Image
Complete Citation:
Gerratana, Frank. Ives in front of a bookcase. May, 1947. Photograph. Bettman Archive, p. 11320.
Bibliography
Genres
Gerratana, Frank
Year: 1947
Notes:
At the time Gerratana was photographer for the Bridgeport (CT) Herald.
Source: Photograph
Reprints:
Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>, frontispiece. New York, NY: Oxford University Press, 1966.
XVI. Photographs and Artwork
A. Photographs
A. Photographs
Year: 1947
Complete Citation:
Gerratana, Frank. Mr. and Mrs. Ives (she is holding a cat, “Christophina”). May, 1947. Photograph. Bridgeport Herald, May 11, 1947, 1.Source: Photograph
Reprints:
Bettman Archive, page 14808. * <i>Music Journal</i> 24/3 (March 1966): 46.
XVI. Photographs and Artwork
A. Photographs
A. Photographs
Gilmore, Earl
Year: 1974
Complete Citation:
Gilmore, Earl. Collection of over 500 slides. 1970.Source: Photograph
Reprints:
See announcement “Gilmore’s Ives Slides on Sept. 15.” Redding [CT] Pilot (1974 September 5): 10. Portraying Ives’s life. [No original photographs of Ives.] Shown numerous times.
XVI. Photographs and Artwork
A. Photographs
A. Photographs
Hamilton, William
Year: 1974
Complete Citation:
William Hamilton. Cartoon, 1974. New Yorker 50/34 (October 14, 1974): 44.Source: Cartoon
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Hassard, Ray
Complete Citation:
Hassard, Ray. “Illustration in the form of a baseball card.” American Record Guide 54/4 (July/August 1991): 69.Notes:
Based on a photo-graph by W. Eugene Smith.
Source: Illustration
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Heister, Hanns-Werner
Year: 2004
Complete Citation:
Heister, Hanns-Werner. “Mimesis, Memoria, Montage: Uber einige Prinzipien des Komponisten Ives.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 163-178. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Herring, Mark
Year: 2004
Complete Citation:
Herring, Mark. Collage, 2004. BBC Music Magazine 12/10, June 2004, 48.Source: Collage
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Hess, Richard
Year: 1974
Complete Citation:
Hess, Richard. Portrait, painting, 1974.100th Anniversary Record Album, cover painting.
Source: Portrait
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Hewitt, Kathryn
Year: 1983
Complete Citation:
Kathryn Hewitt. Caricature, 1983. In Lives of the Musicians: Good Times, Bad Times (and What The Neighbors Thought), by Kathleen Krull and Kathryn Hewitt, 70. Boston, MA: Houghton Mifflin Harcourt, 2017.Source: Caricature
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Huntington, Anna
Year: Pre-1966
Complete Citation:
Huntington, Anna. Bronze bust. Sculpture, 1966. Danbury, CT: Danbury Museum and Histori-cal Society (formerly Scott--Fanton Museum). Photograph in HiFi/Stereo Review 17/1 (July 1966): 72.Source: Sculpture
Reprints:
Another is in the lobby of the Charles Ives Recital Hall, Western Connecticut State College, Dan-bury.
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Isham, Howard
Year: 1973
Complete Citation:
Isham, Howard. “The Musical Thinking of Charles Ives.” Journal of Aesthetics and Art Criticism 31 (1973): 395-404.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Kitaj, R. B.
Complete Citation:
Kitaj, R.B. Drawing, 1975. Parnassus: Poetry in Review (Spring/Summer 1975): cover.Notes:
Based on a photograph by W. Eugene Smith.
Source: Drawing
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Kolter, Horst
Year: 1972
Complete Citation:
Koller, Horst. “Zur Kompositionstechnik von Charles Edward Ives.” Neue Zeitschrift für Musik 133 (1972): 559-567.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Kramer, Norman
Year: 1974
Complete Citation:
Kramer, Norman. “The First Danbury Historical Poster,” print. Danbury: The Custom Framer (1974).Notes:
A limited edition of 250 silk-screen prints, hand-colored and signed by the artist. Includes a section on Ives in the "Eminent Persons" portion of the poster.
Source: Poster
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Kueffer, Bruce
Year: 2001
Complete Citation:
Kueffer, Bruce. Bronze bust. San Francisco: Davies Symphony Hall. In American Mavericks, edited by Susan Key and Larry Rothe, 4 [photograph]. San Francisco/Berkeley: San Francisco Symphony in co-operation with the University of California Press, 2001.Source: Sculpture
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Levine, David
Year: 1994
Complete Citation:
Levine, David. “Charles Ives,” black and white intaglio etching, 1994. American Academy of Arts and Letters portfolio, 1998.Notes:
Printed by Stephen Sholinsky.
Source: Etching
XVI. Photographs and Artwork
B. Artwork
B. Artwork
[Maloy?], Carl
Year: 1988
Complete Citation:
Maloy, Carl. Sketch, 1988. Cover of an Ives brochure by BMI.Source: Sketch
XVI. Photographs and Artwork
B. Artwork
B. Artwork
McNeely, Tom
Year: 1997
Complete Citation:
McNeely, Tom. Drawing, watercolor on watercolor paper (17 x 23.375 inches), 1997. United States Post Office, 1997.Notes:
Originally appeared on a first- day cover of the United States postage stamp by Fleetwood.
Source: Watercolor
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Mellers, Wilfrid H.
Year: 1964
Complete Citation:
Mellers, Wilfrid H. “Jottings of Charles Ives” [Appendix I]. In Music in a New Found Land: Themes and Developments in the History of American Music, 441-443. London, United Kingdom: Barrie and Rockliff, 1964.Source: Chapter in Book
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Milligan, Terry G.
Year: 1984
Complete Citation:
Milligan, Terry G. “Charles Ives: Musical Activity at Poverty Flat (1898-1908).” Journal of Band Research 20/1 (Fall 1984): 30-36.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process