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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Anderson, William

Year: 1975
Complete Citation:
Anderson, William. “Editorially Speaking: Composer Charles Ives Enters History.” Stereo Review 34/3 (March 1975): 4.
Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Austin, Larry

Year: 1976
Complete Citation:
Austin, Larry. “Reconstruction of Ives’ Universe Symphony.” In Desert Plants: Conversations with 23 American Musicians, interviewed by Walter Zimmermann, 207-220. Vancouver, BC: A.R.C. Publications, 1976.
Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1985
Complete Citation:
Austin, Larry. “Charles Ives’s Life Pulse Prelude for Percussion Orchestra: A Realization for Modem Performance from Sketches for His Universe Symphony.” Percussionist 23, no. 6 (1985): 58-84.
Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Bales, Richard and Charles Seeger

Year: 1950
Complete Citation:
Bales, Richard and Charles Seeger. “Tone Roads No. 1 for Chamber Orchestra (performable also as chamber music).” New York: Peer International Corp., 1949. Notes 7/3 (June 1950): 432-433.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Block, Geoffrey

Year: 1997
Complete Citation:
Block, Geoffrey. “Remembrance of Dissonances Past: The Two Published Editions of Ives’s Concord Sonata.” In Ives Studies, edited by Philip Lambert, 27-50. Cambridge, UK: Cambridge University Press, 1997.
Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1997
Complete Citation:
Block, Geoffrey. “Remembrance of Dissonances Past: The Two Published Editions of Ives’s Concord Sonata.” In Ives Studies, edited by Philip Lambert, 27-50. Cambridge, United Kingdom: Cambridge University Press, 1997.
Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Brown, Ray

Year: 1932
Complete Citation:
Brown, Ray. “Saminsky Revises Music of Our Day.” Modern Music (November--December 1939) 17/1: 65-66.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Budiansky, Stephen

Year: 2013
Complete Citation:
Budiansky, Stephen. “Ives, Diabetes, and His ‘Exhausted Vein’ of Composition.” American Music 31.1 (Spring 2013): 1-25.
Source: Journal
VI. Topical Studies
I. Compositional Process

Burkholder, J. Peter

Year: 1996
Complete Citation:
Burkholder, J. Peter “Models and Sources.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 39-43. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 2001
Complete Citation:
Burkholder, J. Peter. “Ives, Charles Edward.” In New Grove Dictionary of Music and Musicians, edited by Stanley Sadie. 2nd edition. New York, NY: MacMillan Publishers, 2001.
Source: Encyclopedia article
VII. Entries in Larger Volumes
C. Dictionary Entries

Carlson, Michael

Year: 1996
Complete Citation:
Carlson, Michael. “The Discomposing Composer.” Specta-tor 277/8781 (November 2, 1996): 44.
Notes:

“[H]is marvelous 'From Hanover Square North' ranks with Nielsen's Fifth as the most moving reactions to the Great War.”

Source: Journal
VI. Topical Studies
I. Compositional Process

Cave II, Lawrence Harold

Year: 1984
Complete Citation:
Cave II, Lawrence Harold. “Abstract: The Role of the Organ in Ives’ Develop-ment as Composer.” Sonneck Society for American Music Bulletin 10 (Fall 1984): 62.
Source: Journal
VI. Topical Studies
I. Compositional Process

Chase, Gilbert

Year: 1974
Complete Citation:
Chase, Gilbert. “Editor’s Outlook: Charles Ives Remembered.” Anuario Interamericano De Investigacion Musical, vol. 10, (1974): 170-174.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Denahan, Donal

Year: 1982
Complete Citation:
Henahan, Donal. “When the Music Ceases to Sound: Ego, Morale or Changing Times Can Cause Composers to Quit at Their Peak.” Kansas City Star. April 25, sec. K, 10.
Notes:

“In 1916 he finished Symphony No. 4, and that was it: for the next 40 years, until his death in 1954 at the age of 79, Ives sat silent in Con-necticut.”

Source: Newspaper
VI. Topical Studies
I. Compositional Process

Ewen, David

Year: 1982
Complete Citation:
Ewen, David. American Composers: A Biographical Dictionary. New York, NY: G.P. Putnam's Sons, 1982: 323-325.
Source: Book
VII. Entries in Larger Volumes
C. Dictionary Entries

Glanville-Hicks, Peggy

Year: 1973
Complete Citation:
Glanville-Hicks, Peggy. “Ives, Charles.” In Grove’s Dictionary of Music and Musicians, vol. 4, 560. 5th ed. New York, NY: St. Martin’s Press, 1973.
Source: Chapter in Book
VII. Entries in Larger Volumes
C. Dictionary Entries

Hebb, Furman

Year: 1963
Complete Citation:
Hebb, Furman. “Editorially Speaking.” HiFi/Stereo Review 13/3 (Sep-tember 1963): 4.
Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Heister, Hanns-Werner

Year: 2004
Complete Citation:
Heister, Hanns-Werner. “Mimesis, Memoria, Montage: Uber einige Prinzipien des Komponisten Ives.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 163-178. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
VI. Topical Studies
I. Compositional Process

Hitchcock, H. Wiley

Year: 1997
Complete Citation:
Hitchcock, H. Wiley. “Editing Ives's 129 Songs.” In Ives Studies, 51-76. Lambert, Philip, ed. Ives Studies. Cambridge, UK: Cambridge University Press, 1997. 
Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Hitchcock, H. Wiley and Vivian Perlis

Year: 1977
Complete Citation:
Hitchcock, H. Wiley and Vivian Perlis. “Editors’ Experiences.” In An Ives Celebration: Papers and Panels of the Charles Ives, edited by H. Wiley Hitchcock and Vivian Perlis. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices