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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Kisselgoff, Anna

Year: 1985
Complete Citation:
Kisselgoff, Anna. “Dance View: Peter Martins Turns to Drama in His New Ballet.” The New York Times (January 27, 1985): 2: 8.
Notes:

In giving an account of Martins as choreographer, the writer tells about “Calcium Light Night,” his “very first ballet in 1977--78,” which "demon- strated an interest in dramatic form" and which was his "most original ballet.”

Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1988
Complete Citation:
Kisselgoff, Anna. “Dance View; ‘Ives, Songs’: A Rollicking, Exquisite Odyssey: Review.” The New York Times, February 14, 1988.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1988
Complete Citation:
Kisselgoff, Anna. “Ballet: ‘Ives, Songs,’ by Jerome Robbins: Review.” The New York Times, February 6, 1988.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Stage Turned into a Cir-cus, with Tricycle.” The New York Times. June 19, 1999.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Kramer, Lawrence

Year: 1995
Complete Citation:
Kramer, Lawrence. Cultural politics and musical form: the case of Charles Ives. In Classical music and postmodern knowledge. Berkeley, CA: University of California Press,1995.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Krejmer, Lorens

Year: 2006
Complete Citation:
Krejmer, Lorens. ““Au–delà d’une Musique Informelle”: Nostalgia, Obsolescence and the Avant-Garde.” Muzikologija, no. 6 (2006): 43-62.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Kriegsman, Alan M.

Year: 1975
Complete Citation:
Alan M. Kriegsman. “Video Homage to Charles Ives.” Washington Post, September 15, 197, sec. B, 9.
Source: Newspaper
Reprints:

Review of “About Charles Ives”

XV. Television Broadcasts, Films, and Videocassettes
D. Reviews

L., Barbara

Year: 2001
Complete Citation:
Barbara L. “Atlanta Ballet nearly Flawless: All Edition."Sarasota Herald-Tribune, 2001, October 2.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Louis, Rémy

Year: 2009
Complete Citation:
Louis, Rémy. “DVD-Video: Sous sa bannière étoilée.” Diapason: le magazine du disque et de la musique vivante (2009): 112.
Source: Magazine
D. Reviews
Year: 2010
Complete Citation:
Louis, Rémy. “DVD-Video: Secrets partagés - “Keeping Score: Revealing Classical Music.” Diapason: le magazine du disque et de la musique vivante (2010): 118.
Source: Magazine (DVD Review)
D. Reviews
Year: 2016
Complete Citation:
Louis, Rémy. “Les disques de A à Z: Charles Ives.” Diapason: le magazine du disque et de la musique vivante (2016): 98.
Source: Magazine
XV. Television Broadcasts, Films, and Videocassettes
D. Reviews

Lubovitch, Lar, chroeographer

Complete Citation:
Lar Lubovitch, choreographer. Scherzo for Massah Jack (1973); ballet; American Ballet Theater.
Notes:

Music: Trio for violin, cello, and piano (Adagio and Scherzo), includ-ing "My Old Kentucky Home."

Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

MacClendon, James W.

Year: 2002
Complete Citation:
MacClendon, James W. “Expanding the Theory: Charles Edward Ives—Theologian in Music.” In Biography as theology: how life stories can remake today's theology. Eugene, OR: Wipf and Stock Publishers, 2002.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Magee, Gayle

Year: 2019
Complete Citation:
Magee, Gayle. “‘Every Man in New York’: Charles Ives and the First World War.” In Over Here, Over There: Transatlantic Conversations on the Music of World War I, edited by Gayle Sherwood Magee, et. al., 37-57. Urbana, IL: University of Illinois Press, 2019.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Marshall, Bryan

Year: 2003
Complete Citation:
Marshall, Bryan. “Charles Ives and the absent presences of life and work.” Ph.D. diss., Cardiff University, 2003.
Source: Ph.D. Dissertation
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Martin, J.

Year: 1954
Complete Citation:
Martin, John. “Ballet Presents ‘Ivesiana’ Suite: Balanchine's Setting of Pieces by Ives Bows at Center - Repetitions also seen.” The New York Times, September 15, 1954, 38.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Martin, John

Year: 1955
Complete Citation:
Martin, John. “Ballet: A Magnificent ‘Weirdie’— Troupe at City Center Dances ‘Ivesiana’—New Section Added to Balanchine Work.” The New York Times, March 7, 1955, 22.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Maus, Fred Everett

Year: 1991
Complete Citation:
Maus, Fred Everett. 1991. “Music as Narrative.” Indiana Theory Review 12: 1-34.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

McClendon, James W.

Year: 1994
Complete Citation:
McClendon, James W. “Charles Edward Ives: Theologian in Music.” In Theomusicology, edited by Jon Michael Spencer. Durham, NC: Duke University Press, 1994.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

McDonagh, Don

Year: 1968
Complete Citation:
McDonagh, Don. “City Ballet Dances Balanchine Works.” The New York Times, January 10, 1968, 51.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews