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Bibliography

Marshall, Bryan

Year: 2003
Complete Citation:
Marshall, Bryan. “Charles Ives and the absent presences of life and work.” Ph.D. diss., Cardiff University, 2003.
Source: Ph.D. Dissertation
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Martin, John

Year: 1954
Complete Citation:
Martin, John. “Ballet Presents ‘Ivesiana’ Suite.” The New York Times. September 15, 1954: 38.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Mason, Redfern

Year: 1933
Complete Citation:
Mason, Redfern. “Recital Made Up of Moderns.” San Francisco Examiner. April 26, 1933, 17.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Matthew-Walker, Robert

Year: 1997
Complete Citation:
Matthew-Walker, Robert. “Reviews: Concerts: Andrew Ball at the Wigmore.” Musical Opinion Supplement (1997): 9-10.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Maus, Fred Everett

Year: 1991
Complete Citation:
Maus, Fred Everett. 1991. “Music as Narrative.” Indiana Theory Review 12: 1-34.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

McClendon, James W.

Year: 1994
Complete Citation:
McClendon, James W. “Charles Edward Ives: Theologian in Music.” In Theomusicology, edited by Jon Michael Spencer. Durham, NC: Duke University Press, 1994.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

McClure, John

Year: 1967
Complete Citation:
McClure, John. “Charles Ives—Lonely American Giant.” Gramophone 44/527, April 1967, 516-517.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

McColley, Robert

Year: 2002
Complete Citation:
McColley, Robert. “Classics in America.” Fanfare: The Magazine for Serious Record Collectors, Vol. 25, No. 3 (2002): 264.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

McCutchan, Ann

Year: 1990
Complete Citation:
McCutchan, Ann. “Composer’s Stage Manner Overshadows Music: Final Edition.” Austin American-Statesman, February 6, 1990.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

McDonaugh, Michael

Year: 2000
Complete Citation:
McDonaugh, Michael. “Concert Reviews: Outsiders in the House.” 21st Century Music, Vol. 7, No. 9 (2000): 24-25.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

McGregor, Andrew

Year: 2002
Complete Citation:
McGregor, Andrew. “Andrew McGregor's Discs of the Month.” BBC Music Magazine, Vol. 10, No. 10 (2002): 57.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

McLellan, J.

Year: 1974
Complete Citation:
McLellan, John. “Focusing on Charles Ives.” The Washington Post, September 8, 1974, E6.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

McLellan, Joseph

Year: 1993
Complete Citation:
McLellan, Joseph. “Classical Recordings: A Courier for Ives: The Albany Records Compilation.” The Washington Post, January 3, 1993, G4.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1995
Complete Citation:
McLellan, Joseph. “Sharon Mabry’s Revamped Verse: Final Edition.” The Washington Post, June 20, 1995.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1998
Complete Citation:
McLellan, Joseph. “Classical Music News: In Cleveland, All Ears on Ives.” The Washington Post. 1998: G2.
Source: Newspaper (concert review)
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

McNally, Owen

Year: 1999
Complete Citation:
McNally, Owen. “A State of Nurture and Chaos: Statewide Edition.” The Hartford Courant, December 12, 1999.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

McPhee, Colin

Year: 1939
Complete Citation:
McPhee, Colin. “Scores and Records.” Modern Music 16/4 (May--June 1939): 264--267.
Notes:

An announcement of the establishment of the Arrow Music Press that will now issue Cos Cob Press publications.

Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1941
Complete Citation:
McPhee, Colin. “Records and Scores.” Modern Music 18/4 (May--June 1941): 267--269.
Notes:

Lists contemporary Americans whose works arc recorded by Columbia and RCA. "Why no Ives, no Copland, no Harris—to mention a few who have done something significant in piano music.

Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1943
Complete Citation:
McPhee, Colin. “Scores and Records.” Modern Music 20/2 (January-February): 126-129.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Meelberg, Vincent

Year: 2006
Complete Citation:
Meelberg, Vincent. 2006. New Sounds, New Stories: Narrativity in Contemporary Music. Amsterdam, Netherlands: Leiden University Press, 2006.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions