” Kansas City Star. April 25, sec. K, 10.Notes:
“In 1916 he finished Symphony No. 4, and that was it: for the next 40 years, until his death in 1954 at the age of 79, Ives sat silent in Con-necticut.”
Source: Newspaper
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Ewen, David
Year: 1982
Complete Citation:
Ewen, David. American Composers: A Biographical Dictionary. New York, NY: G.P. Putnam's Sons, 1982: 323-325.Source: Book
VII. Entries in Larger Volumes
C. Dictionary Entries
C. Dictionary Entries
Glanville-Hicks, Peggy
Year: 1973
Complete Citation:
Glanville-Hicks, Peggy. “Ives, Charles.” In Grove’s Dictionary of Music and Musicians, vol. 4, 560. 5th ed. New York, NY: St. Martin’s Press, 1973.Source: Chapter in Book
VII. Entries in Larger Volumes
C. Dictionary Entries
C. Dictionary Entries
Heister, Hanns-Werner
Year: 2004
Complete Citation:
Heister, Hanns-Werner. “Mimesis, Memoria, Montage: Uber einige Prinzipien des Komponisten Ives.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 163-178. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Isham, Howard
Year: 1973
Complete Citation:
Isham, Howard. “The Musical Thinking of Charles Ives.” Journal of Aesthetics and Art Criticism 31 (1973): 395-404.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Ives, Charles
Year: 1937
Complete Citation:
“Ives, Charles.” In Who’s Who Today in the Musical World (1937), 58, 191-192.Source: Magazine
VII. Entries in Larger Volumes
C. Dictionary Entries
C. Dictionary Entries
Kirkpatrick, John
Year: 1980
Complete Citation:
Kirkpatrick, John. “Ives, Charles E.” In The New Grove Dictionary of Music and Musicians, edited by Stanley Sadie. London, UK: Macmillan Publishers, 1980.Source: Article
Reprints:
Kirkpatrick, John and Paul C. Echols. “Ives, Charles E.” In <i>The New Grove Dictionary of American Music and Musicians</i>, edited by H. Wiley Hitchcock and Stanley Sadie. New York, NY: Macmillan<i>, </i>1986. * Kirkpatrick, John, et. al. “Ives, Charles E.” In <i>The New Grove 20th-Century American Masters: Ives, Thomson, Sessions, Cowell, Gershwin, Copland, Carter, Barber, Cage, Bernstein</i>. New York, NY: New York: W.W. Norton, 1998: 1-52.
VII. Entries in Larger Volumes
C. Dictionary Entries
C. Dictionary Entries
Kolter, Horst
Year: 1972
Complete Citation:
Koller, Horst. “Zur Kompositionstechnik von Charles Edward Ives.” Neue Zeitschrift für Musik 133 (1972): 559-567.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Mellers, Wilfrid H.
Year: 1964
Complete Citation:
Mellers, Wilfrid H. “Jottings of Charles Ives” [Appendix I]. In Music in a New Found Land: Themes and Developments in the History of American Music, 441-443. London, United Kingdom: Barrie and Rockliff, 1964.Source: Chapter in Book
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Milligan, Terry G.
Year: 1984
Complete Citation:
Milligan, Terry G. “Charles Ives: Musical Activity at Poverty Flat (1898-1908).” Journal of Band Research 20/1 (Fall 1984): 30-36.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Patterson, Frank
Year: 1922
Complete Citation:
Patterson, Frank. “The Perfect Modernist: A Little Primer of Basic Principles (Twelfth Installment).” Musical Courier, February 16, 1922, 7.Source: Magazine/Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Rathert, Wolfgang
Year: 1997
Complete Citation:
Rathert, Wolfgang. “The idea of potentiality in the music of Charles Ives.” In Ives Studies, edited by Philip Lambert, 105-132. Cambridge, United Kingdom: Cambridge University Press, 1997.Source: Chapter in Book
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Slominsky, Nicolas
Year: 2001
Complete Citation:
Slonimsky, Nicolas. “Ives, Charles Edward.” In Baker's Biographical Dic-tionary of Musicians. 8th rev. ed. New York, NY: Schirmer, 2001.Source: Chapter in Book
VII. Entries in Larger Volumes
C. Dictionary Entries
C. Dictionary Entries
Swados, Elizabeth
Year: 1988
Complete Citation:
Swados, Elizabeth. Listening Out Loud: Becoming a Composer, 23, 40-42, 102. New York, NY: Harper and Row, 1988.Notes:
Several mentions of Ives, especially regarding The Unanswered Question that her teacher, Henry Brant, introduced to her.
Source: Book
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Ward, Charles
Year: 1974
Complete Citation:
Ward, Charles. “Charles Ives’s Concept of Music.” Current Musicology, no. 18 (1974): 114-19.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Young, Percy Marshall
Year: 1954
Complete Citation:
Young, Percy Marshall. A Critical Dictionary of Composers and Their Music. London, United Kingdom: Dennis Dobson Books, 1954.Notes:
Claims that the Concord Sonata was given its world premiere at the International Society for Contemporary Music meeting in 1928 at Salzburg. Lists very few Ives works “for per-formance and study.”
Source: Chapter in Book
VII. Entries in Larger Volumes
C. Dictionary Entries
C. Dictionary Entries