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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
(-) XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Hoffman, Daniel

Year: 1970
Complete Citation:
Hoffman, Daniel. “Snatches for Charles Ives.” In Broken Laws. New York, New York: Oxford University Press, 1970.
Source: Poem
Reprints:

Reprint: Beyond Silence: Selected Shorter Poems, 1948-2003. Baton Rouge: Louisiana State University Press, 2003: 181.

XIII. Ives in Literature
A. Poetry
Year: 1977
Complete Citation:
Hoffman, Daniel. “Snatches for Charles Ives.” In Able was I ere I saw Elba: selected poems, 1954-74. London, United Kingdom: Hutchinson, 1977.
Source: Poem
XIII. Ives in Literature
A. Poetry

Holloway, Robin

Year: 1996
Complete Citation:
Holloway, Robin. “‘Use Your Ears like a Man.’” Spectator 276/8740 (January 20, 1996): 42.
Source: Magazine
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Holmes, Janet

Year: 2001
Complete Citation:
Holmes, Janet. “Humanophone.” In Humanophone, 46-52. Notre Dame, IN: Univer-sity of Notre Dame Press, 2001.
Source: Poem in Book
XIII. Ives in Literature
A. Poetry

Houston, Peyton

Year: 1975
Complete Citation:
Houston, Peyton. “Concord: In Memory of C. I.” A Garland for Charles Ives: Special Supplement to Parnassus: Poetry in Review 3/2 (Spring/Summer 1975): 327--328.
Source: Poem
XIII. Ives in Literature
A. Poetry

Hurley, Frank H.

Year: 1969
Complete Citation:
Hurley, Frank H. “Freedom: Enterprise and Charles Ives.” Lecture, Music and the American Heritage, Cleveland Institute of Music, Cleveland, Ohio, November 14, 1969.
Notes:

Musical illustrations were per-formed by Donald Payne, piano, Mary Michael Earl, soprano, and the Cleveland Quartet.

Source: Lecture
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Jaffin, David

Year: 2013
Complete Citation:
Jaffin, David. “Charles Edward Ives.” In Light sources: poems. Bristol, United Kingdom: Shearsman Books, 2013.
Source: Poem
XIII. Ives in Literature
A. Poetry

Jillisky, Joe

Year: 1987
Complete Citation:
Jillisky, Joe. “Charles Ives in the Adirondacks.” Adirondack Magazine, May 1987.
Source: Magazine
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Johnson, Owen

Year: 1912
Complete Citation:
Johnson, Owen. Stover at Yale. Boston, MA: Little, Brown, 1912.
Source: Book
XIII. Ives in Literature
B. Fiction

Johnson, Ronald

Year: 1975
Complete Citation:
Johnson, Ronald. “Charles Ives: Two Eyes, Two Ears.” Parnassus: Poetry in Review 3/2 (Spring/Summer 1975): 345-349.
Source: Journal
XIII. Ives in Literature
A. Poetry

Kassler, Jamie Croy

Year: 1994
Complete Citation:
Kassler, Jamie Croy. “Meaning in the Music of Charles Ives.” In Metaphor: a musical dimension. Basel, Switzerland: Gordon and Breach, 1994.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Kavanaugh, Patrick

Year: 1991
Complete Citation:
Kavanaugh, Patrick. “Charles Ives.” In Spiritual lives of the great composers. Nashville, TN: Sparrow Press, 1991.
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1995
Complete Citation:
Kavanaugh, Patrick. “Charles Ives.” In Spiritual moments with the great composers: daily devotions from the lives of favorite composers & hymn writers. Grand Rapids, MI: Zondervan, 1995.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Kirkpatrick, John

Year: 1960
Complete Citation:
Kirkpatrick, John. “The Religious Perspective of a Musician.” Lecture, Anabel Taylor Hall, Cornell University, November 30, 1960.
Source: Lecture
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Kramer, Lawrence

Year: 1995
Complete Citation:
Kramer, Lawrence. Cultural politics and musical form: the case of Charles Ives. In Classical music and postmodern knowledge. Berkeley, CA: University of California Press,1995.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Krejmer, Lorens

Year: 2006
Complete Citation:
Krejmer, Lorens. ““Au–delà d’une Musique Informelle”: Nostalgia, Obsolescence and the Avant-Garde.” Muzikologija, no. 6 (2006): 43-62.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Last, Martin

Year: 1959
Complete Citation:
Last, Martin. “Charles Ives: A Music.” The Transatlantic Review. no. 2 (1959): 102-103.
Source: Magazine
XIII. Ives in Literature
A. Poetry

Lynds, D.

Year: 1989
Complete Citation:
Lynds, D. “Charles Ives and the President of the United States.” South Dakota Review 211A (Winter 1989): 156-161.
Source: Journal
XIII. Ives in Literature
B. Fiction

MacClendon, James W.

Year: 2002
Complete Citation:
MacClendon, James W. “Expanding the Theory: Charles Edward Ives—Theologian in Music.” In Biography as theology: how life stories can remake today's theology. Eugene, OR: Wipf and Stock Publishers, 2002.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Magee, Gayle

Year: 2019
Complete Citation:
Magee, Gayle. “‘Every Man in New York’: Charles Ives and the First World War.” In Over Here, Over There: Transatlantic Conversations on the Music of World War I, edited by Gayle Sherwood Magee, et. al., 37-57. Urbana, IL: University of Illinois Press, 2019.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions