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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
A. Transcendentalism or Philosophy
B. Musical Quotation or Borrowing
C. Chronology
D. Insurance
E. Comparisons and Relationships with Other Composers, Artists, and Writers
F. Polytonality
G. Music Theory Analyses
H. Ives, 20th Century Music, and Experimental Styles
I. Compositional Process
K. Stylistic Influences on Ives
L. Ives and America
M. Ives and Manhattan
N. Ives’ Childhood
O. Ives and Yale
P. Ives Collaborators and Colleagues
Q. Ives Scholars
R. Performance Approaches
T. Ives in Music Education
U. Institutions and Ives’ Legacy
V. Awards
W. Obituaries
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Meyer, Leonard B.

Year: 1957
Complete Citation:
Meyer, Leonard B. Emotion and Meaning in Music. Chicago, Illinois: The University of Chicago Press, 1957.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Miller, Fred

Year: 1969
Complete Citation:
Miller, Fred. “Ives was a Salesman.” The New York Times, September 28, 1969, D40.
Source: Newspaper
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Monelle, Raymond and Robert Hatten

Year: 2000
Complete Citation:
Monelle, Raymond and Robert Hatten. “Allegory and Deconstruction.” In The Sense of Music: Semiotic Essays, 196-226. Princeton, NJ: Princeton University Press, 2000.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Nattiez, Jean-Jacques

Year: 1990
Complete Citation:
Nattiez, Jean-Jacques. 1990. “Can One Speak of Narrativity in Music?” Translated by Katharine Ellis. Journal of the Royal Musical Association 115/2 (1990): 240--257.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Neumann, Friedrich

Year: 2010
Complete Citation:
Neumann, Friedrich. “Short Music Story: Charles Ives: Eine Frage ist besser als eine Antwort.” Musik and Bildung: Praxis Musikerziehung, Vol. 42, No. 2 (2010): 64-67.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Nicholls, David

Year: 1994
Complete Citation:
Nicholls, David. “Unanswerable Questions/Questionable Answers.” Music and Utters 75/2 (May 1994): 246-252.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Niermann, Franz

Year: 1999
Complete Citation:
Niermann, Franz. “Dunkelheit—Musik—Störung.” Musikerziehung 53 (October 1999): 27-32.
Notes:

Discusses Central Park in the Dark.

Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Nieuwstadt, Jacques van

Year: 1991
Complete Citation:
van Nieuwstadt, Jacques. “Charles Ives: realisme en pragmatisme (I): Muzikale citaten and Charles Ives, realisme en pragmatisme (II): Vernieuwende nostalgie.” Mens & Melodie 46 (November-December 1991): 601-605 and 47 (January 1992): 13-17.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Orrey, Leslie

Year: 1975
Complete Citation:
Orrey, Leslie. Programme Music: A Brief Survey from the Sixteenth Century to the Present Day. London, United Kingdom: Davis-Poynter, 1975.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Palisca, Claude V.

Year: 1975
Complete Citation:
Palisca, Claude V. “Report on the Musicological Year 1974 in the United States.” Acta Musicologica 47/2 (July-December 1975): 283-289.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Panel Discussion

Year: 1996
Complete Citation:
“Rethinking Charles Ives: Issues of Psychology and Politics.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 49-52. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Parker, Imogen

Year: 2008
Complete Citation:
Parker, Imogen. “The Time of Music: The Music of Time.” Critical Quarterly 50, no. 3 (2008): 43-76.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Paul, David C.

Year: 2005
Complete Citation:
Paul, David C. “Charles Ives, Autonomy, and Cold War Politics.” Paper presented at the American Musicological Society Annual Meeting. Washington, D.C., October 29, 2005.
Source: Conference Paper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Perlis, Vivian

Year: 1970
Complete Citation:
Perlis, Vivian. “Recent Ives Research.” Seminar, Ives at Minnesota, University of Minnesota, Minneapolis, Minnesota, April 24 1970.
Source: Seminar
VI. Topical Studies
S. Reception Studies and Related Scholarship

Perlis, Vivian, Carol Baron, Michael Broyles, and Jan Swafford, panelists

Year: 1996
Complete Citation:
Perlis, Vivian, Carol Baron, Michael Broyles, and Jan Swafford, panelists. “Arts, Business, and Politics [Panel].” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 46-48. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Perkins. Francis D.

Year: 1948
Complete Citation:
Perkins. Francis D. “Letters: In Defense of Critics.” Harper’s 197 (Decem-ber 1948): 14.
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship

Peters, P.

Year: 1985
Complete Citation:
Peters, P. “Als een rijzweep in een automobiel: een cultuur sociologische analyse van de sociale en politieke theorieën van Charles E. Ives (1874-1954).” Groningen, Netherlands: 1985.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Pleasants, Henry

Year: 1969
Complete Citation:
Pleasants, Henry. Serious Music: And All That Jazz: An Adventure in Music Criticism. New York, NY: Simon and Schuster, 1969.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Potter, Hugh

Year: 1970
Complete Citation:
Potter, Hugh. “Paul Rosenfeld: Criticism and Prophesy.” American Quarterly 22/1 (Spring 1970): 82-94.
Notes:

Quotes from Rosenfeld's review of the Concord Sonata. Adds that “Rosenfeld's great enthusiasm for the music of Charles Ives was partly attributed to Ives’ interest in American subject matter and his use of native themes.”

Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Rabinowitz, Peter J.

Year: 1981
Complete Citation:
Rabinowitz, Peter J. “Fictional Music: Toward a Theory of Listening.” In Theories of Reading, Looking, and Listening, edited by Harry R. Garvin, 193-208. Bucknell Review, vol. 26, no. 1. Lewisburg, PA: Bucknell University Press, 1981.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship