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Complete Citation:
Schuman, William. “A Brief Study of Music Organizations Founded in the Interest of the Living Composer.” Twice a Year (Fall-Winter 1940 and Spring-Summer 1941) 5-6: 361--367.
Bibliography
Genres
Schuman, William
Year: 1940-1941
Notes:
A brief but worthwhile sur-vey, especially of “The League of Composers” (365): “The Arrow Music Press is a cooperative venture. The composer pays all, or a portion of, the expense of publishing his compositions and in return receives all but a small fraction of the return. A very interesting catalogue has al-ready been issued by the press, which appears to be increasing its acti-vities.” With the Arrow Press imprint and its subsidiary Cos Cob Press, the following works of Ives were published: Sonata [No. 4] for violin and piano; Serenity; Sixty--Seventh Psalm; Charlie Rutlage; Evening; The Greatest Man', Walking; Seven Songs’, Third Symphony (“The Camp Meeting”) [CI 87); Sonata No. 2, “Concord, Mass., 1840--1860,” for piano; and Where the Eagle (in the Cos Cob Song Volume). The Cos Cob Press was later absorbed by the Arrow Music Press that in turn was merged into Associated Music Publishers. Ives and Walter Piston had the most titles in this catalogue. The article re-prints “Prologue” from Essays Before a Sonata.
Source: Journal
VI. Topical Studies
U. Institutions and Ives’ Legacy
U. Institutions and Ives’ Legacy
Sherman, R.
Year: 1981
Complete Citation:
Sherman, R. “Ives Center Draws Young Composers.” The New York Times, July 26, 1981, CN16.Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
U. Institutions and Ives’ Legacy
Slonimsky, Nicolas
Year: 1953
Complete Citation:
Slominsky, Nicolas. Lexicon of Musical Invective: Critical Assaults on Composers since Beethoven’s Time. New York, NY: Coleman-Ross Company, 1953.Source: Book
Reprints:
Slominsky, Nicolas. <i>Lexicon of Musical Invective: Critical Assaults on Composers since Beethoven's Time</i>, 165. Second Edition. Seattle, WA: University of Washington Press, 1965. * Slominsky, Nicolas. <i>Lexicon of Musical Invective: Critical Assaults on Composers since Beethoven's Time</i>. Expanded Edition, with foreword by Peter Schickle. New York, NY: W.W. Norton, 2000.
VI. Topical Studies
P. Ives Collaborators and Colleagues
P. Ives Collaborators and Colleagues
Swafford, Jan
Year: 1995
Complete Citation:
Swafford, Jan. “‘La vita nuova’: The Courtship of Charles and Harmony Ives.” American Music 13/4 (Winter 1995): 470-489.Source: Journal
VI. Topical Studies
P. Ives Collaborators and Colleagues
P. Ives Collaborators and Colleagues
Van Vechten, Carl
Year: 1917
Complete Citation:
Van Vechten, Carl. “The Great American Composer.” Vanity Fair. April 1917.VI. Topical Studies
P. Ives Collaborators and Colleagues
P. Ives Collaborators and Colleagues
no author listed
Year: 1965
Complete Citation:
“Gets Grant.” New York Amsterdam News, February 27, 1965, 16.Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
U. Institutions and Ives’ Legacy
Year: 1966
Complete Citation:
“Move Composer's Home.” The Hartford Courant, September 20, 1966, 33D.Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
U. Institutions and Ives’ Legacy
Year: 1969
Complete Citation:
“Memorial Service Set for Composer's Widow.” The Hartford Courant, April 6, 1969, 38A.Source: Newspaper
VI. Topical Studies
P. Ives Collaborators and Colleagues
P. Ives Collaborators and Colleagues
Year: 1969
Complete Citation:
“Julian S. Myrick Dead at 88; Known as ‘Mr. Life Insurance’: Helped make Tennis a Major Sport -- Business Partner of Charles Ives, Composer.” The New York Times, January 9, 1969, 31.Source: Newspaper
VI. Topical Studies
P. Ives Collaborators and Colleagues
P. Ives Collaborators and Colleagues
Year: 1969
Complete Citation:
“Mrs. Charles Ives, Composer’s Widow.” The New York Times, April 5, 1969, 27.Source: Newspaper
VI. Topical Studies
P. Ives Collaborators and Colleagues
P. Ives Collaborators and Colleagues
Year: 1978
Complete Citation:
“The Charles Ives Society - Past, Present, and Future.” Newsletter - Institute for Studies in American Music 7, no. 2 (Spring 1978): 1, 12.Source: Journal
VI. Topical Studies
U. Institutions and Ives’ Legacy
U. Institutions and Ives’ Legacy
Year: 1980
Complete Citation:
“In the Name of Ives.” Newsletter - Institute for Studies in American Music IX, no. 2 (Spring 1980): 2.Source: Newsletter
VI. Topical Studies
U. Institutions and Ives’ Legacy
U. Institutions and Ives’ Legacy
Year: 1985
Complete Citation:
“Copyright Dilemma of Inverted Sonata; Charles Ives Case Against Hungarian Composer.” The Times, August 20, 1985.Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
U. Institutions and Ives’ Legacy
Year: 1998
Complete Citation:
“Awards Roundup.” Symphony, Vol. 49, No. 4 (1998): 32.Source: Magazine
VI. Topical Studies
U. Institutions and Ives’ Legacy
U. Institutions and Ives’ Legacy
Year: 2004
Complete Citation:
“The Charles Ives Center for the Arts.” Fairfield County Business Journal, vol. 43, no. 29 (2004): 30.Source: Journal
VI. Topical Studies
U. Institutions and Ives’ Legacy
U. Institutions and Ives’ Legacy
Year: 2012
Complete Citation:
“Preserving a Composer’s Homestead; Fans of Charles Edward Ives, One of the First Famous Classical Composers in the U.S., Want to Buy the Connecticut House Where He Worked and Transform it into a Musical Retreat.” The Wall Street Journal, August 30.Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
U. Institutions and Ives’ Legacy
Year: 2012
Complete Citation:
“Sale of Ives Home Ends on Sad Note for Fans.” Dow Jones Institutional News, September 17, 2012.Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
U. Institutions and Ives’ Legacy