Addiss, Stephen
    Year: 1957
Complete Citation: 
Addiss, Stephen. “The vocal music of Charles Ives.” B.A. thesis,  Harvard University, 1957.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Adkins, Cecil, and Alis Dickinson.
    Year: 1974
Complete Citation: 
Adkins, Cecil, and Alis Dickinson. “Supplement (1974) to Doctoral Dissertations in Musicology.” Journal of the American Musicological Society 27, 110.3 (Fall): 475-514.Source: Journal
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Albert, Thomas Russell
    Year: 1974
Complete Citation: 
Albert, Thomas Russell. “The Harmonic Language of Charles Ives’  Concord Sonata.” D.M.A. diss., University of Illinois, 1974.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Alexander, Michael
    Year: 1986
Complete Citation: 
Alexander, Michael. “Improvisation in the Music of Charles.” Ph.D.  diss., Keele University, 1986.Source: Ph.D. Disseration
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Allen, Barbara Oakley
    Year: 1979
Complete Citation: 
Allen, Barbara Oakley. “An analysis of six Ives songs: with  suggestions for performance.” D.M.A. term project, Stanford  University, 1979.Source: D.M.A. Term Project
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Allen, Sandra Gillette
    Year: 1966
Complete Citation: 
Allen, Sandra Gillette. “Salient formal and thematic structures in the  four violin sonatas of Charles Ives.” M.A. Thesis, University of  Washington, 1966.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Anderson, Clifford Hugh
    Year: 1970
Complete Citation: 
Anderson, Clifford Hugh. “An Analytical Study of the Fourth Symphony  of Charles Ives.” M.A. Thesis, University of Wyoming, 1970.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Anderson, William
    Year: 1975
Complete Citation: 
Anderson, William. “Editorially Speaking: Composer Charles Ives Enters History.” Stereo Review 34/3 (March 1975): 4.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Archibald, Bruce
    Year: 1966
Complete Citation: 
Archibald, Bruce. “Reviewed Works: The Orchestra Song by William Schuman; Variations on “America” (Charles Ives, for organ, 1891; William Schuman, for orch., 1963) by Charles Ives.” Notes, vol. 23, no. 1 (September 1966): 157.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Arnold, Gregory Palmer
    Year: 1976
Complete Citation: 
Arnold, Gregory Palmer. “Charles Ives: his musical philosophy and  compositional style as applied to five works for chamber orchestra.”  M.M. thesis, University of Houston, 1976.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Arnold, Jerome Steven
    Year: 2014
Complete Citation: 
Arnold, Jerome Steven. ““Country Band” March: Historical Perspectives,  Stylistic Considerations and Rehearsal Strategies.” D.M.A. diss.,  George Mason University.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Ashbee, Andrew
    Year: 2016
Complete Citation: 
Ashbee, Andrew. “James Shirley’s The Triumph of Peace Revisited.” The Consort: European Journal of Early Music, Vol. 72 (2016): 31-48.Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
Atlas, Allan W.
    Year: 1996
Complete Citation: 
Atlas, Allan W. The Wheatstone English Concertina in Victorian England. Oxford, United Kingdom: Clarendon Press, 1996.Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives
Austin, Larry
    Year: 1976
Complete Citation: 
Austin, Larry. “Reconstruction of Ives’ Universe Symphony.” In Desert Plants: Conversations with 23 American Musicians, interviewed by Walter Zimmermann, 207-220. Vancouver, BC: A.R.C. Publications, 1976.Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1985
Complete Citation: 
Austin, Larry. “Charles Ives’s Life Pulse Prelude for Percussion Orchestra: A Realization for Modem Performance from Sketches for His Universe Symphony.” Percussionist 23, no. 6 (1985): 58-84.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Ausubel, Hillel
    Year: 1953
Complete Citation: 
Ausubel, Hillel. “The Effect of Chromaticism on Tonality: As Found in  Selected Compositions from the Period between 1890 and 1910.” Ph.D.  diss., Columbia University, 1953.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Averill, Ron
    Year: 1995
Complete Citation: 
Averill, Ron. “The use of quotation in 20th-century works by Ron  Averill, Charles Dodge, and Charles Ives.” D. Mus. Thesis, University  of Washington, 1995.Source: D. Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Babb, Timothy Martin
    Year: 1994
Complete Citation: 
Babb, Timothy Martin. “Text painting in the songs of Charles Ives.”  D.M.A. Dissertation, University of South Carolina, 1994.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Badolato, James Vincent
    Year: 1978
Complete Citation: 
Badolato, James Vincent. “The Four Symphonies of Charles Ives: A  Critical, Analytical Study of the Musical Style of Charles Ives.”  Ph.D. diss., Catholic University, 1978.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Bagwell, James
    Year: 1999
Complete Citation: 
Bagwell, James. “Innovation and synthesis: the Psalm settings of  Charles Ives.” D. Mus. Thesis, Indiana University, 1999.Source: D. Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations