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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

McNeely, Tom

Year: 1997
Complete Citation:
McNeely, Tom. Drawing, watercolor on watercolor paper (17 x 23.375 inches), 1997. United States Post Office, 1997.
Notes:

Originally appeared on a first- day cover of the United States postage stamp by Fleetwood.

Source: Watercolor
XVI. Photographs and Artwork
B. Artwork

Mellers, Wilfrid

Year: 1957
Complete Citation:
Mellers, Wilfrid. “Postlude: Charles Ives and the new world.” In Romanticism and the 20th century, from 1800. Fair Lawn, NJ: Essential Books, 1957.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Mellers, Wilfrid H.

Year: 1957
Complete Citation:
Mellers, Wilfrid H. “Postlude: Charles Ives and the New World.” In Romanticism and the 20th Century (from 1800), 218-225. Fair Lawn, NJ: Essential Books, 1957.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Mendel, Arthur

Year: 1932
Complete Citation:
Mendel, Arthur. “Music: The American Composer.” Nation 134. May 18, 1932, 579.
Source: Newspaper
VI. Topical Studies
L. Ives and America

Merriam, Alan P.

Complete Citation:
Merriam, Alan P. “Music in American Culture.” American Anthropologist, vol. 57, no. 6. (December 1955): 1173-1181.
Source: Journal
VI. Topical Studies
L. Ives and America

Moor, Paul

Year: 1950
Complete Citation:
Moor, Paul. “Two Titans.” Theatre Arts XXIV/ii (February 1950): 49-51, 94-95.
Source: Journal
VI. Topical Studies
L. Ives and America

Morgan, Robert P.

Year: 1991
Complete Citation:
Morgan, Robert. "Charles Ives and American Music." In 20th-century Music. New York, NY: W.W. Norton, 1991, 137-148.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Morton, Lawrence

Year: 1950
Complete Citation:
Morton, Lawrence. “American Culture and the Serious Composer.” Score [Los Angeles] 4/3 (May 1950): 4-9.
Source: Journal
VI. Topical Studies
L. Ives and America

Norkin, Sam

Complete Citation:
Norkin, Sam. Sketch. Saturday Review (August 28) 31/35: 45.
Notes:

After the photograph by W. Eugene Smith.

Source: Magazine
XVI. Photographs and Artwork
B. Artwork

Norris, Christopher

Year: 1974
Complete Citation:
Norris, Christopher. “American Pioneer.” Music and Musicians 23/2 (Octo-ber 1974): 36-40.
Source: Journal
VI. Topical Studies
L. Ives and America

Osborne, Neale

Year: 2004
Complete Citation:
Neale Osborne. Illustration, 2004. Gramophone 82/981, July 2004, 39.
Source: Illustration
XVI. Photographs and Artwork
B. Artwork

Osmond, Susan

Year: 2004
Complete Citation:
Osmond, Susan. 2004. “Charles Ives, America’s Musical Visionary.” The World & I 19: 72.
Source: Magazine
VI. Topical Studies
L. Ives and America

Paolozzi, Eduardo

Year: 1974--1977
Complete Citation:
Paolozzi, Eduardo. From Calcium Light Night, nine paint-ings with titles drawn from Ives's compositions, 1974--1977.
Notes:

Title of Individual Paintings: <br><br>1. Allegro, moderato: Fireman's Parade (1974-1976). <br><br>2. Central Park in the Dark Some 40 Years Ago (1974-1976). <br><br>3. The Children's Hour (1974-1976). <br><br>4. Largo to Presto (1974-1976). <br><br>5. Aeschylus and Socrates (1974-1976). <br><br>6. Calcium Light Night (1974-1976).<br><br>7. Four German Songs (1974-1976).<br><br>8. From Early Italian Poets (1974--1976). <br><br>9. Nettleton (1977).

Source: Painting Series
XVI. Photographs and Artwork
B. Artwork

Pelaccia, Bonnie Pettengill

Year: 2002
Complete Citation:
Pelaccia, Bonnie Pettengill. “Connecticut Cows Loved Charles Ives.” Grit 120 (2002): 8.
Source: Journal
VI. Topical Studies
L. Ives and America

Pfaffman, Scott

Year: 1994
Complete Citation:
Pfaffman, Scott. Wooden sculpture of Ives and his father. Sculpture, 1994. Brooklyn, NY Bear’s Community Garden. In “Ives on Flatbush Avenue.” Institute for Studies in American Music Newsletter 23/2 (Spring 1994): 11.
Source: Sculpture
Reprints:

Publication in Institute for Studies in American Music Newsletter<i> </i>includes a letter from Siegmund Levarie with a photograph by Ray Allen.

XVI. Photographs and Artwork
B. Artwork

Philip Van Aver

Year: 1975
Complete Citation:
Van Aver, Philip. “Untitled (Drawing).” Parnassus: Poetry In Review 3/2 (Spring/Summer 1975): 294.
Source: Drawing
XVI. Photographs and Artwork
B. Artwork

Pincus, Andrew L.

Year: 1985
Complete Citation:
Pincus, Andrew L. “Nationalism in Music Recognizes No Boundaries.” The New York Times, October 20, 1985.
Source: Newspaper
VI. Topical Studies
L. Ives and America

Piotrowska, Anna G.

Year: 2003
Complete Citation:
Piotrowska, Anna G. Idea muzyki narodowej w ujęciu kompozytorów amerykańskich pierwszej połowy XX wieku. Toruń, Poland: Adam Marszałek, 2003.
Source: Book
VI. Topical Studies
L. Ives and America

Rathert, Wolfgang

Year: 1993
Complete Citation:
Rathert, Wolfgang. “Charles Ives und der Beginn der nordamerikanischen Musik.” In Geschichte der Musik, Vol. 4, edited by Michael Raeburn, 67-81. Munich, Germany: Kindler, 1993.
Source: Book
VI. Topical Studies
L. Ives and America

Reed, Joseph W.

Year: 1984
Complete Citation:
Reed, Joseph W. “Two Sketches,” 1984. In Three American Originals: John Ford, William Faulkner, & Charles Ives, Middletown, CT: Wesleyan University Press, 1984.
Source: Sketches
XVI. Photographs and Artwork
B. Artwork