Image
Complete Citation:
Gorlinski, Gini. “Charles Ives.” In The 100 most influential musicians of all time. New York, NY: Britannica Educational Publishing, 2010.
Bibliography
Genres
Gorlinski, Gini
Year: 2010
Source: Book
VII. Entries in Larger Volumes
B. Encyclopedia Entries
B. Encyclopedia Entries
Grannis, Lewis C.
Year: 1935
Complete Citation:
Grannis, Lewis C. Connecticut Composers, 53-57. New Haven, CT: State Federation of Music Clubs, 1935.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Griffiths, Paul
Year: 1978
Complete Citation:
Griffiths, Paul. A Concise History of Avant-Garde Music. New York, NY: Thames and Hudson, 1978.Source: Book
Reprints:
Griffiths, Paul. <i>Modern Music: A Concise History from Debussy to Boulez</i>. New York, NY: Oxford University Press, 1985. Griffiths, Paul. <i>Modern Music and After</i>. Revised edition. Oxford: Oxford Uni-versity Press, 1995.
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Year: 1994
Complete Citation:
Griffiths, Paul. Modern music: a concise history. London, United Kingdom: Thames and Hudson, 1994.Source: Book
VII. Entries in Larger Volumes
D. Other
D. Other
Grout, Donald Jay
Year: 1960
Complete Citation:
Grout, Donald Jay. A History of Western Music. New York, New York: W.W. Norton & Co., 1960.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Hamm, Charles
Year: 1983
Complete Citation:
Hamm, Charles. “The Search for a National Identity.” In Music in the New World, 424-437. New York, NY: W.W. Norton, 1983.Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Hansen, Peter S.
Year: 1961
Complete Citation:
Hansen, Peter S. “Music in the United States.” In An Introduction to 20th Century Music, 77-84. Boston, MA: Allyn and Bacon, 1961.Source: Book
Reprints:
Hansen, Peter S. “Music in the United States.” In <i>An Introduction to 20th Century Music</i>, 2nd ed. Boston, MA: Allyn and Bacon, 1961. * Hansen, Peter S. “Music in the United States.” In <i>An Introduction to 20th Century Music</i>, 3rd ed. Boston, MA: Allyn and Bacon, 1967. * Hansen, Peter S. “Music in the United States.” In <i>An Introduction to 20th Century Music</i>, 86-96. 4th ed. Boston, MA: Allyn and Bacon, 1961.
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Year: 1967
Complete Citation:
Hansen, Peter S. An Introduction to Twentieth Century Music. Boston, MA: Allyn and Bacon, 1967.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Hitchcock, H. Wiley
Year: 1974
Complete Citation:
Hitchcock, H. Wiley. Music in the United States [La música en los Estados Uni-dos, una introdución a su historia]. Translated to Spanish. Buenos Aires, Argentina: Editorial Victor Leru, 1972.Source: Book
Reprints:
Second Edition, 1974: 149-172. Third Edition, 1988: 161-186. Fourth Edition, 2000: 171--199.
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Year: 1988
Complete Citation:
Hitchcock, H. Wiley. Music in the United States: A Historical Introduction, 161-186. 3rd ed. New Jersey: Prentice-Hall, 1988.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Hoffmann, Niels Frederic
Year: 1980
Complete Citation:
Hoffmann, Niels Frederic. “Der Alltag im musikalischen Kunstwerk. Von Offenbach bis Kagel.” In Musik im Alltag: Zehn Kongressbeitrage, edited by Reinhold Brinkmann. Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, 21. Mainz, Germany: Schott, 1980.Notes:
Ives is one of the com-posers whose works are cited as having used everyday elements in their compositions.
Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Honegger, Marc
Year: 1970
Complete Citation:
Honegger, Marc. Dictionaire de la musique, 529. Volume 1. Paris, France: Bordas, 1970.Notes:
A general survey citing major published scores and some bibliographic items. Indicates that the European premieres of selections from Ives's 114 Songs were given in Paris (1931) and Berlin (1932).
Source: Encyclopedia article
VII. Entries in Larger Volumes
B. Encyclopedia Entries
B. Encyclopedia Entries
Howard, John Tasker
Year: 1931
Complete Citation:
Howard, John Tasker. Our American Music: Three Hundred Years of It, 576-578. New York, NY: Thomas Y. Crowell Co., 1931.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Year: 1939
Complete Citation:
Howard, John Tasker. “Ives, Charles Edward.” The International Cyclo-pedia of Music and Musicians, edited by Oscar Thompson, 885. New York, NY: Dodd, Mead, & Co., 1939.Notes:
Approximately a half--column.
Source: Chapter in Book
Reprints:
New, Revised and Enlarged (i.e., Second) Edition, 1943; Third Edition, 1944 (Same as First Edition).<br>Fourth through Eighth Editions, edited by Nicolas Slonimsky, 1946, 1949, 1952, 1956, 1958. Article written by Nicolas Slonimsky; a column and a half on page 885 of each edition.<br>Ninth Edition, edited by Robert Sabin, 1964: 1049--1050.<br>Tenth Edition, edited by Bruce Bohle, 1979: 1087-1091. Article<br>written by Frank Peters.
VII. Entries in Larger Volumes
B. Encyclopedia Entries
B. Encyclopedia Entries
Hughes, Don Anselm
Year: 1954
Complete Citation:
Hughes, Don Anselm. The New Oxford History of Music, Vol. II. London, United Kingdom: Oxford University Press, 1954.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Hüppe, Eberhard
Year: 2012
Complete Citation:
Hüppe, Eberhard. “Charles Ives’ Entkoppelung von Europa.” In Urbanisierte Musik: eine Studie über gesellschaftliche Determinanten musikalischer Raumproduktion und Raumaneignung. Münster, Germany: Verlagshaus Monsenstein und Vannerdat, 2012.Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Ives, Charles
Year: 1937
Complete Citation:
“Ives, Charles.” In Who’s Who Today in the Musical World (1937), 58, 191-192.Source: Magazine
VII. Entries in Larger Volumes
C. Dictionary Entries
C. Dictionary Entries
Johnson, Axel, ed.
Year: 1934
Complete Citation:
Johnson, Axel, ed. “Ives, Charles.” The Music Lover’s Guide (February 1934): 173.Source: Chapter in Book
VII. Entries in Larger Volumes
D. Other
D. Other
Johnson, Marc E.
Year: 2002
Complete Citation:
Johnson, Marc E. “Charles Ives’s (Utopian, Pragmatist, Nostalgic, Progressive, Romantic, Modernist) Yankee Realism.” American Music 20.2 (Summer 2002): 188-233.Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Karl, Frederick R.
Year: 1985
Complete Citation:
Karl, Frederick R. Modern and Modernism: The Sovereignty of the Artist, 1885-1925, 337. New York, NY: Atheneum, 1985.Notes:
“In America, Charles Ives was, without direct awareness of European developments, pursuing his own forms of Modernism,” (340-341).
Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives