Image
Complete Citation:
H, J. S. “Music of the Ballet.” New York Herald Tribune, September 15, 1954, 26.
Bibliography
Genres
H, J. S.
Year: 1954
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Haefeli, Toni
Year: 1998
Complete Citation:
Haefeli, Toni. “Berichte: Opernbetrieb versus Absolute Musik.” Dissonanz (1998): 30-31.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Hayford, Justin
Year: 2014
Complete Citation:
Hayford, Justin. “Charles Ives Take Me Home.” Reader, May 29, 2014.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Helms, Hans G.
Year: 1970
Complete Citation:
Helms, Hans G. “Ives and Politics.” Seminar, Ives at Minnesota, University of Minnesota, Minneapolis, Minnesota, April 24 1970.Source: Seminar
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Year: 1978
Complete Citation:
Helms, Hans G. “Berichte: Charles Edward Ives-idealer Amerikaner oder Sozialkritiker? Zum Ives-Jahr.” Beiträge zur Musikwissenschaft, Vol. 20, No. 1 (1978): 16.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Henry, Derrick
Year: 1989
Complete Citation:
Henry, Derrick. “Baritone's Dramatic Portrayal Brings Music of Composer Charles Ives to Life.” Atlanta Constitution, October 2, 1989, sec. B, 3.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
A. Theatre
A. Theatre
Year: 1997
Complete Citation:
Henry, Derrick. “Atlanta Ballet Performing ‘Carmina Burana’ and ‘Prisma.’” Atlanta Constitution, May 8, 1997, sec. G, 2.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Hoeschler, Linda
Year: 1970
Complete Citation:
Hoeschler, Linda. “‘Ives Liturgy’ Performed; Modern Musical Compositions Mixed with Old- Time Hymns.” Minneapolis Star (May 18, 1970): 10A.Notes:
Review of The Ives Liturgy: A Mass of the Common Man (1970)
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Holloway, Robin
Year: 1996
Complete Citation:
Holloway, Robin. “‘Use Your Ears like a Man.’” Spectator 276/8740 (January 20, 1996): 42.Source: Magazine
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Hornsby, Bruce R.
Year: 1986
Complete Citation:
Hornsby, Bruce R. Every Little Kiss (1986); rock composition. Recording: RCA PCDI 5904 (CD 1986; cassette 1986; no notes) The Way It Is.Notes:
Bruce Hornsby, lead vocals, piano, accordian, synthe-sizer, hammered dulcimer; and the Range (David Mansfield, gui-tar, mandolin, violin; George Marinelli, electric and acoustic gui-tars, vocals; Joe Puerta, bass, vocals; John Molo, drums, percus-sion). Begins with excerpt from beginning of "The Alcotts" move- ment of the Concord Sonata. Neither Concord nor Ives is identi-fied on the recording.
Source: Rock Composition
XII. Interdisciplinary Performances with Ives’s Music
C. Other
C. Other
Hurley, Frank H.
Year: 1969
Complete Citation:
Hurley, Frank H. “Freedom: Enterprise and Charles Ives.” Lecture, Music and the American Heritage, Cleveland Institute of Music, Cleveland, Ohio, November 14, 1969.Notes:
Musical illustrations were per-formed by Donald Payne, piano, Mary Michael Earl, soprano, and the Cleveland Quartet.
Source: Lecture
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Jacobson, Robert
Year: 1973
Complete Citation:
Prf: 1973 January 17: New York; City Center; Alexander Horvath, violin; Howard Baer, piano. Lar Lubovitch, choreographer. Three Essays (1974); ballet; American Ballet Theater.
Music: Orchestral Set No. 2.
Prf: 1974 January 15: New York; City Center.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Jillisky, Joe
Year: 1987
Complete Citation:
Jillisky, Joe. “Charles Ives in the Adirondacks.” Adirondack Magazine, May 1987.Source: Magazine
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Jones, Chris
Year: 2014
Complete Citation:
Jones, Chris. “An Effective Twist on Following Your Dreams.” Chicago Tribune, May 21, 2014.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Karlovits, Bob
Year: 2013
Complete Citation:
Karlovits, Bob. “‘Charles Ives’ Showcases Strife, Music, Basketball.” McClatchy - Tribune Business News, November 14, 2013.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Kassler, Jamie Croy
Year: 1994
Complete Citation:
Kassler, Jamie Croy. “Meaning in the Music of Charles Ives.” In Metaphor: a musical dimension. Basel, Switzerland: Gordon and Breach, 1994.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Kavanaugh, Patrick
Year: 1991
Complete Citation:
Kavanaugh, Patrick. “Charles Ives.” In Spiritual lives of the great composers. Nashville, TN: Sparrow Press, 1991.VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Year: 1995
Complete Citation:
Kavanaugh, Patrick. “Charles Ives.” In Spiritual moments with the great composers: daily devotions from the lives of favorite composers & hymn writers. Grand Rapids, MI: Zondervan, 1995.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Kerwin, Bud, choreographer
Year: 1974
Complete Citation:
Bud Kerwin, choreographer. The Subjective Man (1974); choreographic setting. Music: From the Swimmers', Like a Sick Eagle', Walt Whitman', The Cage', The Indians. Prf: 1974 October 20: Indianapolis; Clowes Memorial Hall, Butler University; Charles Ives Celebration Program; Dina Korta, Cheryl Palonis. Gathering: A Choreographic Tribute to Charles Ives (1976). M.F.A.; Department of Ballet and Modern Dance; University of Utah.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Kirkpatrick, John
Year: 1960
Complete Citation:
Kirkpatrick, John. “The Religious Perspective of a Musician.” Lecture, Anabel Taylor Hall, Cornell University, November 30, 1960.Source: Lecture
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions