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Bibliography

Kandell, Leslie

Year: 2004
Complete Citation:
Kandell, Leslie. “Getting Around to Ives - The NY Phil: Later than Some, But Catching Up.” American Record Guide, Vol. 67, No. 5 (2004): 11-13.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2009
Complete Citation:
Kandell, Leslie. “Life in the Eye - Tanglewood: Music to Look At”. American Record Guide, Vol. 72, No. 6, (2009): 16-17.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Karrel, John

Year: 1974
Complete Citation:
Karrel, John. “‘Musical Meeting’ on Ives Draws Many.” The Hartford Courant, August 18, 1974, A2.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kart, Larry

Year: 1979
Complete Citation:
Kart, Larry. “Two Explosive Albums Emit Shattering Waves of Sound.” Chicago Tribune, May 27, 1979, G6.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kastendieck, Miles

Year: 1946
Complete Citation:
Kastendieck, Miles. “Music Critics Circle Awards.” Christian Science Monitor. July 5, 1946: 9.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Keats, Sheila

Year: 1955
Complete Citation:
Keats, Sheila. “American Music on LP Records: An Index,” Part II. Juilliard Review 2/2 (Spring 1955): 31-43.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kelly, June

Year: 1949
Complete Citation:
Kelly, June. “American Music Comes of Age.” Music Journal (September 1949).
Source: Journal
VI. Topical Studies
L. Ives and America

Kelly, Kevin

Year: 2011
Complete Citation:
Kelly, Kevin. “Recording Reviews: Charles Ives - “The Light That Is Felt: Songs of Charles Ives”.” Journal of the Society for American Music, Vol. 5, No. 2 (2011): 283-285.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kendall, Blanche and Marguerite Kelly Kyle

Year: 1947
Complete Citation:
Kendall, Blanche and Marguerite Kelly Kyle. “Music of the Moment.” Pan Pipes 40/2 (December 1947): 126--129.
Notes:

Cited among the several dozen newly -issued scores are Ives's two songs: Evening and Walking.

Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kennicott, Philip

Year: 2005
Complete Citation:
Kennicott, Philip. “The Magnificent Miss Graham”. Gramophone, Vol. 83 (2005): 24-27, 29.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2012
Complete Citation:
Kennicott, Philip. Sounds of America: Ives’s Answered Question. Gramophone, Vol. 89 (2012): I, III.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2012
Complete Citation:
Kennicott, Philip. “An American Idol.” Gramophone, Vol. 89 (2012): 28-29, 31, 33.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kerman, Joseph and Gary Tomlinson

Year: 2015
Complete Citation:
Kerman, Joseph and Gary Tomlinson. “The First American Modernist: Ives.” In Listen. Boston, MA: Bedford/St. Martin's, 2015.
Source: Chapter/Section in Book
VI. Topical Studies
L. Ives and America

Kimberley, Nick

Year: 2005
Complete Citation:
Kimberley, Nick. “Reviews: Vocal - Gerald Finley on the Songs of Charles Ives.” Gramophone, Vol. 83 (2005): 77.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kirzinger, Robert

Year: 2000
Complete Citation:
Kirzinger, Robert. “Classical Recordings: Cowell - “Exultation”; “Aeolian Harp”; “The Lilt of the Reel”; “Tiger”; “Dynamic Motion”; “What’s This”; “Amiable Conversation”; “Advertisement”; “Antinomy”; “Time Table”; “The Banshee”; Ives - “The Alcotts”; 3 Improvisations; Study No. 22; “The Celestial Railroad”; Harrison - Piano Sonata No. 3; Prelude for Grandpiano; “Homage to Milhaud”; “New York Waltzes”; Large Ostinato; “May Rain”; Saraband. Fanfare: The Magazine for Serious Record Collectors, Vol. 24, No. 2 (2000): 255-256.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kislinger, Peter

Year: 2005
Complete Citation:
Kislinger, Peter. “Echo: “I hear America singing”: Projekt Thomas Hampson.” Österreichische Musikzeitschrift, Vol. 60, No. 4 (2005): 46-47.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Klein, Howard

Year: 1966
Complete Citation:
Klein, Howard. “Symphony no. 4 by Ives Recording is Extraordinary.” The Atlanta Constitution, January 1, 1966, 2G.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kolodin, Irving

Year: 1932
Complete Citation:
Kolodin, Irving. “American Music.” Sun (New York, NY). November 5, 1932, 7.
Source: Newspaper
VI. Topical Studies
L. Ives and America
Year: 1965
Complete Citation:
Kolodin, Irving. “Music to My Ears.” The Saturday Review 48, no. 20 (May 15, 1965): 32.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Konold, Wulf

Year: 1972
Complete Citation:
Konold, Wulf. “Neue Music in der Neuen Welt: Der Komponist Charles Ives.” Musica 26/3 (May-June 1972): 239-244.
Source: Journal
VI. Topical Studies
L. Ives and America