Image
Complete Citation:
Mead, Andrew. “On Tempo Relations.” Perspectives of New Music 45, no. 1 (Winter 2007): 64-108.
Bibliography
Genres
Mead, Andrew
Year: 2007
Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Nardi, Gregorio
Year: 2004
Complete Citation:
Nardi, Gregorio. “Interpretare Ie Interpretazione.” Musica 21/60 (October 2004): 39--42.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Norkin, Sam
Complete Citation:
Norkin, Sam. Sketch. Saturday Review (August 28) 31/35: 45.Notes:
After the photograph by W. Eugene Smith.
Source: Magazine
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Osborne, Neale
Year: 2004
Complete Citation:
Neale Osborne. Illustration, 2004. Gramophone 82/981, July 2004, 39.Source: Illustration
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Paolozzi, Eduardo
Year: 1974--1977
Complete Citation:
Paolozzi, Eduardo. From Calcium Light Night, nine paint-ings with titles drawn from Ives's compositions, 1974--1977.Notes:
Title of Individual Paintings: <br><br>1. Allegro, moderato: Fireman's Parade (1974-1976). <br><br>2. Central Park in the Dark Some 40 Years Ago (1974-1976). <br><br>3. The Children's Hour (1974-1976). <br><br>4. Largo to Presto (1974-1976). <br><br>5. Aeschylus and Socrates (1974-1976). <br><br>6. Calcium Light Night (1974-1976).<br><br>7. Four German Songs (1974-1976).<br><br>8. From Early Italian Poets (1974--1976). <br><br>9. Nettleton (1977).
Source: Painting Series
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Pearsall, Ronald
Year: 1986-87
Complete Citation:
Pearsall, Ronald. “Ives in Performance.” Music Review 47/1 (1986-87): 24-28.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Pfaffman, Scott
Year: 1994
Complete Citation:
Pfaffman, Scott. Wooden sculpture of Ives and his father. Sculpture, 1994. Brooklyn, NY Bear’s Community Garden. In “Ives on Flatbush Avenue.” Institute for Studies in American Music Newsletter 23/2 (Spring 1994): 11.Source: Sculpture
Reprints:
Publication in Institute for Studies in American Music Newsletter<i> </i>includes a letter from Siegmund Levarie with a photograph by Ray Allen.
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Philip Van Aver
Year: 1975
Complete Citation:
Van Aver, Philip. “Untitled (Drawing).” Parnassus: Poetry In Review 3/2 (Spring/Summer 1975): 294.Source: Drawing
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Rathbum, Eldon
Year: 1954
Complete Citation:
Rathburn, Eldon. Snapshot. March,1954. In A Charles Ives Omnibus, by James Mack Burk and Michael J. Budds, 872. Hillsdale, New York: Pendragon Press, 2008.Source: Photograph
Reprints:
One of the last photographs of Ives.
XVI. Photographs and Artwork
A. Photographs
A. Photographs
Reed, Joseph W.
Year: 1984
Complete Citation:
Reed, Joseph W. “Two Sketches,” 1984. In Three American Originals: John Ford, William Faulkner, & Charles Ives, Middletown, CT: Wesleyan University Press, 1984.Source: Sketches
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Reinhard, Johnny
Year: 2005
Complete Citation:
Reinhard, Johnny. “Charles Ives's Approach to Intonation.” New Music Box. New Music USA, December 21, 2005. www.nmbx.newmusicusa.org.Source: Online article
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Rodrigues, Charles
Year: 1978
Complete Citation:
Rodrigues, Charles. Cartoon. Stereo Review 41/5 (November 1978): 124.Notes:
Pictures a man in business suit walking by a building with a plaque stating: Charles Ives Insured This Building. October 9, 1919.
Source: Journal/Magazine
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Rosen, Michael
Year: 2000
Complete Citation:
Rosen, Michael. “Terms Used in Percussion: Another Look at the Rute: Charles Ives and Some Surprises.” Percussive Notes 38 (July 2000): 60-61.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Rosenfeld, Paul
Year: 1939
Complete Citation:
Rosenfeld, Paul. “A Plea for Improvisation.” Modern Music, Vol. 16, No. 2 (January-February 1939).Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Schafer, William J.
Year: 1975-1976
Complete Citation:
Schafer, William J. “Introducing Charles Ives: A Multi-Media Experience.” Student Musicologists at Minnesota 6 (1975-76): 5-15.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Schlocker, Georges
Year: 1998
Complete Citation:
Schlocker, Georges. “Christoph Marthaler: Memory Resurrected.” Art Press 232 (February 1998): 54-56.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Seckerson, Edward
Year: 2002
Complete Citation:
Seckerson, Edward. “Potent and Wholly Persuasive Accounts from Hampson and Tilson Thomas of Ives’s Quirky Idiom.” Gramophone, Vol. 79 (2002): 75.Source: Magazine
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Selnick, P.
Year: 1949
Complete Citation:
Selnick, P. Sketch. New York Times Magazine (1949 October 23): 15.Source: Magazine
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Shilstone, Arthur
Year: 1974
Complete Citation:
Shilstone, Arthur. Portrait. “Timmins’ Works Highlight the Life of Charles Ives.” Redding Pilot, June 13, 1974.Source: Newspaper/Magazine
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Silverman, Burt
Complete Citation:
Silverman, Burt illustrator. Charles Ives. In Composers and Conductors set of 32 cents stamps issued by the United States Postal Service in the “Legends of American Music” series. Issued in Cincin-nati, OH: Scott Postage Stamp Catalog, Number 3164, 1997.Source: Postage Stamp
Reprints:
Illustration after a photograph by Halley Erskine; designed by Howard Paine of Delaplane, VA. Printed by Ashton-Polter (USA) Ltd. Nationwide sale on September 13, 1997.
XVI. Photographs and Artwork
C. Other
C. Other