Ashbee, Andrew
Year: 2016
Complete Citation:
Ashbee, Andrew. “James Shirley’s The Triumph of Peace Revisited.” The Consort: European Journal of Early Music, Vol. 72 (2016): 31-48.Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
Atlas, Allan W.
Year: 1996
Complete Citation:
Atlas, Allan W. The Wheatstone English Concertina in Victorian England. Oxford, United Kingdom: Clarendon Press, 1996.Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives
Bauer, Marion
Year: 1947
Complete Citation:
Bauer, Marion. “Charles Ives Receives Award.” Musical Leader 79/6 (June 1947): 9.Notes: Notice of Ives's receiving the Pulitzer Prize for Symphony No. 3. Includes remarks about his being ignored and overlooked.
Source: Journal
VI. Topical Studies
V. Awards
Beckwith, Ethel
Year: 1947
Complete Citation:
Beckwith, Ethel. “Pulitzer Prize Winner Scoffs at $1,000 Award.” Sunday Herald (Bridgeport, Connecticut), May 11, 1947, 1, 16.Source: Newspaper
VI. Topical Studies
V. Awards
Bernstein, Leonard
Year: 1982
Complete Citation:
Bernstein, Leonard. “The Absorption of Race Elements into American Music.” In Findings: Fifty Years of Meditations on Music, 36-99. New York, NY: Doubleday, 1982.Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives
Block, Geoffrey
Year: 1996
Complete Citation:
Block, Geoffrey. “Ives and the ‘Sounds that Beethoven Didn't Have.’” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 34-50. New Haven, CT: Yale University Press, 1996.Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives
Burkholder, J. Peter
Complete Citation:
Burkholder, J. Peter. “Introduction: “A Continuing Spirit.”” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 1-8. New Haven, CT: Yale University Press, 1996.Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives
Year: 1996
Complete Citation:
Burkholder, J. Peter. “Ives and the Four Musical Traditions.” In Charles Ives and His World, 3-34. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives
Cowell, Henry
Year: 1925
Complete Citation:
Cowell, Henry. “The Value of Eclecticism.” Sackbut 5, no. 9 (1925): 264--265.Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
DeVenney, David P.
Year: 1999
Complete Citation:
DeVenney, David P. “The End of the Century: Impressionism and the Flowering of Roman-ticism.” In Varied Carols: A Survey of American Choral Literature, 105-109. Westport, CT: Greenwood Press, 1999.Notes: In Chapter 5, “The End of the Century: Impressionism and the Flowering of Roman-ticism,” some details are given about General William Booth Enters into Heaven, Psalm 90, Psalm 24, Psalm 54, Psalm 135, The Celestial Country, and Three Harvest Home Chorales.
Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives
Duane, Ben
Year: 2013
Complete Citation:
Duane, Ben. “Auditory Streaming Cues in Eighteenth- and Early Nineteenth-Century String Quartets: A Corpus-Based Study.” Music Perception: An Interdisciplinary Journal 31/1 (2013): 46-58.Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
Duke, Vernon
Year: 1937
Complete Citation:
Duke, Vernon. “Musicalantics and Antiques.” Stage (March 1937): 78.Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
Gann, Kyle
Year: 1991
Complete Citation:
Gann, Kyle. “Pulitzer Hacks: Amateur Composers versus the Profes-sionals.” Village Voice, July 30, 1991.Notes: Cites the story from Milton Babbitt that Ives was not a professional composer.
Source: Newspaper
VI. Topical Studies
V. Awards
Year: 1992
Complete Citation:
Gann, Kyle. “Composer’s Clearing House: The Pulitzer Prize.” Village Voice, May 5, 1992.Notes: Claims Lou Harrison urged Ives to “expunge the 'ex-perimental' parts of the Third Symphony” [i.e., “shadow parts”].
Source: Newspaper
VI. Topical Studies
V. Awards
Hüppe, Eberhard
Year: 2012
Complete Citation:
Hüppe, Eberhard. “Charles Ives’ Entkoppelung von Europa.” In Urbanisierte Musik: eine Studie über gesellschaftliche Determinanten musikalischer Raumproduktion und Raumaneignung. Münster, Germany: Verlagshaus Monsenstein und Vannerdat, 2012.Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives
Johnson, Marc E.
Year: 2002
Complete Citation:
Johnson, Marc E. “Charles Ives’s (Utopian, Pragmatist, Nostalgic, Progressive, Romantic, Modernist) Yankee Realism.” American Music 20.2 (Summer 2002): 188-233.Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
Karl, Frederick R.
Year: 1985
Complete Citation:
Karl, Frederick R. Modern and Modernism: The Sovereignty of the Artist, 1885-1925, 337. New York, NY: Atheneum, 1985.Notes: “In America, Charles Ives was, without direct awareness of European developments, pursuing his own forms of Modernism,” (340-341).
Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives
Kaskowitz, Sheryl
Year: 2006
Complete Citation:
Kaskowitz, Sheryl. “‘The Voice of the People Arose’: Charles Ives, Communal Singing and Ritual in American Life.” Paper presented at the Thirty--second Conference of the Society for American Music. Chicago, Illinois, 2006.Source: Conference paper
VI. Topical Studies
K. Stylistic Influences on Ives
Kozinn, Allan
Year: 1998
Complete Citation:
Kozinn, Allan. “Composer Wins Freedom, but It's Temporary.” The New York Times, January 15 1998.Source: Newspaper
VI. Topical Studies
V. Awards
Year: 2000
Complete Citation:
Kozinn, Allan. “Chinese-Born Composer Wins $225,000 Ives Prize.” The New York Times, December 21, 2000, sec. E, 11.Source: Newspaper
VI. Topical Studies
V. Awards