Image
Complete Citation:
Harman, Alec, Anthony Milner and Wilfrid Mellers. Man and His Music: The Story of Musical Experience in the West. New York, NY: Ox-ford University Press, 1962.
Bibliography
Genres
Harman, Alec, Anthony Milner and Wilfrid Mellers
Year: 1962
Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Harris, Roy
Year: 1934
Complete Citation:
Harris, Roy “American Music Enters a New Phase.” Scribner's Magazine 96, October 1934, 218-221.Source: Magazine
VI. Topical Studies
L. Ives and America
L. Ives and America
Helms, Hans G.
Year: 1975
Complete Citation:
Helms, Hans G. “Charles Edward Ives—Ideal American or Social Critic?” Current Musicology, No. 19 (1975): 37-44.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Hitchcock, H. Wiley
Year: 1974
Complete Citation:
Hitchcock, H. Wiley. Music in the United States [La música en los Estados Uni-dos, una introdución a su historia]. Translated to Spanish. Buenos Aires, Argentina: Editorial Victor Leru, 1972.Source: Book
Reprints:
Second Edition, 1974: 149-172. Third Edition, 1988: 161-186. Fourth Edition, 2000: 171--199.
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Year: 1988
Complete Citation:
Hitchcock, H. Wiley. Music in the United States: A Historical Introduction, 161-186. 3rd ed. New Jersey: Prentice-Hall, 1988.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Hoffmann, Niels Frederic
Year: 1980
Complete Citation:
Hoffmann, Niels Frederic. “Der Alltag im musikalischen Kunstwerk. Von Offenbach bis Kagel.” In Musik im Alltag: Zehn Kongressbeitrage, edited by Reinhold Brinkmann. Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, 21. Mainz, Germany: Schott, 1980.Notes:
Ives is one of the com-posers whose works are cited as having used everyday elements in their compositions.
Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Honegger, Marc
Year: 1970
Complete Citation:
Honegger, Marc. Dictionaire de la musique, 529. Volume 1. Paris, France: Bordas, 1970.Notes:
A general survey citing major published scores and some bibliographic items. Indicates that the European premieres of selections from Ives's 114 Songs were given in Paris (1931) and Berlin (1932).
Source: Encyclopedia article
VII. Entries in Larger Volumes
B. Encyclopedia Entries
B. Encyclopedia Entries
Howard, John Tasker
Year: 1931
Complete Citation:
Howard, John Tasker. Our American Music: Three Hundred Years of It, 576-578. New York, NY: Thomas Y. Crowell Co., 1931.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Year: 1939
Complete Citation:
Howard, John Tasker. “Ives, Charles Edward.” The International Cyclo-pedia of Music and Musicians, edited by Oscar Thompson, 885. New York, NY: Dodd, Mead, & Co., 1939.Notes:
Approximately a half--column.
Source: Chapter in Book
Reprints:
New, Revised and Enlarged (i.e., Second) Edition, 1943; Third Edition, 1944 (Same as First Edition).<br>Fourth through Eighth Editions, edited by Nicolas Slonimsky, 1946, 1949, 1952, 1956, 1958. Article written by Nicolas Slonimsky; a column and a half on page 885 of each edition.<br>Ninth Edition, edited by Robert Sabin, 1964: 1049--1050.<br>Tenth Edition, edited by Bruce Bohle, 1979: 1087-1091. Article<br>written by Frank Peters.
VII. Entries in Larger Volumes
B. Encyclopedia Entries
B. Encyclopedia Entries
Hubbs, Nadine
Year: 2004
Complete Citation:
Hubbs, Nadine. The Queer Composition of America's Sound: Gay Mod-ernists, American Music and National Identity. Berkeley, CA: University of California Press, 2004.Notes:
In subchapter, "Ives, American Music and Mutating Manliness," the author points out Ives's desire for American composers to write strong music to define Americanism and for audiences to listen most intensely.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Hughes, Don Anselm
Year: 1954
Complete Citation:
Hughes, Don Anselm. The New Oxford History of Music, Vol. II. London, United Kingdom: Oxford University Press, 1954.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Ives, Charles
Year: 1937
Complete Citation:
“Ives, Charles.” In Who’s Who Today in the Musical World (1937), 58, 191-192.Source: Magazine
VII. Entries in Larger Volumes
C. Dictionary Entries
C. Dictionary Entries
Year: 1968
Complete Citation:
Ives, Charles. “Charles Ives.” In The bitch-goddess success: variations on an American theme by… (Katz, Leslie George, editor). New York, NY: Eakins Press, 1968.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Johnson, Axel, ed.
Year: 1934
Complete Citation:
Johnson, Axel, ed. “Ives, Charles.” The Music Lover’s Guide (February 1934): 173.Source: Chapter in Book
VII. Entries in Larger Volumes
D. Other
D. Other
Kager, Reinhard
Year: 2001
Complete Citation:
Kager, Reinhard. “Stille Einkehr: Tirol auf den Spuren eines “besseren Amerika.”” Österreichische Musikzeitschrift, Vol. 56, No. 6 (2001): 66-67.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Kaufman, Helen L.
Year: 1943
Complete Citation:
Kaufman, Helen L. “Charles Ives.” In The Story of One Hundred Great Composers. New York, NY: Grosset & Dunlap, 1943.Source: Chapter in Book
Reprints:
Kaufman, Helen L. “Charles Ives.” In <i>The Story of One Hundred Great Composers</i>, 73. New York, NY: Grosset & Dunlap, 1957.
VII. Entries in Larger Volumes
D. Other
D. Other
Keats, Sheila
Year: 1954
Complete Citation:
Keats, Sheila. “Reference Articles on American Composers: An Index.” Juilliard Review 1 (Fall 1954): 28-29.Source: Journal
VII. Entries in Larger Volumes
B. Encyclopedia Entries
B. Encyclopedia Entries
Kelly, June
Year: 1949
Complete Citation:
Kelly, June. “American Music Comes of Age.” Music Journal (September 1949).Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Kerman, Joseph
Year: 1985
Complete Citation:
Kerman, Joseph. Listen. Third Brief Edition. Waco, TX: Worth, 1985.Notes:
For listening studies, Kerman uses “The Rockstrewn Hills Join in the People's Outdoor Meeting” from Orchestral Set No. 2.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Kerman, Joseph and Gary Tomlinson
Year: 2015
Complete Citation:
Kerman, Joseph and Gary Tomlinson. “The First American Modernist: Ives.” In Listen. Boston, MA: Bedford/St. Martin's, 2015.Source: Chapter/Section in Book
VI. Topical Studies
L. Ives and America
L. Ives and America