Image
Complete Citation:
Copland, Aaron. “The American Composer and His Critic.” Modern Music IX, 4 (May-June 1932): 143-147.
Bibliography
Genres
Copland, Aaron
Year: 1932
Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1952
Complete Citation:
Copland, Aaron. “The Composer in Industrial America.” In Music and Imagination: The Charles Elliott Norton Lectures, 1951--1952, 96--111. Cambridge, United Kingdom: Harvard University Press, 1952.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1968
Complete Citation:
Copland, Aaron. “The Ives Case.” In The New Music: 1900-1960. New York, NY: W.W. Norton, 1968. Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Cowell, Henry
Year: 1933
Complete Citation:
Cowell, Henry. “Europe and America in Music Today.” Modern Music X, 2 (January-February 1933): 95.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Year: 1933
Complete Citation:
Cowell, Henry. “Trends in American Music.” In American Composers on American Music, edited by Henry Cowell, 3-13. Stanford, CA: Stanford University Press, 1933.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Cowell, Henry Dixon
Year: 1941
Complete Citation:
Cowell, Henry Dixon. “Dos Estudios: (1) La musica entre los pueblos primitivos; (2) La creacíon musical en los Estados Unidos.” Spanish translation by Francisco Curt Lange. Boletín Latino--Americano de Música 5/5 (October 1941): 105--113.Notes:
The second essay gives attention to Ives, Ruggles, Crawford, and others.
Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Cox, David
Year: 1965
Complete Citation:
Cox, David. “Charles Ives, the First Truly American Composer.” Lis-tener 73 (March 11, 1965): 384.Notes:
A general article as background for broad- cast of the four violin sonatas. Cites the infamous misquotation of Schoenberg.
Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Crawford, Richard
Year: 2001
Complete Citation:
Crawford, Richard. “To Stretch Our Ears: The Music of Charles Ives.” In America’s Musical Life: A History, 495-523. New York, NY: W.W. Norton, 2001.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 2005
Complete Citation:
Crawford, Richard. “To stretch our ears”: the music of Charles Ives. In America’s musical life: a history. New York, NY: W.W. Norton, 2005.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Crunden, Robert M.
Year: 1994
Complete Citation:
Crunden, Robert M. A brief history of American culture. New York, NY: Paragon House, 1994.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Crutchfield, Will
Year: 1987
Complete Citation:
Crutchfield, Will. “Why Our Greatest Composer Needs Serious Attention.” The New York Times, May 10, 1987, sec. 2, 19, 22.Source: Newspaper
V. General Music Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Daniel, Oliver
Year: 1975
Complete Citation:
Daniel, Oliver. The Charles Ives Centennial: A personal memoir by Oliver Daniel. BMI: The Many Worlds of Music 3 (1974): 32-35.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Danuser, Hermann
Year: 1987
Complete Citation:
Danuser, Hermann. “Auf der Suche nach einer nationalen Musikasthetik.” In Amenkanische Musik seit Charles Ives: Interpretation, Quellentexte Komponistenmonographien, 51-59. Lilienthal, Germany: Laaber-Verlag, 1987.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Dayton. Daryl D
Year: 1975-1976
Complete Citation:
Dayton, Daryl D. “Charles Ives in the USIA.” Student Musicologists at Min-nesota 6 (1975-76): 87-94.Source: Journal
V. General Music Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Deeb, Ellen Clark
Year: 1977
Complete Citation:
Deeb, Ellen Clark. Famous American composers: the story of American music, from folk to jazz. Milwaukee, WI: Ideals Publishing Corporation, 1977.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Denave, Laurent
Year: 2012
Complete Citation:
Denave, Laurent. Un siècle de création musicale aux États-Unis Histoire sociale des productions les plus originales du monde musical américain, de Charles Ives au minimalisme (1890-1990). Geneva, Switzerland: Éditions Contrechamps, 2012.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Dickinson, Peter
Year: 1974
Complete Citation:
Dickinson, Peter. “A New Perspective for Ives.” Musical Times 115/1580 (October 1974): 836-838.Source: Journal
V. General Music Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Year: 1974
Complete Citation:
Dickinson, Peter. “A New Perspective for Ives.” The Musical Times 115 (September 1974): 836-8-38.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Donohue, John and Michael Petersen
Year: 1974
Complete Citation:
Donohue, John and Michael Petersen. “Connecticut's Music Man: Charles Ives.” The Hartford Courant Magazine, October 20, 1974, 2H.Source: Newspaper
VI. Topical Studies
L. Ives and America
L. Ives and America
Downes, Olin
Year: 1925
Complete Citation:
Olin Downes. “Placing the Critics.” The League of Composers’ Review II, 2 (April 1925): 33-35.Notes:
<i>The League of Composers’ Review</i> was succeeded by <i>Modern Music</i>
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship