Abott, Reverend Jacob
Year: 1834-1858
Complete Citation:
Reverend Abbott, Jacob. Rollo at Play, Rollo at School; Rollo at Work', Rollo Learning to Read; Rollo Learning to Talk; Rollo's Correspondence; Rollo's Experiments', Rollo's Museums', Rollo's Philosophy, Rollo's Vacations', and Rollo's Travels. Another group was devoted to Rollo's tours of Europe: Rollo on the Atlantic, Rollo in Holland', Rollo in London', Rollo in Naples; Rollo in Paris', Rollo in Scot-land', Rollo in Switzerland', Rollo on the Rhine', and Rollo in Genoa.Source: Literary References
Reprints: "Rollo," the name Ives called musicians unwilling to listen to advanced dissonances and other techniques found in modern music, was derived from a character in books (1834--1858) by Reverend Jacob Abbott. Rollo could understand only the simplest of situations that had been taught or had been explained to him in great detail. Original publishers include Boston, MA: Weeks, Jordan, and Company; Philadelphia, PA: Hogan & Thompson; Boston, MA: Gould, Kendall & Lincoln.
XIII. Ives in Literature
B. Fiction
Addiego, J.
Year: 1982
Complete Citation:
Addiego, J. “Charles Ives.” Epoch 31/2 (1982): 127.Source: Journal
XIII. Ives in Literature
A. Poetry
Addiego, John
Year: 1982
Complete Citation:
Addiego, John. “Charles Ives.” Epoch 31/2 (Spring 1982): 127.Source: Poem
XIII. Ives in Literature
A. Poetry
Albèra, Philippe
Year: 2001
Complete Citation:
Albèra, Philippe. “Mensch und Maschine.” Dissonanz (2001): 46-47.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Almen, Byron, and Robert Hatten
Year: 2012
Complete Citation:
Almen, Byron, and Robert Hatten. 2012. “Narrative Engagement with Twentieth -Century Music: Possibilities and Limits.” In Music and Narrative since 1900, edited by Michael Klein and Nicholas Reyland, 59--85. Bloomington, IN: Indiana University Press, 2012.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Ascough, Richard
Year: 1992
Complete Citation:
Ascough, Richard. “Letter: Challenging Centipede.” The Guardian, October 29, 1992.Source: Magazine
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Axelrod, Alan
Year: 1976
Complete Citation:
Axelrod, Alan. “A Song by Charles Ives.” Brilliant Corners 5 (Spring 1977): 20--25.Notes: An essay with a poetic tone. Dated 1976.
Source: Poem
XIII. Ives in Literature
A. Poetry
Baron, Carol
Year: 1994
Complete Citation:
Baron, Carol. “Meaning in the Music of Charles Ives.” In Metaphor: A Musi-cal Dimension. Australian studies in the history, philosophy, and social studies of music, 37-50. Sydney, Australia: Currency Press, 1991.Source: Chapter in Book
Reprints: Baron, Carol. “Meaning in the Music of Charles Ives.” In <i>Musicology: A Book Series</i>, 15. Basel: Gor-don and Breach, 1994.
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Baron, Carol K.
Year: 2004
Complete Citation:
Baron, Carol K. “Efforts on Behalf of Democracy by Charles Ives and His Family: Their Religious Contexts.” Musical Quarterly 87.1 (April 2004): 6-43.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Bellamann, Henry
Year: 1923
Complete Citation:
Bellamann, Henry. “Notes on the New Aesthetic of Poetry and Music.” Musical Quar-terly 9, no.2 (April 1923): 260-270.Source: Journal
XIII. Ives in Literature
A. Poetry
Bemlef, J.
Year: 1977
Complete Citation:
Bemlef, J. “On Charles Ives and Wild Gardening.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 232-238. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
XIII. Ives in Literature
A. Poetry
Bernlef, Jan
Year: 1966
Complete Citation:
Bernlef, Jan. “Wild Gardening.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 233-238. Urbana, IL: University of Illinois Press, 1977.Source: Poem in Book
XIII. Ives in Literature
A. Poetry
Bond, Bruce
Year: 1989
Complete Citation:
Bond, Bruce. “Ives.” In The Ivory Hours. Amherst, MA: Heatherstone Press, 1989.
Source: Poem
Reprints: Bond, Bruce. “Ives.” <i>Sonneck Society for American Music Bul-letin</i> 15/3 (1989): 111.
XIII. Ives in Literature
A. Poetry
Broyles, Michael
Year: 1996
Complete Citation:
Broyles, Michael. "Charles Ives and the American Democratic Tradition." In Charles Ives and His World, 118-160. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Callens, Johan
Year: 1991
Complete Citation:
Callens, Johan. “The Spirit of Charles Ives.” In American Literature and the Arts. Brussels, Belgium: VUBPress, 1991.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Cazden, Norman
Year: 1955
Complete Citation:
Cazden, Norman. “Realism in Abstract Music.” Music and Letters XXXVI (January 1955): 38.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Copland, Aaron
Year: 1975
Complete Citation:
Copland, Aaron. “A Garland for Charles Ives.” Poetry in Review, Spring/Summer 1975, 293-393.Notes: Includes Copland's Night Thoughts for piano and essays by Elliott Carter, Lou Harrison and others.
Source: Magazine
XIII. Ives in Literature
A. Poetry
Year: 1975
Complete Citation:
Copland, Aaron. “Night Thoughts (Homage to Ives).” Parnassus: Poetry in Review 3/2 (Spring/Summer 1975): 295-299.Source: Journal
XIII. Ives in Literature
A. Poetry
Cramer, Alice
Year: 1979
Complete Citation:
Cramer, Alice Carver. “Charles Ives in the Tulip Poplars.” Poet Lore 74, no. 1 (Spring 1979): 18.Source: Magazine
XIII. Ives in Literature
A. Poetry
Crosson, Robert
Year: 1980
Complete Citation:
Crosson, Robert. “General Booth” and “Ives.” In Geographies. Los Angeles, CA: The Red Hill Press, 1980.
Source: Poem
Reprints: Reprint: Sonneck Society for American Music Bulletin (1989) 15/3: 111.
XIII. Ives in Literature
A. Poetry
