Image
Complete Citation:
Bond, Victoria. “Towards Creating a Composer-Friendly Environment.” Journal of the Conductors' Guild 12/1-2 (Winter-Spring 1991): 64-70.
Bibliography
Genres
Bond, Victoria
Year: 1991
Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Burkholder, J. Peter
Year: 2001
Complete Citation:
Burkholder, J. Peter. “Ives, Charles Edward.” In New Grove Dictionary of Music and Musicians, edited by Stanley Sadie. 2nd edition. New York, NY: MacMillan Publishers, 2001.Source: Encyclopedia article
VII. Entries in Larger Volumes
C. Dictionary Entries
C. Dictionary Entries
Cowell, Henry
Year: 1927
Complete Citation:
Cowell, Henry. “Our inadequate notation.” Modern Music 4 (March-April 1927): 31.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Darter, Tom
Year: 1996
Complete Citation:
Darter, Tom. “Conductor, Pianist, Composer: Michael Tilson Thomas on Contemporary Music, Notation vs. Interpretation, and the Keyboard as the Conduit for Musical Thought.” Keyboard, Vol. 22, No. 7 (1996): 62-68, 70, 72.Source: Magazine
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
de Mare, Anthony
Year: 1999
Complete Citation:
de Mare, Anthony. “The Sound of the Performer Thinking.” Listen to Norway, Vol. 7, No. 2 (1999): 26-27.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Ewen, David
Year: 1982
Complete Citation:
Ewen, David. American Composers: A Biographical Dictionary. New York, NY: G.P. Putnam's Sons, 1982: 323-325.Source: Book
VII. Entries in Larger Volumes
C. Dictionary Entries
C. Dictionary Entries
Glanville-Hicks, Peggy
Year: 1973
Complete Citation:
Glanville-Hicks, Peggy. “Ives, Charles.” In Grove’s Dictionary of Music and Musicians, vol. 4, 560. 5th ed. New York, NY: St. Martin’s Press, 1973.Source: Chapter in Book
VII. Entries in Larger Volumes
C. Dictionary Entries
C. Dictionary Entries
Goldstein, Malcolm
Year: 2008
Complete Citation:
Goldstein, Malcolm. “Some Anecdotal Evidence.” American Music 26, no. 4 (Winter 2008): 499-513.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Haylock, Julian
Year: 2004
Complete Citation:
Haylock, Julian. “Has Cello, Will Travel.” The Strad, Vol. 115, (2004): 1282-1283, 1285-1286.Source: Magazine
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Henck, Herbert
Year: 2004
Complete Citation:
Henck, Herbert. “Do whatever seems natural or best to you.” In Charles Ives, 1874-1954. Amerikanischer Pionier der Neuen Musik, edited by Haans-Werner Meister, 116-122. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Book
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Ives, Charles
Year: 1937
Complete Citation:
“Ives, Charles.” In Who’s Who Today in the Musical World (1937), 58, 191-192.Source: Magazine
VII. Entries in Larger Volumes
C. Dictionary Entries
C. Dictionary Entries
Keough, James
Year: 2004
Complete Citation:
Keough, James. “Are My Ears on Wrong?” Strings, vol. 19, no. 3 (October 2004): 122.Notes:
<a target="_blank" href="http://www.stringsmagazine.com/issues">A look at the Ives legacy, especially in “Decoration Day.” Available online at www.stringsmagazine.com/issues.</a>
Source: Magazine
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Kirkpatrick, John
Year: 1980
Complete Citation:
Kirkpatrick, John. “Ives, Charles E.” In The New Grove Dictionary of Music and Musicians, edited by Stanley Sadie. London, UK: Macmillan Publishers, 1980.Source: Article
Reprints:
Kirkpatrick, John and Paul C. Echols. “Ives, Charles E.” In <i>The New Grove Dictionary of American Music and Musicians</i>, edited by H. Wiley Hitchcock and Stanley Sadie. New York, NY: Macmillan<i>, </i>1986. * Kirkpatrick, John, et. al. “Ives, Charles E.” In <i>The New Grove 20th-Century American Masters: Ives, Thomson, Sessions, Cowell, Gershwin, Copland, Carter, Barber, Cage, Bernstein</i>. New York, NY: New York: W.W. Norton, 1998: 1-52.
VII. Entries in Larger Volumes
C. Dictionary Entries
C. Dictionary Entries
Mauceri, John, moderator
Year: 1977
Complete Citation:
Mauceri, John, moderator. “Conductors’ Experiences (Discussion with John Mauceri, Gunther Schuller, Lehman Engel, Nicolas Slonimsky, Arthur Weisberg, James Sinclair, Gregg Smith, Roque Cordero.” In An Ives Celebration. Papers and Panels of the Charles Ives Centennial Festival Conference. Music in American Life. Urbana, Illinois: University of Illinois Press, 113-126.Source: Chapter in Book
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Mead, Andrew
Year: 2007
Complete Citation:
Mead, Andrew. “On Tempo Relations.” Perspectives of New Music 45, no. 1 (Winter 2007): 64-108.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Nardi, Gregorio
Year: 2004
Complete Citation:
Nardi, Gregorio. “Interpretare Ie Interpretazione.” Musica 21/60 (October 2004): 39--42.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Pearsall, Ronald
Year: 1986-87
Complete Citation:
Pearsall, Ronald. “Ives in Performance.” Music Review 47/1 (1986-87): 24-28.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Reinhard, Johnny
Year: 2005
Complete Citation:
Reinhard, Johnny. “Charles Ives's Approach to Intonation.” New Music Box. New Music USA, December 21, 2005. www.nmbx.newmusicusa.org.Source: Online article
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Rosen, Michael
Year: 2000
Complete Citation:
Rosen, Michael. “Terms Used in Percussion: Another Look at the Rute: Charles Ives and Some Surprises.” Percussive Notes 38 (July 2000): 60-61.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Rosenfeld, Paul
Year: 1939
Complete Citation:
Rosenfeld, Paul. “A Plea for Improvisation.” Modern Music, Vol. 16, No. 2 (January-February 1939).Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches