Image
Complete Citation:
Carter, Elliott. “The Rhythm Basis of American Music.” Score (June 1955).
Bibliography
Genres
Carter, Elliott
Year: 1955
Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Chase, Gilbert
Year: 1977
Complete Citation:
Chase, Gilbert. “Ives and American Culture.” In An Ives Celebration, edited by H. Wiley Hitchcock and Vivian Perlis, 3. Urbana, IL: University of Illinois Press, 1977.VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1977
Complete Citation:
Chase, Gilbert. “Introduction.” In An Ives Celebration, edited by H. Wiley Hitchcock and Vivian Perlis, 3. Urbana, IL: University of Illinois Press, 1977.Source: Book
V. General Music Studies
L. Ives and America
L. Ives and America
Chmaj, Betty E.
Year: 1979
Complete Citation:
Chmaj, Betty E. “Sonata for American Studies: Perspectives on Charles Ives.” Prospects: An Annual of American Culture Studies 4, edited by Jack Salzman, (1979): 1-58.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Cohn, Arthur
Year: 1939
Complete Citation:
Cohn, Arthur. “Americana in the Fleisher Collection.” Modern Music 16/2 (January-February 1939): 116-119.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Conn, Peter J.
Year: 1988
Complete Citation:
Conn, Peter J. “Innovation and nostalgia: Charles Ives.” In The divided mind: ideology and imagination in America 1898-1917. Cambridge, United Kingdom: Cambridge University Press, 1988.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Copland, Aaron
Year: 1932
Complete Citation:
Copland, Aaron. “The American Composer and His Critic.” Modern Music IX, 4 (May-June 1932): 143-147.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1952
Complete Citation:
Copland, Aaron. “The Composer in Industrial America.” In Music and Imagination: The Charles Elliott Norton Lectures, 1951--1952, 96--111. Cambridge, United Kingdom: Harvard University Press, 1952.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Cowell, Henry
Year: 1933
Complete Citation:
Cowell, Henry. “Trends in American Music.” In American Composers on American Music, edited by Henry Cowell, 3-13. Stanford, CA: Stanford University Press, 1933.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1955
Complete Citation:
Cowell, Henry. “Ivesiana.” Musical Quarterly 41/1 (January 1955): 85-89.Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Cowell, Henry Dixon
Year: 1941
Complete Citation:
Cowell, Henry Dixon. “Dos Estudios: (1) La musica entre los pueblos primitivos; (2) La creacíon musical en los Estados Unidos.” Spanish translation by Francisco Curt Lange. Boletín Latino--Americano de Música 5/5 (October 1941): 105--113.Notes:
The second essay gives attention to Ives, Ruggles, Crawford, and others.
Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1955
Complete Citation:
Cowell, Henry Dixon. “New York.” The Musical Quarter-ly 41/1 (January 1955): 85--89.Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Cowell, Sidney
Year: 1974
Complete Citation:
Cowell, Sidney. “Ivesiana: ‘More than Something Just Usual.’” High Fidelity and Musical America, (October 1974): MA-14-MA-16.Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Cox, David
Year: 1965
Complete Citation:
Cox, David. “Charles Ives, the First Truly American Composer.” Lis-tener 73 (March 11, 1965): 384.Notes:
A general article as background for broad- cast of the four violin sonatas. Cites the infamous misquotation of Schoenberg.
Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Crawford, Richard
Year: 2001
Complete Citation:
Crawford, Richard. “To Stretch Our Ears: The Music of Charles Ives.” In America’s Musical Life: A History, 495-523. New York, NY: W.W. Norton, 2001.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 2005
Complete Citation:
Crawford, Richard. “To stretch our ears”: the music of Charles Ives. In America’s musical life: a history. New York, NY: W.W. Norton, 2005.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Croce, Arlene
Year: 1975
Complete Citation:
Croce, Arlene. “Dancing: American Space.” The New Yorker 51/13 (May 19, 1975).Notes:
Details the dances. “The piece is one of those on an American subject in which Balan- chine becomes completely an American choreographer —not the Stravinsky-Balanchine, or the Balanchine of ‘Western Symphony’ or ‘Stars and Stripes,’ who ex- presses America from a European point of view, but a Balanchine who sees us at the same distance from which we see Ourselves.”
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Year: 1975
Complete Citation:
Croce, Arlene. “Dancing: Free and More Than Equal.” The New Yorker 51/1 (February 24, 1975): 120--122.Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Crunden, Robert M.
Year: 1994
Complete Citation:
Crunden, Robert M. A brief history of American culture. New York, NY: Paragon House, 1994.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Currier, Ruth
Complete Citation:
Ruth Currier, choreographer. Phantasmagoriad; Jose Limon Dance Com-pany. Music: Song for Harvest Season; From the Steeples and the Mountains.
Notes:
Music: Song for Harvest Season; From the Steeples and the Mountains.
Source: Performance (dance)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance