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Bibliography

Chase, Gilbert

Year: 1966
Complete Citation:
Chase, Gilbert. “America’s Music: From the Pilgrims to the Present.” New York: McGraw-Hill Book Company, 1966.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Clendenin, William R.

Year: 1965
Complete Citation:
Clendenin, William R. Music, History and Theory, 392-393. Garden City, NY: Doubleday, 1965.
Source: Book
VII. Entries in Larger Volumes
D. Other

Collaer, Paul, Albert vander Linden and F. van den Bremt, eds.

Year: 1960
Complete Citation:
Collaer, Paul, Albert vander Linden and F. van den Bremt, eds. “Charles Ives.” In Atlas historique de la musique. Paris, France: Elsevier 1960.
Source: Book
VII. Entries in Larger Volumes
B. Encyclopedia Entries

Collaer, Paul; Sally, Abeles, translator

Year: 1961
Complete Citation:
Collaer, Paul. A History of Modern Music, 43, 366-367, 388. Translated from French to English by Sally Abeles. New York, NY: Grosset & Dunlap.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Cooke, Deryck

Year: 1959
Complete Citation:
Cooke, Deryck. The Language of Music. Stocksbridge, United Kingdom: Clarendon House Publications, 1959.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Crunden, Robert M.

Year: 1972
Complete Citation:
Crunden, Robert M. “From Self to Society, 1919-1941.” In Transitions in American Thought Series. Englewood Cliffs, NJ: Prentice-Hall, 1972.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Dahlhaus, Carl

Year: 1980
Complete Citation:
Dahlhaus, Carl. Musik des 19. Jahrhundert (Neues Handbuch der Musikwissenschrift). Vol. 6. Wiesbaden, Germany: Akademie Verlagsgellschaft Athenian, 1980.
Notes:

Cites Concord Sonata's “random accumulation of dissonance.”

Source: Book
Reprints:

Dahlhaus, Carl. Musik des 19. Jahrhundert (Neues Handbuch der Musikwissenschrift) [<i>Nineteenth-Century Music</i>]. Translated to English by J. Bradford Robinson. California Studies in 19th Century Music, 5. Berkeley, CA: University of California Press, 1989.

VII. Entries in Larger Volumes
A. Textbook Accounts

Demuth, Norman

Year: 1952
Complete Citation:
Demuth, Norman. Musical Trends in the Twentieth Century. London, United Kingdom: Rockliff, 1952.
VII. Entries in Larger Volumes
A. Textbook Accounts

Ewen, David

Complete Citation:
Ewen, David. David Ewen Introduces Modern Music: A History and Appreciation: From Wagner to the Avant--Garde, 2, 6, 105, 190, 282. New York, NY: Chilton Publishing, 1969.
Notes:

Additional mentions of Charles Ives.

VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1949
Complete Citation:
Ewen, David. American composers today, a biographical and critical guide. New York, NY: H.W. Wilson Co., 1949.
Source: Book
VII. Entries in Larger Volumes
D. Other
Year: 1949
Complete Citation:
Ewen, David. American Composers of Today: A Biographical and Cri-tical Guide, 130-132. New York, NY: H.W. Wilson Company, 1949.
Source: Book
VII. Entries in Larger Volumes
B. Encyclopedia Entries
Year: 1952
Complete Citation:
Ewen, David. “Charles Ives.” In The complete book of 20th century music. New York, Prentice-Hall, 1952.
Notes:

1959 edition discusses Symphony No. 3 (“The Camp Meeting”) and Three Places in New England. The author states that the 1968 edition is a replacement for the previous title. A brief biographical comments; compact discussions of 114 Songs', From the Steeples and the Mountains; Symphonies Nos. 2, 3, 4; Three Places in New England; Sonata No. 2, "Concord, Mass., 1840-1860," for piano; and Quartet No. 2; with considerable information regarding premieres.

Source: Chapter in Book
Reprints:

Ewen, David. “Charles Ives.” In <i>The complete book of 20th century music</i>. New York, Prentice-Hall, 1959. * Ewen, David. <i>The World of Twentieth-Century Music</i>, 177, 394-403. Engle-wood Cliffs, NJ: Prentice-Hall, 1968:

VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1954
Complete Citation:
Ewen, David. “Charles Ives." In Ewen's musical masterworks: the encyclopedia of musical masterpieces. New York: Bonanza Books, 1954.
Source: Chapter in Book
VII. Entries in Larger Volumes
B. Encyclopedia Entries
Year: 1982
Complete Citation:
Ewen, David. American Composers: A Biographical Dictionary. New York, NY: G.P. Putnam's Sons, 1982: 323-325.
Source: Book
VII. Entries in Larger Volumes
C. Dictionary Entries

Favre, Roger

Year: 1990
Complete Citation:
Favre, Roger. “Ives, Charles.” In Encyclopédie des grands maîtres de la musique. Paris, France: Hachette, 1990.
Source: Chapter in Book
VII. Entries in Larger Volumes
B. Encyclopedia Entries

Feder, Stuart

Complete Citation:
Feder, Stuart. “The Nostalgia of Charles Ives: An Essay in Affects and Music.” The Annual of Psychoanalysis Vol. 10 (1982), pp. 301-332.
Source: Journal
Reprints:

Feder, Stuart. “The Nostalgia of Charles Ives: An Essay in Affects and Music.” In <i>Psychoanalytic Explorations in Music</i>, edited by Stuart Feder, Richard L. Karmel, and George H. Pollock, 233-266. Volume 3 of <i>Applied Psychoanalysis Series</i>. Madison, CT: International Universities Press, 1990.

VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1980
Complete Citation:
Feder, Stuart. “Decoration Day: A Boyhood Memory of Charles Ives.” The Musical Quarterly Vol. 66, No. 2 (April 1980): 234-261.
Source: Journal
Reprints:

Feder, Stuart. “Decoration Day: A Boyhood Memory of Charles Ives.” <i>Annual of Psychoanalysis</i> (1981) 9: 265-316.

VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 2004
Complete Citation:
Feder, Stuart. “Charles Ives’s Simulacrum of Mental Life in Music.” Paper presented at The Society for American Music Conference [Session 8a]. Cleveland, Ohio, March 12, 2004.
Source: Conference
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Feldman, Jay

Year: 1991
Complete Citation:
Feldman, Jay. “Sports Were Music to His Ears.” Sports Illustrated 75/15 (October 7, 1991): 106-108.
Source: Magazine
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Ferguson, Donald N.

Year: 1960
Complete Citation:
Ferguson, Donald N. Music as Metaphor. Minneapolis, Minnesota: University of Minnesota Press, 1960.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions