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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
(-) XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Slonimsky, Nicolas

Year: 1953
Complete Citation:
Slominsky, Nicolas. Lexicon of Musical Invective: Critical Assaults on Composers since Beethoven’s Time. New York, NY: Coleman-Ross Company, 1953.
Source: Book
Reprints:

Slominsky, Nicolas. <i>Lexicon of Musical Invective: Critical Assaults on Composers since Beethoven's Time</i>, 165. Second Edition. Seattle, WA: University of Washington Press, 1965. * Slominsky, Nicolas. <i>Lexicon of Musical Invective: Critical Assaults on Composers since Beethoven's Time</i>. Expanded Edition, with foreword by Peter Schickle. New York, NY: W.W. Norton, 2000.

VI. Topical Studies
P. Ives Collaborators and Colleagues

Sokolow, Anna

Year: 1980
Complete Citation:
Sokolow, Anna. Quartertones. New York, New York: Dance Notation Bureau, 1980.
Source: Book
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Sokolow, Anna and Ilene Fox

Year: 1983
Complete Citation:
Sokolow, Anna and Ilene Fox. “Scenes from the music of Charles Ives.” New York, NY: Dance Notation Bureau, 1983.
Notes:

Choreography from 1971.

Source: Book
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Sokolow, Anna, choreographer

Year: 1976
Complete Citation:
Anna Sokolow, choreographer. Ellis Island (1976); ballet; Juilliard Dance Ensemble.
Music: excerpts from Sonata No. 2, "Concord, Mass., 1840--1860” for piano; Set No. 3; Sonata No. 3 for violin and piano; The Rainbow; Hymn, Tone Roads No. 1.
Prf: 1976 May 7: New York; Juilliard Theater; Andrew Rangell, piano.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1988
Complete Citation:
Anna Sokolow, choreographer. Scenes from the Music of Charles Ives (1988); ballet; Anna Sokolow Company.

Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Steele, Mike

Year: 1990
Complete Citation:
Steele, Mike. “Paul Taylor Proves again He's among the Best Choreographers: METRO Edition.” Star Tribune, February 5, 1990.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Supree, B.

Year: 1988
Complete Citation:
Supree, Burt. “Dance: Blah Blah Blah Suffering (Scenes from the Music of Charles Ives).” Village Voice 30. De-cember 31, 1988: 79.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Swafford, Jan

Year: 1995
Complete Citation:
Swafford, Jan. “‘La vita nuova’: The Courtship of Charles and Harmony Ives.” American Music 13/4 (Winter 1995): 470-489.
Source: Journal
VI. Topical Studies
P. Ives Collaborators and Colleagues

Taper, Bernard

Year: 1960
Complete Citation:
Taper, Bernard. Balanchine: A Biography. New York, NY: Collier Books/Macmillan, 1960.
Notes:

Considers Ivesiana of 1954 with “strange visions of indefinite nightmare” to be one of Balanchine's “acknowledged masterworks” in contemporary ballet from 1946 to 1963 (p. 262).

Source: Book
Reprints:

Taper, Bernard. <i>Balanchine: A Biography</i>. New York, NY: Collier Books/Macmillan, 1963. * Taper, Bernard. <i>Balanchine: A Biography</i>. New York, NY: Collier Books/Macmillan, 1974.

XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Taylor, Paul, choreographer

Year: 1988
Complete Citation:
Paul Taylor, choreographer. Danbury Mix (1988); Paul Iaylor Dance Company. Music: Orchestral Set No. 2 (movements 1 and 3); Circus Band March; Orchestral Set No. 1 [Three Places in New England]: "Putnam's Camp" and "The Housatonic at Stockbridge.” Prf: 1988 May 12: New York.
1988 June 30: Durham, NC; Duke University; Page Audito-rium.
1990 March 8: New York; City College.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Teachout, Terry

Year: 2002
Complete Citation:
Teachout, Terry. “Loving America, and Voting with His Feet.” The New York Times. February 24, 2002: 41.
Notes:

Interview with Paul Taylor.

Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Terry, Walter

Year: 1954
Complete Citation:
Terry, Walter. “New York City Ballet.” New York Herald Tribune, September 15, 1954, 26.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1955
Complete Citation:
Walter Terry. “Dance: New York City Ballet.” The New York Times, March 7, 1955, 8.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Trischler, Joyce, choreographer

Year: 1980, 1981, 1984, 1987
Complete Citation:
Joyce Trischler, choreographer. Journey (1980); ballet; Trischler Dance Company.
Music included The Unanswered Question. Prf: 1980.
1981 November 20.
1984 December 13.
1987 May 6: New York; Joyce Theater.
1987 May 10: New York; Joyce Theater.
1991 July 17: Garden City, NY; Adelphi University, Olmstead Theater.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Van Vechten, Carl

Year: 1917
Complete Citation:
Van Vechten, Carl. “The Great American Composer.” Vanity Fair. April 1917.
VI. Topical Studies
P. Ives Collaborators and Colleagues

Wechsler, Bert

Year: 1993
Complete Citation:
Volume 1 and 2, Performance: 1993 October 7--10: New York; St. Mark's Church; Dance Studio. Review: Bert Wechsler. (1993 October 71).
Source: Pamphlet
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

no author listed

Complete Citation:
“Music: Central Park in the Dark; Hallowe’en; The Unanswered Ques-tion’, Scherzo: Over the Pavements’, “In the Inn”; “In the Night.” Comment: George Balanchine. “Ivesiana, G. Balanchine.”” Center: A Magazine for the Performing Arts 1/5 (August--Septem-ber 1954).



Prf: 1954 September 14: New York; New York Center of Music and Drama; Leon Barzin and Hugo Fiorato, conductors.
Source: Magazine
Reprints:

Reprint: George Balanchine and Francis Mason. Balanchine's Com- plete Stories of the Great Ballets. Garden City, NY: Double- day, 1977: 341--343.

XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Complete Citation:
Other prf: Netherlands Ballet Orkest; Combustion Chamber in the Netherlands; Relach Ensemble in Philadelphia; Noamnesia in Chicago.
Source: Performance (dance)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Complete Citation:
Review: Robert. Cue (1914). The piece is "marked by turbulence...and commands respect."
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Complete Citation:
Mandel, Howard.
“Review: Mark Tucker. “Behind the Beat.”” Institute for Studies in American Music Newsletter (Fall 1995) 25/1: 13.
Source: Newsletter
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews