Image
Complete Citation:
Fletcher, Lucille. “A Connecticut Yankee in Music.” Charles Ives Papers. Box 56. Irving S. Gilmore Music Library, Yale University.
Bibliography
Genres
Fletcher, Lucille.
Notes:
Unpublished article for the New Yorker Magazine, Charles Ives Papers at Yale University, Box 56. Nearly every page has additions and corrections in Ives’s hand, and some passages were actually written by Ives.<br>
Source: Unpublished article
VI. Topical Studies
L. Ives and America
L. Ives and America
Fosler-Lussier, Danielle
Year: 2019
Complete Citation:
Fosler-Lussier, Danielle. “Classical Music as Development Aid.” In Music in America’s Cold War Diplomacy. Berkeley, California: University of California Press, 2015.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Galt, Martha Caroline
Year: 1943
Complete Citation:
Galt, Martha Caroline. Know Your American Music: A Handbook. Augusta, ME: Kennebee Journal Print Shop, 1943.Source: Book
Reprints:
Ithaca, NY: National Federation of Music Clubs, 1945.
VI. Topical Studies
L. Ives and America
L. Ives and America
Gann, Kyle
Year: 1997
Complete Citation:
Gann, Kyle. American Music in the Twentieth Century. New York, NY: Prentice Hall International, 1997.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 2004
Complete Citation:
Gann, Kyle. “Music: “Call It Special - American Influences Advance on the European Continent.”” The Village Voice, Vol. 49, No. 18 (2004): 93.Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Garland, Peter
Year: 1982
Complete Citation:
Garland, Peter. Americas: Essays on American Music and Culture, 1973-80, 32-52, 65-116, 109. Santa Fe, NM: Soundings Press.Notes:
In “American Piano: An Appreciation” (32-52), the author appreciates “the Ives piano music, [because of] how its complexity, enclosed in the scope of a keyboard, mirrors that of a full orchestra.” In his “Oaxacan Journal” (65-116), he refers to Tone Roads, From the Steeples and the Mountains, and General William Booth Enters into Heaven and he argues that “Ives totally revolutionized the art song” (109).
Source: Section in Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Garrett, Charles Hiroshi
Year: 2008
Complete Citation:
Garrett, Charles Hiroshi. Struggling to Define a Nation: American Music and the Twentieth Century. Berkeley, CA: University of California Press, 2008.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Geselbacht, Raymond H.
Year: 1974
Complete Citation:
Geselbacht, Raymond H. “Evolution and the New World Vision in the Music of Charles Ives.” Journal of American Studies 8 (1974): 211-227.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Gilmore, Bob
Year: 1996
Complete Citation:
Gilmore, Bob. “Reinventing Ives.” Music Analysis 19/1 (March 2000): 101-123.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Glahn, Denise Von
Year: 2003
Complete Citation:
Glahn, Denise Von. “The sounds of place: music and the American cultural landscape.” In The Sounds of Place: Music and the American Cultural Landscape. Boston, MA: Northeastern University Press, 2003.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Goosens, Eugene
Year: 1943
Complete Citation:
Goosens, Eugene. “The Public:- Has It Changed?” Modern Music 20/2 (Jan-uary-February 1943): 72--73.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Gordon, Philip
Year: 1947
Complete Citation:
Gordon, Philip. “America in American Music.” Common Ground (Spring 1947).Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Gorge, Emmanuel
Year: 2003
Complete Citation:
Gorge, Emmanuel. L’imaginaire amérindien et le modernisme. Paris, France: Éditions L’Harmattan, 2003.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Goss, Madeleine
Year: 1970
Complete Citation:
Goss, Madeleine. Modern music-makers: contemporary American composers. Westport, CT: Greenwood Press, 1970.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Grunfeld, Frederic
Year: 1954
Complete Citation:
Grunfeld, Frederic. “Charles Ives: Yankee Rebel.” High Fidelity 4, no. 9 (November 1954): 34-36, 103, 105, 107-108.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Hale, William
Year: 2005
Complete Citation:
Hale, William. “The Difficulty of Ives.” Paper presented at Charles Ives and His World, as Tribute to Iconoclastic American Com-poser. New England Conservatory of Music, Jordan Hall and Williams Hall, Boston, Massachusetts, March 13--17, 2005.Source: Conference paper
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Hansen, Chadwick
Year: 1975-1976
Complete Citation:
Hansen, Chadwick. “One Place in New England: The Fifty-Fourth Massachusetts Volunteer Infantry as a Subject for American Artists.” Student Musicologists at Minnesota 6 (1975-1976).Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Hanson, Howard
Year: 1927
Complete Citation:
Hanson, Howard. “Of Critics, Publishers and Patrons.” Modern Music IV, 2 (January-February 1927): 28-31.Source: Journal
V. General Music Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Year: 1942
Complete Citation:
Hanson, Howard. “Twenty Years’ Growth in America.” Modern Music XX, 1 (November-December 1942): 101.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1951
Complete Citation:
Hanson, Howard. Music in Contemporary American Civilization. Montgomery Lectures on Contemporary Civilization. Lincoln, NE: University of Nebraska, 1951.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America