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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Finn, Geraldine

Year: 2001
Complete Citation:
Finn, Geraldine. “Music, Identity, and Difference. In the Case of Charles Ives.” New Sound, Vol. 18 (2001): 49-62.
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2001
Complete Citation:
Finn, Geraldine. “Music, Identity, and Difference in the Case of Charles Ives.” New Sound 18 [Yugoslavia]: 49-62.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Fosler-Lussier, Danielle

Year: 2019
Complete Citation:
Fosler-Lussier, Danielle. “Classical Music as Development Aid.” In Music in America’s Cold War Diplomacy. Berkeley, California: University of California Press, 2015.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Freer, Patrick K.

Year: 2014
Complete Citation:
Freer, Patrick K. “From the Academic Editor: ‘Years of Progress’—‘Music Educators Journal’ from 1964 to 1989 (Volumes 51-75).” Music Educators Journal, vol. 100, no. 3 (2014): 18-19.
Source: Journal
VI. Topical Studies
T. Ives in Music Education

Friskin, James and Irwin Freundlich

Year: 1954
Complete Citation:
Friskin, James and Irwin Freundlich. Music for Piano: A Handbook of Concert and Teaching Material from 1580 to 1952. The Field of Music, Volume 5. New York, NY: Rinehart & Company, 1954.
Source: Book
VI. Topical Studies
T. Ives in Music Education

Gann, Kyle

Year: 2004
Complete Citation:
Gann, Kyle. “Music: “Call It Special - American Influences Advance on the European Continent.”” The Village Voice, Vol. 49, No. 18 (2004): 93.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Gilmore, Bob

Year: 1996
Complete Citation:
Gilmore, Bob. “Reinventing Ives.” Music Analysis 19/1 (March 2000): 101-123.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Goosens, Eugene

Year: 1943
Complete Citation:
Goosens, Eugene. “The Public:- Has It Changed?” Modern Music 20/2 (Jan-uary-February 1943): 72--73.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Gordon, Philip

Year: 1950
Complete Citation:
Gordon, Philip. “Rehearsing Contemporary Music.” Music Educators Journal, vol. 37, no. 2 (November-December 1950): 32-38.
Source: Journal
VI. Topical Studies
T. Ives in Music Education

Hale, William

Year: 2005
Complete Citation:
Hale, William. “The Difficulty of Ives.” Paper presented at Charles Ives and His World, as Tribute to Iconoclastic American Com-poser. New England Conservatory of Music, Jordan Hall and Williams Hall, Boston, Massachusetts, March 13--17, 2005.
Source: Conference paper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Hanson, Howard

Year: 1927
Complete Citation:
Hanson, Howard. “Of Critics, Publishers and Patrons.” Modern Music IV, 2 (January-February 1927): 28-31.
Source: Journal
V. General Music Studies
S. Reception Studies and Related Scholarship

Heister, Hanns Werner

Year: 2004
Complete Citation:
Heister, Hanns-Werner. “Zu musikgeschichter Stellung und musik- asthetischen Stellenwert von Ives: ‘Amerikanischer’ Komponist und internationale 'Neue Musik.’” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 9-24. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Helms, Hans G.

Year: 1975-1976
Complete Citation:
Helms, Hans G. “Hommage zum 100. Geburtstag.” Student Musicologists at Minnesota (1975-1976): 95-127.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Henahan, Donal

Year: 1986
Complete Citation:
Henahan, Donal.“Maverick Composers Make Their Own Choices.” The New York Times, December 14, 1986, 2, 25, 32.
Notes:

Response to “Who Owns American Music?”

Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1987
Complete Citation:
Henahan, Donal. 1987. “Is an Icon Becoming a Has--Been?” New York Times, April 5.
Source: Newspaper
V. General Music Studies
S. Reception Studies and Related Scholarship

Henahan, Donald

Year: 1974
Complete Citation:
Henahan, Donald. “Composers Uncommemorated.” The Atlanta Constitution, July 6, 1974, 6T.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Heß, Frauke

Year: 1999
Complete Citation:
Heß, Frauke. “Der Mensch, ein Gewohnheitstier...- Hören jenseits ausgetretener Pfade. Unterrichtsanregungen zu Charles Ives.” Musik in der Schule, Vol. 12, No. 3 (1999): 130-135.
Source: Journal
VI. Topical Studies
T. Ives in Music Education

Horowitz, Joseph

Year: 2012
Complete Citation:
Horowitz, Joseph. “Charles Ives: Gentility and Rebellion.” In Moral Fire: Musical Portraits from America's Fin de Siècle. Berkeley: University of California Press, 2012.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Howard, John

Year: 1995
Complete Citation:
Howard, John. “Hymn and a River.” In Performing and Responding. Cambridge Assignments in Music, edited by Roy Bennett, 22-25. Cambridge, United Kingdom: Cambridge University Press, 1995.
Notes:

The author refers to <i>Three Places in New England</i>: The Housatonic at Stockbridge as the model. An accompanying compact disc is available.

Source: Book
VI. Topical Studies
T. Ives in Music Education

Hubbs, Nadine

Year: 2019
Complete Citation:
Hubbs, Nadine. “Being Musical: Gender, Sexuality, and Musical Identity in Twentieth-Century America.” In The Queer Composition of America's Sound: Gay Modernists, American Music, and National Identity. Berkeley, CA: University of California Press, 2004.
Source: Newsletter
VI. Topical Studies
S. Reception Studies and Related Scholarship