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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Reinhard, Johnny

Year: 2005
Complete Citation:
Reinhard, Johnny. “Charles Ives's Approach to Intonation.” New Music Box. New Music USA, December 21, 2005. www.nmbx.newmusicusa.org.
Source: Online article
VI. Topical Studies
R. Performance Approaches

Rosen, Michael

Year: 2000
Complete Citation:
Rosen, Michael. “Terms Used in Percussion: Another Look at the Rute: Charles Ives and Some Surprises.” Percussive Notes 38 (July 2000): 60-61.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Rosenfeld, Paul

Year: 1939
Complete Citation:
Rosenfeld, Paul. “A Plea for Improvisation.” Modern Music, Vol. 16, No. 2 (January-February 1939).
Source: Journal
VI. Topical Studies
R. Performance Approaches

Rothstein, Edward

Year: 1980
Complete Citation:
Rothstein, Edward. “Ives Country.” The New York Times, August 22, 1980, sec. C, 8.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy

Sanders, Donald

Year: 1976
Complete Citation:
Sanders, Donald. “Plaques Mark Homes of Ives, Ellington.” Boston Globe, August 17, 1976, 20.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy

Schafer, William J.

Year: 1975-1976
Complete Citation:
Schafer, William J. “Introducing Charles Ives: A Multi-Media Experience.” Student Musicologists at Minnesota 6 (1975-76): 5-15.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Schlocker, Georges

Year: 1998
Complete Citation:
Schlocker, Georges. “Christoph Marthaler: Memory Resurrected.” Art Press 232 (February 1998): 54-56.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Schuman, William

Year: 1940-1941
Complete Citation:
Schuman, William. “A Brief Study of Music Organizations Founded in the Interest of the Living Composer.” Twice a Year (Fall-Winter 1940 and Spring-Summer 1941) 5-6: 361--367.
Notes:

A brief but worthwhile sur-vey, especially of “The League of Composers” (365): “The Arrow Music Press is a cooperative venture. The composer pays all, or a portion of, the expense of publishing his compositions and in return receives all but a small fraction of the return. A very interesting catalogue has al-ready been issued by the press, which appears to be increasing its acti-vities.” With the Arrow Press imprint and its subsidiary Cos Cob Press, the following works of Ives were published: Sonata [No. 4] for violin and piano; Serenity; Sixty--Seventh Psalm; Charlie Rutlage; Evening; The Greatest Man', Walking; Seven Songs’, Third Symphony (“The Camp Meeting”) [CI 87); Sonata No. 2, “Concord, Mass., 1840--1860,” for piano; and Where the Eagle (in the Cos Cob Song Volume). The Cos Cob Press was later absorbed by the Arrow Music Press that in turn was merged into Associated Music Publishers. Ives and Walter Piston had the most titles in this catalogue. The article re-prints “Prologue” from Essays Before a Sonata.

Source: Journal
VI. Topical Studies
U. Institutions and Ives’ Legacy

Seckerson, Edward

Year: 2002
Complete Citation:
Seckerson, Edward. “Potent and Wholly Persuasive Accounts from Hampson and Tilson Thomas of Ives’s Quirky Idiom.” Gramophone, Vol. 79 (2002): 75.
Source: Magazine
VI. Topical Studies
R. Performance Approaches

Sherman, R.

Year: 1981
Complete Citation:
Sherman, R. “Ives Center Draws Young Composers.” The New York Times, July 26, 1981, CN16.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy

Sinclair, James

Year: 1998
Complete Citation:
Sinclair, James. “Performing Ives/Ives Performing.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.
Source: Conference paper
VI. Topical Studies
R. Performance Approaches

Wickstrom, Fred

Year: 1976
Complete Citation:
Wickstrom, Fred. “Ives and Percussion, A Forerunner on All Fronts.” In South Florida's Historic Ives Festival 1974-1976, edited by F. Warren O’Reilly, 57-58. Coral Gables, FL: University of Miami at Coral Gables, 1976.
Source: Chapter in Book
VI. Topical Studies
R. Performance Approaches

no author listed

Year: 1965
Complete Citation:
“Gets Grant.” New York Amsterdam News, February 27, 1965, 16.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 1966
Complete Citation:
“Move Composer's Home.” The Hartford Courant, September 20, 1966, 33D.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 1978
Complete Citation:
“The Charles Ives Society - Past, Present, and Future.” Newsletter - Institute for Studies in American Music 7, no. 2 (Spring 1978): 1, 12.
Source: Journal
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 1980
Complete Citation:
“In the Name of Ives.” Newsletter - Institute for Studies in American Music IX, no. 2 (Spring 1980): 2.
Source: Newsletter
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 1985
Complete Citation:
“Copyright Dilemma of Inverted Sonata; Charles Ives Case Against Hungarian Composer.” The Times, August 20, 1985.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 1998
Complete Citation:
“Awards Roundup.” Symphony, Vol. 49, No. 4 (1998): 32.
Source: Magazine
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 2004
Complete Citation:
“The Charles Ives Center for the Arts.” Fairfield County Business Journal, vol. 43, no. 29 (2004): 30.
Source: Journal
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 2012
Complete Citation:
“Preserving a Composer’s Homestead; Fans of Charles Edward Ives, One of the First Famous Classical Composers in the U.S., Want to Buy the Connecticut House Where He Worked and Transform it into a Musical Retreat.” The Wall Street Journal, August 30.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy