Feder, Stuart
Year: 1980
Complete Citation:
Feder, Stuart. “Decoration Day: A Boyhood Memory of Charles Ives.” The Musical Quarterly Vol. 66, No. 2 (April 1980): 234-261.Source: Journal
Reprints: Feder, Stuart. “Decoration Day: A Boyhood Memory of Charles Ives.” <i>Annual of Psychoanalysis</i> (1981) 9: 265-316.
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 2004
Complete Citation:
Feder, Stuart. “Charles Ives’s Simulacrum of Mental Life in Music.” Paper presented at The Society for American Music Conference [Session 8a]. Cleveland, Ohio, March 12, 2004.Source: Conference
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Feldman, Jay
Year: 1991
Complete Citation:
Feldman, Jay. “Sports Were Music to His Ears.” Sports Illustrated 75/15 (October 7, 1991): 106-108.Source: Magazine
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Ferguson, Donald N.
Year: 1960
Complete Citation:
Ferguson, Donald N. Music as Metaphor. Minneapolis, Minnesota: University of Minnesota Press, 1960.Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Fisher, Fred
Year: 1976
Complete Citation:
Fisher, Fred. “What’s the Music of Charles Ives All About?” Cimarron Review 37 (October 1976): 58-63.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Gligo, Niksa
Year: 1971
Complete Citation:
Gligo, Niksa. “Prostornost i pokret u imanenciji glazbe.” [Space and Movement in the Immanence of Music.] Zvuk — Jugoslovenska Ruzicka Revija 111-112 (1971): 1-20.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Gruhn, Wilfried
Year: 1989
Complete Citation:
Gruhn, Wilfried. “Die Bedeutungskonstitution in textgebundener Musik: Ansatze zu einer strukturellen Hermeneutik präsentativer Symbole.” In Wort und Ton im Europaischen Raum: Gedenkschrift fur Robert Scholium, 23-40. Edited by Hartmut Krones. Wien, Austria: Böhlau Verlag, 1989.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Haefeli, Toni
Year: 1998
Complete Citation:
Haefeli, Toni. “Berichte: Opernbetrieb versus Absolute Musik.” Dissonanz (1998): 30-31.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Helms, Hans G.
Year: 1970
Complete Citation:
Helms, Hans G. “Ives and Politics.” Seminar, Ives at Minnesota, University of Minnesota, Minneapolis, Minnesota, April 24 1970.Source: Seminar
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1978
Complete Citation:
Helms, Hans G. “Berichte: Charles Edward Ives-idealer Amerikaner oder Sozialkritiker? Zum Ives-Jahr.” Beiträge zur Musikwissenschaft, Vol. 20, No. 1 (1978): 16.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Holloway, Robin
Year: 1996
Complete Citation:
Holloway, Robin. “‘Use Your Ears like a Man.’” Spectator 276/8740 (January 20, 1996): 42.Source: Magazine
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Hüppe, Eberhard
Year: 2012
Complete Citation:
Hüppe, Eberhard. “Charles Ives’ Entkoppelung von Europa.” In Urbanisierte Musik: eine Studie über gesellschaftliche Determinanten musikalischer Raumproduktion und Raumaneignung. Münster, Germany: Verlagshaus Monsenstein und Vannerdat, 2012.Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives
Hurley, Frank H.
Year: 1969
Complete Citation:
Hurley, Frank H. “Freedom: Enterprise and Charles Ives.” Lecture, Music and the American Heritage, Cleveland Institute of Music, Cleveland, Ohio, November 14, 1969.Notes: Musical illustrations were per-formed by Donald Payne, piano, Mary Michael Earl, soprano, and the Cleveland Quartet.
Source: Lecture
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Jillisky, Joe
Year: 1987
Complete Citation:
Jillisky, Joe. “Charles Ives in the Adirondacks.” Adirondack Magazine, May 1987.Source: Magazine
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Johnson, Marc E.
Year: 2002
Complete Citation:
Johnson, Marc E. “Charles Ives’s (Utopian, Pragmatist, Nostalgic, Progressive, Romantic, Modernist) Yankee Realism.” American Music 20.2 (Summer 2002): 188-233.Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
Karl, Frederick R.
Year: 1985
Complete Citation:
Karl, Frederick R. Modern and Modernism: The Sovereignty of the Artist, 1885-1925, 337. New York, NY: Atheneum, 1985.Notes: “In America, Charles Ives was, without direct awareness of European developments, pursuing his own forms of Modernism,” (340-341).
Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives
Kaskowitz, Sheryl
Year: 2006
Complete Citation:
Kaskowitz, Sheryl. “‘The Voice of the People Arose’: Charles Ives, Communal Singing and Ritual in American Life.” Paper presented at the Thirty--second Conference of the Society for American Music. Chicago, Illinois, 2006.Source: Conference paper
VI. Topical Studies
K. Stylistic Influences on Ives
Kassler, Jamie Croy
Year: 1994
Complete Citation:
Kassler, Jamie Croy. “Meaning in the Music of Charles Ives.” In Metaphor: a musical dimension. Basel, Switzerland: Gordon and Breach, 1994.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Kavanaugh, Patrick
Year: 1991
Complete Citation:
Kavanaugh, Patrick. “Charles Ives.” In Spiritual lives of the great composers. Nashville, TN: Sparrow Press, 1991.VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1995
Complete Citation:
Kavanaugh, Patrick. “Charles Ives.” In Spiritual moments with the great composers: daily devotions from the lives of favorite composers & hymn writers. Grand Rapids, MI: Zondervan, 1995.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions