Image
Complete Citation:
Dan Buckley. “Slatkin Speaks.” Stereophile (March 1998): 85--87.
Bibliography
Genres
Buckley, Dan
Year: 1998
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews
C. Interviews
Budiansky, Stephen
Year: 2013
Complete Citation:
Budiansky, Stephen. “Ives, Diabetes, and His ‘Exhausted Vein’ of Composition.” American Music 31.1 (Spring 2013): 1-25.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Carlson, Michael
Year: 1996
Complete Citation:
Carlson, Michael. “The Discomposing Composer.” Specta-tor 277/8781 (November 2, 1996): 44.Notes:
“[H]is marvelous 'From Hanover Square North' ranks with Nielsen's Fifth as the most moving reactions to the Great War.”
Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Cave II, Lawrence Harold
Year: 1984
Complete Citation:
Cave II, Lawrence Harold. “Abstract: The Role of the Organ in Ives’ Develop-ment as Composer.” Sonneck Society for American Music Bulletin 10 (Fall 1984): 62.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Denahan, Donal
Year: 1982
Complete Citation:
Henahan, Donal. “When the Music Ceases to Sound: Ego, Morale or Changing Times Can Cause Composers to Quit at Their Peak.” Kansas City Star. April 25, sec. K, 10.Notes:
“In 1916 he finished Symphony No. 4, and that was it: for the next 40 years, until his death in 1954 at the age of 79, Ives sat silent in Con-necticut.”
Source: Newspaper
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Eatock, Colin
Year: 2013
Complete Citation:
Eatock, Colin. “Marc-Andre Hamelin on the Road Less Travelled.” Queen’s Quarterly 120, no. 2 (Summer 2013): 290.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews
C. Interviews
Glass, Herbert
Year: 1974
Complete Citation:
Glass, Herbert. “Currying Charles Ives, a Centenary Canonization.” Los Angeles Times, November 17, 1974, P54.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
E. Centenary
E. Centenary
Harrison, Max
Year: 1974
Complete Citation:
Harrison, Max. “The Heroic Sweep of Charles Ives.” The Times, October 26, 1974, 11.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
E. Centenary
E. Centenary
Heister, Hanns-Werner
Year: 2004
Complete Citation:
Heister, Hanns-Werner. “Mimesis, Memoria, Montage: Uber einige Prinzipien des Komponisten Ives.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 163-178. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Hume, Paul
Year: 1974
Complete Citation:
Hume, Paul. “Ives Comes of Age: Celebrating 100 Years of Charles Ives.” The Washington Post, October 20, 1974, E1.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
E. Centenary
E. Centenary
Year: 1974
Complete Citation:
Hume, Paul. “Ives Centenary: First, the Good News.” Los Angeles Times, July 14, 1974, W50.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
E. Centenary
E. Centenary
Year: 1974
Complete Citation:
Hume, Paul. “Ives Centenary: First, the Good News.” Los Angeles Times, 1974, W50.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
E. Centenary
E. Centenary
Year: 1974
Complete Citation:
Hume, Paul. “Ives and Uncle Ed: Of Charles Ives and Uncle Ed.” The Washington Post, May 19, 1974, M1.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
E. Centenary
E. Centenary
Isham, Howard
Year: 1973
Complete Citation:
Isham, Howard. “The Musical Thinking of Charles Ives.” Journal of Aesthetics and Art Criticism 31 (1973): 395-404.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Jolly, James
Year: 2004
Complete Citation:
Jolly, James. Interview: “Aimard Flies Free with Concord [Interview].” Gramophone 82/980 (June 2004): 30--31.Notes:
A discussion of Pierre -Laurent Aimard's performances and recording of Sonata No. 2, “Concord, Mass., 1840--1860,” for piano.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews
C. Interviews
Kolter, Horst
Year: 1972
Complete Citation:
Koller, Horst. “Zur Kompositionstechnik von Charles Edward Ives.” Neue Zeitschrift für Musik 133 (1972): 559-567.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
McLellan, Joseph
Year: 1974
Complete Citation:
McLellan, Joseph. “Unanswered Questions: Abounding Unanswered Questions about Charles Ives.” The Washington Post, October 20, 1974, E1.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
E. Centenary
E. Centenary
Year: 1975
Complete Citation:
McLellan, Joseph. “Centennial: Schoenberg and Ives: Recordings Two Record Centennials: Schoenberg and Ives.” The Washington Post, August 24, 1975, 145.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
E. Centenary
E. Centenary
Mellers, Wilfrid H.
Year: 1964
Complete Citation:
Mellers, Wilfrid H. “Jottings of Charles Ives” [Appendix I]. In Music in a New Found Land: Themes and Developments in the History of American Music, 441-443. London, United Kingdom: Barrie and Rockliff, 1964.Source: Chapter in Book
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Milligan, Terry G.
Year: 1984
Complete Citation:
Milligan, Terry G. “Charles Ives: Musical Activity at Poverty Flat (1898-1908).” Journal of Band Research 20/1 (Fall 1984): 30-36.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process