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Complete Citation:
Seckerson, Edward. “Potent and Wholly Persuasive Accounts from Hampson and Tilson Thomas of Ives’s Quirky Idiom.” Gramophone, Vol. 79 (2002): 75.
Bibliography
Genres
Seckerson, Edward
Year: 2002
Source: Magazine
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Sinclair, James
Year: 1998
Complete Citation:
Sinclair, James. “Performing Ives/Ives Performing.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.Source: Conference paper
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Stefan, Paul
Year: 1932
Complete Citation:
Stefan, Paul. “Vienna Revisits the Depression.” Modern Music 9/3 (March-April 1932): 127-130.Notes:
Mentions performance of some of Ives’s songs in a Vienna concert of the Pan American Association of Composers (February 21, 1932: Anton Webern, conductor). Also sponsored by the International Society for New Music.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Stevenson, Robert M.
Year: 1966
Complete Citation:
Stevenson, Robert M. Protestant Church Music in America: A Short Survey of Man and Movements from 1564 to the Present, 118-119, 126, 129. New York, NY: W.W. Norton, 1966.Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Wickstrom, Fred
Year: 1976
Complete Citation:
Wickstrom, Fred. “Ives and Percussion, A Forerunner on All Fronts.” In South Florida's Historic Ives Festival 1974-1976, edited by F. Warren O’Reilly, 57-58. Coral Gables, FL: University of Miami at Coral Gables, 1976.Source: Chapter in Book
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches