Image
Complete Citation:
Osmond, Susan. 2004. “Charles Ives, America’s Musical Visionary.” The World & I 19: 72.
Bibliography
Genres
Osmond, Susan
Year: 2004
Source: Magazine
VI. Topical Studies
L. Ives and America
L. Ives and America
Paolozzi, Eduardo
Year: 1974--1977
Complete Citation:
Paolozzi, Eduardo. From Calcium Light Night, nine paint-ings with titles drawn from Ives's compositions, 1974--1977.Notes:
Title of Individual Paintings: <br><br>1. Allegro, moderato: Fireman's Parade (1974-1976). <br><br>2. Central Park in the Dark Some 40 Years Ago (1974-1976). <br><br>3. The Children's Hour (1974-1976). <br><br>4. Largo to Presto (1974-1976). <br><br>5. Aeschylus and Socrates (1974-1976). <br><br>6. Calcium Light Night (1974-1976).<br><br>7. Four German Songs (1974-1976).<br><br>8. From Early Italian Poets (1974--1976). <br><br>9. Nettleton (1977).
Source: Painting Series
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Pelaccia, Bonnie Pettengill
Year: 2002
Complete Citation:
Pelaccia, Bonnie Pettengill. “Connecticut Cows Loved Charles Ives.” Grit 120 (2002): 8.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Pfaffman, Scott
Year: 1994
Complete Citation:
Pfaffman, Scott. Wooden sculpture of Ives and his father. Sculpture, 1994. Brooklyn, NY Bear’s Community Garden. In “Ives on Flatbush Avenue.” Institute for Studies in American Music Newsletter 23/2 (Spring 1994): 11.Source: Sculpture
Reprints:
Publication in Institute for Studies in American Music Newsletter<i> </i>includes a letter from Siegmund Levarie with a photograph by Ray Allen.
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Philip Van Aver
Year: 1975
Complete Citation:
Van Aver, Philip. “Untitled (Drawing).” Parnassus: Poetry In Review 3/2 (Spring/Summer 1975): 294.Source: Drawing
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Pincus, Andrew L.
Year: 1985
Complete Citation:
Pincus, Andrew L. “Nationalism in Music Recognizes No Boundaries.” The New York Times, October 20, 1985.Source: Newspaper
VI. Topical Studies
L. Ives and America
L. Ives and America
Piotrowska, Anna G.
Year: 2003
Complete Citation:
Piotrowska, Anna G. Idea muzyki narodowej w ujęciu kompozytorów amerykańskich pierwszej połowy XX wieku. Toruń, Poland: Adam Marszałek, 2003.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Rathbum, Eldon
Year: 1954
Complete Citation:
Rathburn, Eldon. Snapshot. March,1954. In A Charles Ives Omnibus, by James Mack Burk and Michael J. Budds, 872. Hillsdale, New York: Pendragon Press, 2008.Source: Photograph
Reprints:
One of the last photographs of Ives.
XVI. Photographs and Artwork
A. Photographs
A. Photographs
Rathert, Wolfgang
Year: 1993
Complete Citation:
Rathert, Wolfgang. “Charles Ives und der Beginn der nordamerikanischen Musik.” In Geschichte der Musik, Vol. 4, edited by Michael Raeburn, 67-81. Munich, Germany: Kindler, 1993.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Reed, Joseph W.
Year: 1984
Complete Citation:
Reed, Joseph W. “Two Sketches,” 1984. In Three American Originals: John Ford, William Faulkner, & Charles Ives, Middletown, CT: Wesleyan University Press, 1984.Source: Sketches
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Rexroth, Dieter
Year: 1979
Complete Citation:
Rexroth, Dieter. Zwischen den Grenzen: Zum Aspekt des Nationalen in der Neuen Musik. Mainz, Germany: Schott, 1979.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Riesman, David
Year: 1950
Complete Citation:
Riesman, David. The Lonely Crowd: A Study of the Changing American Character, 287-288, 324-325. New Haven, CT: Yale University Press, 1950.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Riggs, Krista
Year: 2006
Complete Citation:
Riggs, Krista. “Articles: The Twentieth Century American Oboe Concerto: Something Old, New, Borrowed, and Blue.” The Double Reed, Vol. 29, No. 1 (2006): 59-74.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Rodrigues, Charles
Year: 1978
Complete Citation:
Rodrigues, Charles. Cartoon. Stereo Review 41/5 (November 1978): 124.Notes:
Pictures a man in business suit walking by a building with a plaque stating: Charles Ives Insured This Building. October 9, 1919.
Source: Journal/Magazine
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Rosenfeld, Paul
Year: 1939
Complete Citation:
Rosenfeld, Paul. “The Advent of American Music.” Kenyon Review (Winter/Spring 1939).Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1939
Complete Citation:
Rosenfeld, Paul. “The Advance of American Music.” Kenyon Review 1 (Spring 1939): 185-193.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1940
Complete Citation:
Rosenfeld, Paul. “‘Americanism’ in American Music.” Modern Music 17/4 (May-June 1940): 226-232.Notes:
“Others, saturated with folklore—Ives, for example—seemed to have sought for a music confirmative to folklore and for a national or regional expressivity.”
Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1948
Complete Citation:
Rosenfeld, Paul. “Spokesman for an American Tradition.” Paul Rosenfeld, Voyager in the Arts, edited by Jerome Melquist and Lucie Weise, 165-166. New York, NY: Creative Age Press.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Rossiter, Frank R.
Year: 1981
Complete Citation:
Rossiter, Frank R. “The ‘Genteel Tradition’ in American Music.” Journal of American Culture 4 (1981): 107-115.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Rufener, Rudolf
Year: 1969
Complete Citation:
Rufener, Rudolf. “Charles Ives, ein amerikanischer Komponist.” Du- Kulturelle Monatsschrift 29 (November 1969): 360, 364, 366.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America