Lubovitch, Lar, chroeographer
Complete Citation:
Lar Lubovitch, choreographer. Scherzo for Massah Jack (1973); ballet; American Ballet Theater.Notes: Music: Trio for violin, cello, and piano (Adagio and Scherzo), includ-ing "My Old Kentucky Home."
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Lyles, Jean Caffey
Year: 1976
Complete Citation:
Lyles, Jean Caffey. “Charles Ives’s America.” Christian Century 93 (June 23, 1976): 589-591.Source: Newspaper
VI. Topical Studies
L. Ives and America
Mackerness, Eric
Year: 1949
Complete Citation:
Mackerness, Eric. “Aspects of American Life.” Music Survey (Autumn 1949) 2/2: 91-95.Source: Journal
VI. Topical Studies
L. Ives and America
Mackrell, Judith
Year: 2000
Complete Citation:
Mackrell, Judith. “Witching Hour: Black Magic and Slapstick Are an Unlikely Mix for a Night of American-Themed Ballet.” The Guardian, April 15, 2000, 5.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Mainieri, Mike
Complete Citation:
Mainieri, Mike. “In the Universe of Ives.” Jazz composition. An American Diary.
NYC Records, 6015, 1995, CD.Notes: Based on Universe Symphony concepts, quotes trumpet part for The Unanswered Question. <br>Joe Lovano, tenor and soprano saxophones, alto clarinet; Mike Maini- eri, xylophones, bass marimba, gongs, chimes, and midi vibes; Eddie Gomez, bass; Peter Erskine, drums, percussion. Notes by Howard Mandel.<br><br>
Source: Jazz Composition
XII. Interdisciplinary Performances with Ives’s Music
C. Other
Majoros, David, compiler
Complete Citation:
Majoros, David, compiler. “Charles E. Ives: American Composer.” A Musical/Dramatic Portrait (ca. 1988); baritone and piano. Performance in Appleton, WI; Lawrence University; Bradford, MA: Bradford College; Fulton, MO: William Woods University; Las Vegas, NV: University of Nevada-Notes: Two acts: Act I (in baseball uniform with ball and bat); Act II (in vest, tweed jacket, hat, and cane); songs interspersed with recitation from Ives's writings. A Musical/Dramatic Portrait (ca. 1988); baritone and piano. Superior, WI: University of Wisconsin- Superior; David Majoros, baritone; Christine Sotomayor Lopez, piano.
XII. Interdisciplinary Performances with Ives’s Music
A. Theatre
Martin, J.
Year: 1954
Complete Citation:
Martin, John. “Ballet Presents ‘Ivesiana’ Suite: Balanchine's Setting of Pieces by Ives Bows at Center - Repetitions also seen.” The New York Times, September 15, 1954, 38.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Martin, John
Year: 1955
Complete Citation:
Martin, John. “Ballet: A Magnificent ‘Weirdie’— Troupe at City Center Dances ‘Ivesiana’—New Section Added to Balanchine Work.” The New York Times, March 7, 1955, 22.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Martin, Michael Rheta
Year: 1965
Complete Citation:
Martin, Michael Rheta. The Arts: A Guide to Painting, Sculpture, Archi-tecture, Music and Theater. Indianapolis, IN: Bobbs--Merrill, 1965.Notes: A para-graph with a sketch by Leo R. Summers (after a photograph by Frank Gerratana).
Source: Book
XII. Interdisciplinary Performances with Ives’s Music
C. Other
Martins, Peter, choreographer
Year: 1978
Complete Citation:
Peter Martins, choreographer. Calcium Light Night (1977); ballet; New York City Ballet.
Music: The See'r, The New River, Incantation-, At Sea, Ann Street; Gyp the Blood or Hearst! Which is Worst?-, Hallowe'en-, Calcium Light Night. Prf: 1977 November 15: Spokane, WA. 1978 January 19: New York.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Martin, Robert
Year: 1996
Complete Citation:
Martin, Robert. “American Musical Life: 1890-1914.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 28-29. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
VI. Topical Studies
L. Ives and America
McDonagh, Don
Year: 1968
Complete Citation:
McDonagh, Don. “City Ballet Dances Balanchine Works.” The New York Times, January 10, 1968, 51.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Mellers, Wilfrid
Year: 1957
Complete Citation:
Mellers, Wilfrid. “Postlude: Charles Ives and the new world.” In Romanticism and the 20th century, from 1800. Fair Lawn, NJ: Essential Books, 1957.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Mellers, Wilfrid H.
Year: 1957
Complete Citation:
Mellers, Wilfrid H. “Postlude: Charles Ives and the New World.” In Romanticism and the 20th Century (from 1800), 218-225. Fair Lawn, NJ: Essential Books, 1957.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Mendel, Arthur
Year: 1932
Complete Citation:
Mendel, Arthur. “Music: The American Composer.” Nation 134. May 18, 1932, 579.Source: Newspaper
VI. Topical Studies
L. Ives and America
Merriam, Alan P.
Complete Citation:
Merriam, Alan P. “Music in American Culture.” American Anthropologist, vol. 57, no. 6. (December 1955): 1173-1181.Source: Journal
VI. Topical Studies
L. Ives and America
Moor, Paul
Year: 1950
Complete Citation:
Moor, Paul. “Two Titans.” Theatre Arts XXIV/ii (February 1950): 49-51, 94-95.Source: Journal
VI. Topical Studies
L. Ives and America
Morgan, Robert P.
Year: 1991
Complete Citation:
Morgan, Robert. "Charles Ives and American Music." In 20th-century Music. New York, NY: W.W. Norton, 1991, 137-148.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Morton, Lawrence
Year: 1950
Complete Citation:
Morton, Lawrence. “American Culture and the Serious Composer.” Score [Los Angeles] 4/3 (May 1950): 4-9.Source: Journal
VI. Topical Studies
L. Ives and America
Norris, Christopher
Year: 1974
Complete Citation:
Norris, Christopher. “American Pioneer.” Music and Musicians 23/2 (Octo-ber 1974): 36-40.Source: Journal
VI. Topical Studies
L. Ives and America