Abott, Reverend Jacob
Year: 1834-1858
Complete Citation:
Reverend Abbott, Jacob. Rollo at Play, Rollo at School; Rollo at Work', Rollo Learning to Read; Rollo Learning to Talk; Rollo's Correspondence; Rollo's Experiments', Rollo's Museums', Rollo's Philosophy, Rollo's Vacations', and Rollo's Travels. Another group was devoted to Rollo's tours of Europe: Rollo on the Atlantic, Rollo in Holland', Rollo in London', Rollo in Naples; Rollo in Paris', Rollo in Scot-land', Rollo in Switzerland', Rollo on the Rhine', and Rollo in Genoa.Source: Literary References
Reprints: "Rollo," the name Ives called musicians unwilling to listen to advanced dissonances and other techniques found in modern music, was derived from a character in books (1834--1858) by Reverend Jacob Abbott. Rollo could understand only the simplest of situations that had been taught or had been explained to him in great detail. Original publishers include Boston, MA: Weeks, Jordan, and Company; Philadelphia, PA: Hogan & Thompson; Boston, MA: Gould, Kendall & Lincoln.
XIII. Ives in Literature
B. Fiction
Addiego, J.
Year: 1982
Complete Citation:
Addiego, J. “Charles Ives.” Epoch 31/2 (1982): 127.Source: Journal
XIII. Ives in Literature
A. Poetry
Addiego, John
Year: 1982
Complete Citation:
Addiego, John. “Charles Ives.” Epoch 31/2 (Spring 1982): 127.Source: Poem
XIII. Ives in Literature
A. Poetry
Alexander, Charles C.
Year: 1980
Complete Citation:
Alexander, Charles C. Here the Country Lies: Nationalism and the Arts in Twentieth-Century America. Bloomington, IN: Indiana University Press, 1980.Notes: Many references to Ives.
Source: Book
VI. Topical Studies
L. Ives and America
Anderson, David E.
Year: 1974
Complete Citation:
Anderson, David E. “Ives Heritage: ‘Vision of a Vanished America in Music.’” Los Angeles Times, December 14, 1974, A9.Source: Newspaper
VI. Topical Studies
L. Ives and America
Anderson, William
Year: 1975
Complete Citation:
Anderson, William. “Editorially Speaking: Composer Charles Ives Enters History.” Stereo Review 34/3 (March 1975): 4.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Archibald, Bruce
Year: 1966
Complete Citation:
Archibald, Bruce. “Reviewed Works: The Orchestra Song by William Schuman; Variations on “America” (Charles Ives, for organ, 1891; William Schuman, for orch., 1963) by Charles Ives.” Notes, vol. 23, no. 1 (September 1966): 157.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Asmodo, Joe
Year: 1991
Complete Citation:
Asmodo, Joe. “Charles Ives: Komponist als Zweitberuf oder National- held mit Hindernissen.” AbraHadAbra: Das Magazin des Neuen Aons 4/8 (August 1991): 52-54.Source: Magazine
VI. Topical Studies
L. Ives and America
Austin, Larry
Year: 1976
Complete Citation:
Austin, Larry. “Reconstruction of Ives’ Universe Symphony.” In Desert Plants: Conversations with 23 American Musicians, interviewed by Walter Zimmermann, 207-220. Vancouver, BC: A.R.C. Publications, 1976.Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1985
Complete Citation:
Austin, Larry. “Charles Ives’s Life Pulse Prelude for Percussion Orchestra: A Realization for Modem Performance from Sketches for His Universe Symphony.” Percussionist 23, no. 6 (1985): 58-84.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Axelrod, Alan
Year: 1976
Complete Citation:
Axelrod, Alan. “A Song by Charles Ives.” Brilliant Corners 5 (Spring 1977): 20--25.Notes: An essay with a poetic tone. Dated 1976.
Source: Poem
XIII. Ives in Literature
A. Poetry
Bae, Myo Jeong
Complete Citation:
Bae, Myo Jeong. “Charles Ives 음악의 미국주의적 측면에 관한 연구.” 한국예술연구, no. 6 (2012): 67-97.Source: Journal
VI. Topical Studies
L. Ives and America
Bales, Richard
Year: 1948
Complete Citation:
Bales, Richard. “Charles Ives: Third Symphony. [Review of Symphony No. 3 by Charles Ives.]” Notes 5/3 (June 1948): 413.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Bales, Richard and Charles Seeger
Year: 1950
Complete Citation:
Bales, Richard and Charles Seeger. “Tone Roads No. 1 for Chamber Orchestra (performable also as chamber music).” New York: Peer International Corp., 1949. Notes 7/3 (June 1950): 432-433.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Baron, Carol K.
Year: 1992
Complete Citation:
Baron, Carol K. “Review of Symphony No. 3 (The Camp Meeting) by Charles Ives.” Notes 48/4 (June 1992): 1436-1438.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Bauer, Marion
Year: 1931
Complete Citation:
Bauer, Marion. “La Musique Americaine.” La Revue Musicale 12/117--118 (July--August 1931): 178-190.Source: Journal
VI. Topical Studies
L. Ives and America
Bellamann, Henry
Year: 1921
Complete Citation:
Bellamann, Henry. “Reviews: ‘Concord, Mass., 1840-1860’ (A Piano Sonata by Charles E. Ives.).” Double Dealer 2 (October 1921): 166-169.Source: Journal
Reprints: Reprinted in <i>Charles Ives and His World</i>, 280-284.
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1923
Complete Citation:
Bellamann, Henry. “Notes on the New Aesthetic of Poetry and Music.” Musical Quar-terly 9, no.2 (April 1923): 260-270.Source: Journal
XIII. Ives in Literature
A. Poetry
Year: 1934
Complete Citation:
Bellamann, Henry. “How Sad is American Music?” Commonwealth 20. October 26, 1934: 606.Source: Magazine
VI. Topical Studies
L. Ives and America
Belt, Byron
Year: 1974
Complete Citation:
Belt, Byron. “America’s Music Pioneer.” The Atlanta Constitution, August 2, 1974, 20A.Source: Newspaper
VI. Topical Studies
L. Ives and America
