Image
Complete Citation:
Bauer, Marion. 20th Century Music: How It Developed, How to Listen to It, 278. New York, NY: G.P. Putnam’s Sons, 1933.
Bibliography
Genres
Bauer, Marion
Year: 1933
Source: Book
Reprints:
Bauer, Marion. <i>20th Century Music: How It Developed, How to Listen to It</i>, 278. New York, New York: Da Capo Press, 1978, 278.
VII. Entries in Larger Volumes
D. Other
D. Other
Blume, Friedrich
Year: 1975
Complete Citation:
Blume, Friedrich. Epochen der Musikgeschichte. Munich, Germany: Deutscher Taschenbuch Verlag, 1975.Source: Book
VII. Entries in Larger Volumes
D. Other
D. Other
Bond, Victoria
Year: 1991
Complete Citation:
Bond, Victoria. “Towards Creating a Composer-Friendly Environment.” Journal of the Conductors' Guild 12/1-2 (Winter-Spring 1991): 64-70.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Clendenin, William R.
Year: 1965
Complete Citation:
Clendenin, William R. Music, History and Theory, 392-393. Garden City, NY: Doubleday, 1965.Source: Book
VII. Entries in Larger Volumes
D. Other
D. Other
Cowell, Henry
Year: 1927
Complete Citation:
Cowell, Henry. “Our inadequate notation.” Modern Music 4 (March-April 1927): 31.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Darter, Tom
Year: 1996
Complete Citation:
Darter, Tom. “Conductor, Pianist, Composer: Michael Tilson Thomas on Contemporary Music, Notation vs. Interpretation, and the Keyboard as the Conduit for Musical Thought.” Keyboard, Vol. 22, No. 7 (1996): 62-68, 70, 72.Source: Magazine
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
de Mare, Anthony
Year: 1999
Complete Citation:
de Mare, Anthony. “The Sound of the Performer Thinking.” Listen to Norway, Vol. 7, No. 2 (1999): 26-27.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Dickey, Jessica
Year: 2015
Complete Citation:
Dickey, Jessica. Charles Ives Take Me Home. London, United Kingdom: Samuel French, 2015.Notes:
Published stage play
Source: Book
XII. Interdisciplinary Performances with Ives’s Music
A. Theatre
A. Theatre
Ewen, David
Year: 1949
Complete Citation:
Ewen, David. American composers today, a biographical and critical guide. New York, NY: H.W. Wilson Co., 1949.Source: Book
VII. Entries in Larger Volumes
D. Other
D. Other
Goldstein, Malcolm
Year: 2008
Complete Citation:
Goldstein, Malcolm. “Some Anecdotal Evidence.” American Music 26, no. 4 (Winter 2008): 499-513.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Griffiths, Paul
Year: 1994
Complete Citation:
Griffiths, Paul. Modern music: a concise history. London, United Kingdom: Thames and Hudson, 1994.Source: Book
VII. Entries in Larger Volumes
D. Other
D. Other
Haylock, Julian
Year: 2004
Complete Citation:
Haylock, Julian. “Has Cello, Will Travel.” The Strad, Vol. 115, (2004): 1282-1283, 1285-1286.Source: Magazine
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Henck, Herbert
Year: 2004
Complete Citation:
Henck, Herbert. “Do whatever seems natural or best to you.” In Charles Ives, 1874-1954. Amerikanischer Pionier der Neuen Musik, edited by Haans-Werner Meister, 116-122. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Book
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Henry, Derrick
Year: 1989
Complete Citation:
Henry, Derrick. “Baritone's Dramatic Portrayal Brings Music of Composer Charles Ives to Life.” Atlanta Constitution, October 2, 1989, sec. B, 3.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
A. Theatre
A. Theatre
Johnson, Axel, ed.
Year: 1934
Complete Citation:
Johnson, Axel, ed. “Ives, Charles.” The Music Lover’s Guide (February 1934): 173.Source: Chapter in Book
VII. Entries in Larger Volumes
D. Other
D. Other
Kaufman, Helen L.
Year: 1943
Complete Citation:
Kaufman, Helen L. “Charles Ives.” In The Story of One Hundred Great Composers. New York, NY: Grosset & Dunlap, 1943.Source: Chapter in Book
Reprints:
Kaufman, Helen L. “Charles Ives.” In <i>The Story of One Hundred Great Composers</i>, 73. New York, NY: Grosset & Dunlap, 1957.
VII. Entries in Larger Volumes
D. Other
D. Other
Keough, James
Year: 2004
Complete Citation:
Keough, James. “Are My Ears on Wrong?” Strings, vol. 19, no. 3 (October 2004): 122.Notes:
<a target="_blank" href="http://www.stringsmagazine.com/issues">A look at the Ives legacy, especially in “Decoration Day.” Available online at www.stringsmagazine.com/issues.</a>
Source: Magazine
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Majoros, David, compiler
Complete Citation:
Majoros, David, compiler. “Charles E. Ives: American Composer.” A Musical/Dramatic Portrait (ca. 1988); baritone and piano. Performance in Appleton, WI; Lawrence University; Bradford, MA: Bradford College; Fulton, MO: William Woods University; Las Vegas, NV: University of Nevada-Notes:
Two acts: Act I (in baseball uniform with ball and bat); Act II (in vest, tweed jacket, hat, and cane); songs interspersed with recitation from Ives's writings. A Musical/Dramatic Portrait (ca. 1988); baritone and piano. Superior, WI: University of Wisconsin- Superior; David Majoros, baritone; Christine Sotomayor Lopez, piano.
XII. Interdisciplinary Performances with Ives’s Music
A. Theatre
A. Theatre
Mauceri, John, moderator
Year: 1977
Complete Citation:
Mauceri, John, moderator. “Conductors’ Experiences (Discussion with John Mauceri, Gunther Schuller, Lehman Engel, Nicolas Slonimsky, Arthur Weisberg, James Sinclair, Gregg Smith, Roque Cordero.” In An Ives Celebration. Papers and Panels of the Charles Ives Centennial Festival Conference. Music in American Life. Urbana, Illinois: University of Illinois Press, 113-126.Source: Chapter in Book
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Mead, Andrew
Year: 2007
Complete Citation:
Mead, Andrew. “On Tempo Relations.” Perspectives of New Music 45, no. 1 (Winter 2007): 64-108.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches