Smith, Catherine Parsons
Year: 1994
Complete Citation:
Smith, Catherine Parsons. “‘A Distinguished Virility’: Feminism and Modernism in American Art Music.” In Cecilia Reclaimed: Feminism Perspectives on Gender and Music, edited by Susan C. Cook and Judy S. Tsou, 94-95. Urbana, Illinois: University of Illinois Press, 1994.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1994
Complete Citation:
Smith, Catherine Parsons. “‘A Distinguishing Virility’: Feminism and Mod-ernism in American Art Music.” In Cecilia Reclaimed: Feminist Perspectives on Gender and Music, edited by Susan C. Cook and Judy S. Tsou, 90-106. Urbana, IL: University of Illinois, 1994.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Solie, Ruth A., ed.
Year: 1995
Complete Citation:
Solie, Ruth A. “Charles Ives and gender ideology.” In Musicology and difference: gender and sexuality in music scholarship. Berkeley, CA: University of California Press, 1995.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Solomon, Maynard
Year: 1985
Complete Citation:
Solomon, Maynard. “Charles Ives: Some Psychonalytic Implications.” Presented at the New York Psychoanalytic Society, New York, New York, December 10, 1985.Notes: This presentation was a response to Stuart Feder’s “Calcium Light Night and Other Early Memories of Charles Ives,” and is extant as an unpublished mansucript.
Source: Conference Presentation
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1989
Complete Citation:
Solomon, Maynard. “Communications.” Journal of the American Musico- logical Society 42/1 (1989): 209-218.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1989
Complete Citation:
Maynard Solomon. Counter-response to J. Philip Lambert. Journal of the American Musicological Society xlii (1989): 209-218.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Stiller, Andrew
Year: 1986
Complete Citation:
Stiller, Andrew. “Who Owns American Music?” Opus 3/1 (December 1986): 18, 60.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Suhor, Charles
Year: 1976
Complete Citation:
Suhor, Charles. “To Charles Ives.” The English Journal, vol. 65, no. 5 (1976): 45-46.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Taruskin, Richard
Year: 1975
Complete Citation:
Taruskin, Richard. “To the Editor.” Current Musicology 19 (1975): 33-40.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Taubman, Howard
Year: 1949
Complete Citation:
Taubman, Howard. “Posterity Catches Up with Charles Ives.” The New York Times, October 23, 1949, sec. 6, 15, 34-36.Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1949
Complete Citation:
Taubman, Howard. “Posterity Catches Up with Charles Ives, An Interview.” New York Times Magazine, October 23, 1949.Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1958
Complete Citation:
Taubman, Howard. “Forget Posterity.” The New York Times. November 23, 1958, sec. 2, 11.Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Téllez, José Luis
Year: 2004
Complete Citation:
Téllez, José Luis. “Charles Ives: Las Paradojas del Profeta.” Scherzo: Revista de Música, Vol. 19 (2004): 110-115.Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
Thomson, Virgil
Year: 1971
Complete Citation:
Thomson, Virgil. “The Ives Case.” New York Review of Books 14, no. 10, May 21, 1970, 9--11.Source: Magazine
Reprints: Thomson, Virgil. “The Ives Case.” In <i>American Music Since 1910</i>, 22-30. New York: Holt, Rinehart and Winston, 1971. * Thomson, Virgil. “The Ives Case.” <i>A Virgil Thomson Reader</i>, 460-67. Boston: Houghton Mifflin, 1981. * Thomson, Virgil. “The Ives Case.” In <i>Virgil Thomson: The State of Music & Other Writings</i>, edited by Tim Page. New York, NY: Library of America, 2016.
VI. Topical Studies
S. Reception Studies and Related Scholarship
Tick, Judith
Year: 1993
Complete Citation:
Tick, Judith. 1993. “Charles Ives and Gender Ideology.” In Musicology and Difference: Gender and Sexuality in Music Scholarship, edited by Ruth Solie, 125--147. Berkeley, CA: University of California Press.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1997
Complete Citation:
Tick, Judith. “Charles Ives and the Politics of Direct Democracy.” In Ives Studies, edited by Philip Lambert, 133-162. Cambridge, UK: Cambridge University Press, 1997.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Tucker, Mark
Complete Citation:
Tucker, Mark. “Of Men and Mountains: Ives in the Adirondacks.” In Ives and His World, edited by J. Peter Burkholder, 161-198. Princeton, NJ: Princeton University Press, 1996.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Usmanbas, Ilhan
Year: 1977
Complete Citation:
Usmanbas, Ilhan. “Random-and Provocative Thoughts on Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 254-256. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Velten, Klaus
Year: 1981
Complete Citation:
Velten, Klaus. “Der Kunstler und die Natur-ein Interpretationsbeitrag zum Liebschaffen von Charles Ives.” Musik und Bildung: Zeitschrift 13 (September 1981): 544-546.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1981
Complete Citation:
Velten, Klaus. “Der Künstler und die Natur. Ein Interpretationsbeitrag zum Liebschaften von Charles Ives.” Musik und Bildung 13 (1981): 544-546.Source: Journal
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J. Extra-Musical Themes in Ives’s Compositions
