Cahill, Greg
Year: 2004
Complete Citation:
Cahill, Greg. “Editor’s Note.” Strings, Vol. 19, No. 3 (2004): 8.Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
Carter, Elliot
Year: 1944
Complete Citation:
Carter, Elliot. “Ives Today, His Vision and Challenge.” Modern Music 21/3 (May-June 1944).Source: Journal
Reprints: Carter, Elliot. “Ives Today, His Vision and Challenge.” In <i>Elliott Carter: collected essays and lectures, 1937-1995</i>, edited by Jonathan W. Bernard.
VI. Topical Studies
S. Reception Studies and Related Scholarship
Chase, Gilbert
Year: 1966
Complete Citation:
Chase, Gilbert. “Composer from Connecticut.” In America’s Music: From the Pilgrims to the Present. 2nd ed., 403-28. New York, NY: McGraw Hill, 1966.Source: Chapter in Book
Reprints: Chase, Gilbert. “Composer from Connecticut.” In <i>America’s Music: From the Pilgrims to the Present</i>. 3rd ed. Urbana, IL: University of Illinois Press, 1987: 429-446.
VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1966
Complete Citation:
Chase, Gilbert. “America’s Music: From the Pilgrims to the Present.” New York: McGraw-Hill Book Company, 1966.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1974
Complete Citation:
Chase, Gilbert. "Charles Ives and American Culture." High Fidelity/Musical America 24/10, October 1974, 17-19.Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
Clarkson, Austin
Year: 1974
Complete Citation:
Clarkson, Austin. “Charles Ives Here-and-Now-and-After.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 241-243. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1977
Complete Citation:
Clarkson, Austin. “Charles Ives Here-and-Now-and-After,” 241-243. In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 241-243. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Clendenin, William R.
Year: 1965
Complete Citation:
Clendenin, William R. Music, History and Theory, 392-393. Garden City, NY: Doubleday, 1965.Source: Book
VII. Entries in Larger Volumes
D. Other
Collaer, Paul, Albert vander Linden and F. van den Bremt, eds.
Year: 1960
Complete Citation:
Collaer, Paul, Albert vander Linden and F. van den Bremt, eds. “Charles Ives.” In Atlas historique de la musique. Paris, France: Elsevier 1960. Source: Book
VII. Entries in Larger Volumes
B. Encyclopedia Entries
Collaer, Paul; Sally, Abeles, translator
Year: 1961
Complete Citation:
Collaer, Paul. A History of Modern Music, 43, 366-367, 388. Translated from French to English by Sally Abeles. New York, NY: Grosset & Dunlap.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Cooke, Deryck
Year: 1959
Complete Citation:
Cooke, Deryck. The Language of Music. Stocksbridge, United Kingdom: Clarendon House Publications, 1959.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Copland, Aaron
Year: 1968
Complete Citation:
Copland, Aaron. “The Ives Case.” In The New Music: 1900-1960. New York, NY: W.W. Norton, 1968. Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Cowell, Henry
Year: 1933
Complete Citation:
Cowell, Henry. “Europe and America in Music Today.” Modern Music X, 2 (January-February 1933): 95.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Crutchfield, Will
Year: 1987
Complete Citation:
Crutchfield, Will. “Why Our Greatest Composer Needs Serious Attention.” The New York Times, May 10, 1987, sec. 2, 19, 22.Source: Newspaper
V. General Music Studies
S. Reception Studies and Related Scholarship
Dahlhaus, Carl
Year: 1980
Complete Citation:
Dahlhaus, Carl. Musik des 19. Jahrhundert (Neues Handbuch der Musikwissenschrift). Vol. 6. Wiesbaden, Germany: Akademie Verlagsgellschaft Athenian, 1980.Notes: Cites Concord Sonata's “random accumulation of dissonance.”
Source: Book
Reprints: Dahlhaus, Carl. Musik des 19. Jahrhundert (Neues Handbuch der Musikwissenschrift) [<i>Nineteenth-Century Music</i>]. Translated to English by J. Bradford Robinson. California Studies in 19th Century Music, 5. Berkeley, CA: University of California Press, 1989.
VII. Entries in Larger Volumes
A. Textbook Accounts
Daniel, Oliver
Year: 1975
Complete Citation:
Daniel, Oliver. The Charles Ives Centennial: A personal memoir by Oliver Daniel. BMI: The Many Worlds of Music 3 (1974): 32-35.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Dayton. Daryl D
Year: 1975-1976
Complete Citation:
Dayton, Daryl D. “Charles Ives in the USIA.” Student Musicologists at Min-nesota 6 (1975-76): 87-94.Source: Journal
V. General Music Studies
S. Reception Studies and Related Scholarship
Demuth, Norman
Year: 1952
Complete Citation:
Demuth, Norman. Musical Trends in the Twentieth Century. London, United Kingdom: Rockliff, 1952.VII. Entries in Larger Volumes
A. Textbook Accounts
Dickinson, Peter
Year: 1974
Complete Citation:
Dickinson, Peter. “A New Perspective for Ives.” The Musical Times 115 (September 1974): 836-8-38.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1974
Complete Citation:
Dickinson, Peter. “A New Perspective for Ives.” Musical Times 115/1580 (October 1974): 836-838.Source: Journal
V. General Music Studies
S. Reception Studies and Related Scholarship