Hoffmann, Niels Frederic
Year: 1980
Complete Citation:
Hoffmann, Niels Frederic. “Der Alltag im musikalischen Kunstwerk. Von Offenbach bis Kagel.” In Musik im Alltag: Zehn Kongressbeitrage, edited by Reinhold Brinkmann. Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, 21. Mainz, Germany: Schott, 1980.Notes: Ives is one of the com-posers whose works are cited as having used everyday elements in their compositions.
Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Holloway, Robin
Year: 1996
Complete Citation:
Holloway, Robin. “‘Use Your Ears like a Man.’” Spectator 276/8740 (January 20, 1996): 42.Source: Magazine
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Honegger, Marc
Year: 1970
Complete Citation:
Honegger, Marc. Dictionaire de la musique, 529. Volume 1. Paris, France: Bordas, 1970.Notes: A general survey citing major published scores and some bibliographic items. Indicates that the European premieres of selections from Ives's 114 Songs were given in Paris (1931) and Berlin (1932).
Source: Encyclopedia article
VII. Entries in Larger Volumes
B. Encyclopedia Entries
Howard, John Tasker
Year: 1931
Complete Citation:
Howard, John Tasker. Our American Music: Three Hundred Years of It, 576-578. New York, NY: Thomas Y. Crowell Co., 1931.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1939
Complete Citation:
Howard, John Tasker. “Ives, Charles Edward.” The International Cyclo-pedia of Music and Musicians, edited by Oscar Thompson, 885. New York, NY: Dodd, Mead, & Co., 1939.Notes: Approximately a half--column.
Source: Chapter in Book
Reprints: New, Revised and Enlarged (i.e., Second) Edition, 1943; Third Edition, 1944 (Same as First Edition).<br>Fourth through Eighth Editions, edited by Nicolas Slonimsky, 1946, 1949, 1952, 1956, 1958. Article written by Nicolas Slonimsky; a column and a half on page 885 of each edition.<br>Ninth Edition, edited by Robert Sabin, 1964: 1049--1050.<br>Tenth Edition, edited by Bruce Bohle, 1979: 1087-1091. Article<br>written by Frank Peters.
VII. Entries in Larger Volumes
B. Encyclopedia Entries
Hughes, Don Anselm
Year: 1954
Complete Citation:
Hughes, Don Anselm. The New Oxford History of Music, Vol. II. London, United Kingdom: Oxford University Press, 1954.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Hurley, Frank H.
Year: 1969
Complete Citation:
Hurley, Frank H. “Freedom: Enterprise and Charles Ives.” Lecture, Music and the American Heritage, Cleveland Institute of Music, Cleveland, Ohio, November 14, 1969.Notes: Musical illustrations were per-formed by Donald Payne, piano, Mary Michael Earl, soprano, and the Cleveland Quartet.
Source: Lecture
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Ives, Charles
Year: 1937
Complete Citation:
“Ives, Charles.” In Who’s Who Today in the Musical World (1937), 58, 191-192.Source: Magazine
VII. Entries in Larger Volumes
C. Dictionary Entries
Jillisky, Joe
Year: 1987
Complete Citation:
Jillisky, Joe. “Charles Ives in the Adirondacks.” Adirondack Magazine, May 1987.Source: Magazine
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Johnson, Axel, ed.
Year: 1934
Complete Citation:
Johnson, Axel, ed. “Ives, Charles.” The Music Lover’s Guide (February 1934): 173.Source: Chapter in Book
VII. Entries in Larger Volumes
D. Other
Kassler, Jamie Croy
Year: 1994
Complete Citation:
Kassler, Jamie Croy. “Meaning in the Music of Charles Ives.” In Metaphor: a musical dimension. Basel, Switzerland: Gordon and Breach, 1994.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Kaufman, Helen L.
Year: 1943
Complete Citation:
Kaufman, Helen L. “Charles Ives.” In The Story of One Hundred Great Composers. New York, NY: Grosset & Dunlap, 1943.Source: Chapter in Book
Reprints: Kaufman, Helen L. “Charles Ives.” In <i>The Story of One Hundred Great Composers</i>, 73. New York, NY: Grosset & Dunlap, 1957.
VII. Entries in Larger Volumes
D. Other
Kavanaugh, Patrick
Year: 1991
Complete Citation:
Kavanaugh, Patrick. “Charles Ives.” In Spiritual lives of the great composers. Nashville, TN: Sparrow Press, 1991.VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1995
Complete Citation:
Kavanaugh, Patrick. “Charles Ives.” In Spiritual moments with the great composers: daily devotions from the lives of favorite composers & hymn writers. Grand Rapids, MI: Zondervan, 1995.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Keats, Sheila
Year: 1954
Complete Citation:
Keats, Sheila. “Reference Articles on American Composers: An Index.” Juilliard Review 1 (Fall 1954): 28-29.Source: Journal
VII. Entries in Larger Volumes
B. Encyclopedia Entries
Kerman, Joseph
Year: 1985
Complete Citation:
Kerman, Joseph. Listen. Third Brief Edition. Waco, TX: Worth, 1985.Notes: For listening studies, Kerman uses “The Rockstrewn Hills Join in the People's Outdoor Meeting” from Orchestral Set No. 2.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Kirkpatrick, John
Year: 1960
Complete Citation:
Kirkpatrick, John. “The Religious Perspective of a Musician.” Lecture, Anabel Taylor Hall, Cornell University, November 30, 1960.Source: Lecture
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1980
Complete Citation:
Kirkpatrick, John. “Ives, Charles E.” In The New Grove Dictionary of Music and Musicians, edited by Stanley Sadie. London, UK: Macmillan Publishers, 1980.Source: Article
Reprints: Kirkpatrick, John and Paul C. Echols. “Ives, Charles E.” In <i>The New Grove Dictionary of American Music and Musicians</i>, edited by H. Wiley Hitchcock and Stanley Sadie. New York, NY: Macmillan<i>, </i>1986. * Kirkpatrick, John, et. al. “Ives, Charles E.” In <i>The New Grove 20th-Century American Masters: Ives, Thomson, Sessions, Cowell, Gershwin, Copland, Carter, Barber, Cage, Bernstein</i>. New York, NY: New York: W.W. Norton, 1998: 1-52.
VII. Entries in Larger Volumes
C. Dictionary Entries
Year: 1988
Complete Citation:
Kirkpatrick, John. “Charles Ives.” In The New Grove Twentieth-Century American Masters: Ives, Thomson, Sessions, Cowell, Gershwin, Copland, Carter, Cage, Bernstein. New York, New York: W.W. Norton, 1988.Source: Book
VII. Entries in Larger Volumes
B. Encyclopedia Entries
Kramer, Lawrence
Year: 1995
Complete Citation:
Kramer, Lawrence. Cultural politics and musical form: the case of Charles Ives. In Classical music and postmodern knowledge. Berkeley, CA: University of California Press,1995.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
