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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Henahan, Donal

Year: 1986
Complete Citation:
Henahan, Donal.“Maverick Composers Make Their Own Choices.” The New York Times, December 14, 1986, 2, 25, 32.
Notes:

Response to “Who Owns American Music?”

Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1987
Complete Citation:
Henahan, Donal. 1987. “Is an Icon Becoming a Has--Been?” New York Times, April 5.
Source: Newspaper
V. General Music Studies
S. Reception Studies and Related Scholarship

Henahan, Donald

Year: 1974
Complete Citation:
Henahan, Donald. “Composers Uncommemorated.” The Atlanta Constitution, July 6, 1974, 6T.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Holloway, Robin

Year: 1996
Complete Citation:
Holloway, Robin. “‘Use Your Ears like a Man.’” Spectator 276/8740 (January 20, 1996): 42.
Source: Magazine
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Horowitz, Joseph

Year: 2012
Complete Citation:
Horowitz, Joseph. “Charles Ives: Gentility and Rebellion.” In Moral Fire: Musical Portraits from America's Fin de Siècle. Berkeley: University of California Press, 2012.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Hubbs, Nadine

Year: 2019
Complete Citation:
Hubbs, Nadine. “Being Musical: Gender, Sexuality, and Musical Identity in Twentieth-Century America.” In The Queer Composition of America's Sound: Gay Modernists, American Music, and National Identity. Berkeley, CA: University of California Press, 2004.
Source: Newsletter
VI. Topical Studies
S. Reception Studies and Related Scholarship

Hurley, Frank H.

Year: 1969
Complete Citation:
Hurley, Frank H. “Freedom: Enterprise and Charles Ives.” Lecture, Music and the American Heritage, Cleveland Institute of Music, Cleveland, Ohio, November 14, 1969.
Notes:

Musical illustrations were per-formed by Donald Payne, piano, Mary Michael Earl, soprano, and the Cleveland Quartet.

Source: Lecture
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Hutton, Edna Rait

Year: 1963
Complete Citation:
Hutton, Edna Rait. “The Legacy of Charles Ives.” Pan Pipes 55/2 (January 1963): 13-14, 30.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

J. W. Larson, Arthur W. Murphy, and Brooks Shepard, Jr.

Year: 1964
Complete Citation:
HiFi Stereo Review (November) 13/5: 8, 12.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Jillisky, Joe

Year: 1987
Complete Citation:
Jillisky, Joe. “Charles Ives in the Adirondacks.” Adirondack Magazine, May 1987.
Source: Magazine
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

John Heiss, J. Peter Burkholder, Richard Dyer, Vivian Perlis, and Jan Swafford

Year: 2005
Complete Citation:
John Heiss, J. Peter Burkholder, Richard Dyer, Vivian Perlis, and Jan Swafford. “Ives and His Time and Ours.” Panel at at Charles Ives and His World, as Tribute to Iconoclastic American Com-poser. New England Conservatory of Music, Jordan Hall and Williams Hall, Boston, Massachusetts, March 13--17, 2005.
VI. Topical Studies
S. Reception Studies and Related Scholarship

Kamper, Dietrich

Year: 1987
Complete Citation:
Kamper, Dietrich. “Wandlungen des Ives-Bildes.” In Amerikanische Musik seit Charles Ives: Interpretation, Quellentexte, Komponistenmonographien, 3-14, Laaber, Germany: Laaber-Verlag, 1987.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Kassler, Jamie Croy

Year: 1994
Complete Citation:
Kassler, Jamie Croy. “Meaning in the Music of Charles Ives.” In Metaphor: a musical dimension. Basel, Switzerland: Gordon and Breach, 1994.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Kavanaugh, Patrick

Year: 1991
Complete Citation:
Kavanaugh, Patrick. “Charles Ives.” In Spiritual lives of the great composers. Nashville, TN: Sparrow Press, 1991.
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1995
Complete Citation:
Kavanaugh, Patrick. “Charles Ives.” In Spiritual moments with the great composers: daily devotions from the lives of favorite composers & hymn writers. Grand Rapids, MI: Zondervan, 1995.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Khittl, Christoph

Year: 1995
Complete Citation:
Khittl, Christoph. “‘Jenseits im Diesseits’: Ubungen zur Rezeptionsasthetik und Rezeptionsdidaktik.” Polyaisthesis 3 (1995): 98-106.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Kirkpatrick, John

Year: 1960
Complete Citation:
Kirkpatrick, John. “The Religious Perspective of a Musician.” Lecture, Anabel Taylor Hall, Cornell University, November 30, 1960.
Source: Lecture
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Kirkpatrick, John.

Year: 1975-76
Complete Citation:
Kirkpatrick, John. “Thoughts on the Ives Year.” Student Musicologists at Minnesota 6 (1975-1976): 218-224.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Kramer, Lawrence

Year: 1993
Complete Citation:
Kramer, Lawrence. “Ives’s Misogyny and Post-Reconstruction America.” Paper presented at Feminist Theory and Music: Toward a Common Language. Minneapolis, Minnesota, June, 1991.
Source: Conference Paper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1995
Complete Citation:
Kramer, Lawrence. Cultural politics and musical form: the case of Charles Ives. In Classical music and postmodern knowledge. Berkeley, CA: University of California Press,1995.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions