decorative banner image

Bibliography

Genres

Show all
I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
(-) XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Tischler, Barbara L.

Year: 1986
Complete Citation:
Tischler, Barbara L. An American Music: The Search for an American Musical Identity, 21, 38- 41,115. New York, NY: Oxford University Press, 1986.
Notes:

Discusses Symphony No. 3, Essays Before a Sonata, 114 Songs, and Majority.

Source: Book
VI. Topical Studies
L. Ives and America

Tommasini, Anthony

Year: 2004
Complete Citation:
Tommasini, Anthony. “What’s So Gay about American Music? [Comments]” The New York Times. October 24, 2004, sec. 2, 27.
Source: Newspaper
VI. Topical Studies
L. Ives and America

Trischler, Joyce, choreographer

Year: 1980, 1981, 1984, 1987
Complete Citation:
Joyce Trischler, choreographer. Journey (1980); ballet; Trischler Dance Company.
Music included The Unanswered Question. Prf: 1980.
1981 November 20.
1984 December 13.
1987 May 6: New York; Joyce Theater.
1987 May 10: New York; Joyce Theater.
1991 July 17: Garden City, NY; Adelphi University, Olmstead Theater.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Vinay, Gianfranco

Year: 1974
Complete Citation:
Vinay, Gianfranco. L’America musicale di Charles Ives. Turin, Italy: Giulio Einaudi, 1974.
Source: Book
VI. Topical Studies
L. Ives and America

Warren-Findley, Janelle

Year: 1964
Complete Citation:
Warren--Findley, Janelle. “American Studies and American Fine-Art Music.” American Studies 19/2- (Fall 1978): 85--87.
Source: Journal
VI. Topical Studies
L. Ives and America

Wechsler, Bert

Year: 1993
Complete Citation:
Volume 1 and 2, Performance: 1993 October 7--10: New York; St. Mark's Church; Dance Studio. Review: Bert Wechsler. (1993 October 71).
Source: Pamphlet
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Wilson, Peter Niklas

Year: 2001
Complete Citation:
Wilson, Peter Niklas. “«Sound Come into Its Own»: Vond Der Selbstfindung Amerikanischer Musik.” Neue Zeitschrift Für Musik 162/5 (2001): 12-17.
Source: Magazine
VI. Topical Studies
L. Ives and America

Wooldridge, David

Year: 1976
Complete Citation:
Wooldridge, David. “Charles Ives and the American National Character: ‘Musical Spirit of ’76.’” In South Florida's Historic Ives Festival 1974-1976, edited by F. Warren O’Reilly, 27--29. Coral Gables, FL: University of Miami at Coral Gables, 1976.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Zuck, Barbara A.

Year: 1980
Complete Citation:
Zuck, Barbara A. A History of Musical Americanism. Studies in Musicology, No. 19.
Source: Book
VI. Topical Studies
L. Ives and America

no author listed

Complete Citation:
Review: Robert. Cue (1914). The piece is "marked by turbulence...and commands respect."
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Complete Citation:
Mandel, Howard.
“Review: Mark Tucker. “Behind the Beat.”” Institute for Studies in American Music Newsletter (Fall 1995) 25/1: 13.
Source: Newsletter
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Complete Citation:
Other prf: Netherlands Ballet Orkest; Combustion Chamber in the Netherlands; Relach Ensemble in Philadelphia; Noamnesia in Chicago.
Source: Performance (dance)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Complete Citation:
“Music: Central Park in the Dark; Hallowe’en; The Unanswered Ques-tion’, Scherzo: Over the Pavements’, “In the Inn”; “In the Night.” Comment: George Balanchine. “Ivesiana, G. Balanchine.”” Center: A Magazine for the Performing Arts 1/5 (August--Septem-ber 1954).



Prf: 1954 September 14: New York; New York Center of Music and Drama; Leon Barzin and Hugo Fiorato, conductors.
Source: Magazine
Reprints:

Reprint: George Balanchine and Francis Mason. Balanchine's Com- plete Stories of the Great Ballets. Garden City, NY: Double- day, 1977: 341--343.

XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1940
Complete Citation:
“Have We an American Music? An Examination of Materials.” Musical America 60/3 (February 10, 1940): 22, 271-272.
Source: Journal
VI. Topical Studies
L. Ives and America
Year: 1951
Complete Citation:
“Yankee Music.” Times LVII/X. March 5, 1951: 72-74.
Source: Journal
VI. Topical Studies
L. Ives and America
Year: 1960
Complete Citation:
“Radical from Connecticut.” Time 76, no. 8 (August 22, 1960): 36.
Source: Magazine
VI. Topical Studies
L. Ives and America
Year: 1965
Complete Citation:
“San Francisco Ballet Sets Dances to Hindemith, Ives.” The Atlanta Journal and the Atlanta Constitution, March 14, 1965, 11D.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1966
Complete Citation:
“Yankee Music Man.” MD Medical Magazine (May 1966) 10/5: 301-308.
Notes:

A feature article on Ives, drawn from several sources, in a regular section, “Medicine in the Arts.”

Source: Magazine
VI. Topical Studies
L. Ives and America
Year: 1968
Complete Citation:
“Hartford Ballet Co. to Dance New Works.” The Hartford Courant, March 24, 1968, 23E.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1969
Complete Citation:
“American Music Charles Ives: Great Talent Ahead of His Time.” South China Morning Post, November 28, 1969, 72.
Source: Newspaper
VI. Topical Studies
L. Ives and America