Saminsky, Lazare
Year: 1949
Complete Citation:
Saminsky, Lazare. Living Music of the Americas, 43, 149-152. New York, NY: Howell, Soskin and Crown, 1949.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Scharnhorst, Gary
Year: 1988
Complete Citation:
Scharnhorst, Gary. “From Soldier to Saint: Robert Gould Shaw and the Rhetoric of Racial Justice.” Civil War History 34 (December 1988): 321.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Schiff, David
Year: 2009
Complete Citation:
Schiff, David. “Ives’s Ears.” Nation 288, no. 1 (January 5, 2009): 30--33.Source: Journal
V. General Music Studies
S. Reception Studies and Related Scholarship
Searle, Humphrey
Year: 1939
Complete Citation:
Searle, Humphrey. “Growing Pains in England.” Modern Music 16/4 (May--June 1939): 220-224.Notes: Quotation from article: “One would like to hear more of Americans. A concert given by the BBC last winter included works by Whithorne, Carpenter, and Fuleihan, but what about Copland, Piston, Sessions, Ives, Harris? Their music is hardly ever played here.”
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Sherwood, Gayle
Year: 2001
Complete Citation:
Sherwood, Gayle. “Ives and Neurasthenia: A Response to Stuart Feder.” Journal of the American Musicological Society 54, no.3 (Fall 2001): 641-643.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Siegmeister, Elie
Year: 1961
Complete Citation:
Siegmeister, Elie. “The Case of Mr. Ives.” Music Today 4/1 (June--August 1961): 1-2.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Simms, Bryan R.
Year: 1996
Complete Citation:
Simms, Bryan R. Music in the Twentieth Century: An Anthology. New York, NY: Schirmer, 1996.Notes: Accompanying CD includes Charlie Rutlage and from Paracelsus.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Sinclair, James
Year: 1996
Complete Citation:
Sinclair, James. “An Ives Experience.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 38-39. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
VI. Topical Studies
S. Reception Studies and Related Scholarship
Slominsky, Nicholas
Year: 1957
Complete Citation:
Slominsky, Nicholas. “Ives, Charles.” In Die Musik in Geschichte und Gegenwart, vol. 6 (1957): 1574-1580.Source: Journal
VII. Entries in Larger Volumes
B. Encyclopedia Entries
Slominsky, Nicolas
Year: 1937
Complete Citation:
Slominsky, Nicolas. Music since 1900. New York, New York: W.W. Norton, 1937.Source: Book
Reprints: Second Edition, 1938. Third Edition, 1949. Fourth Edition, 1971. Fifth Edition, 1994.
VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 2001
Complete Citation:
Slonimsky, Nicolas. “Ives, Charles Edward.” In Baker's Biographical Dic-tionary of Musicians. 8th rev. ed. New York, NY: Schirmer, 2001.Source: Chapter in Book
VII. Entries in Larger Volumes
C. Dictionary Entries
Slonimsky, Nicolas
Year: 1989
Complete Citation:
Slonimsky, Nicolas. Lectionary of Music: An Entertaining Reference and Reader’s Companion. New York, NY: McGraw-Hill, 1989.Notes: Numerous cita-tions to Ives’s compositions as examples.
Source: Book
VII. Entries in Larger Volumes
B. Encyclopedia Entries
Smith, Catherine Parsons
Year: 1994
Complete Citation:
Smith, Catherine Parsons. “‘A Distinguished Virility’: Feminism and Modernism in American Art Music.” In Cecilia Reclaimed: Feminism Perspectives on Gender and Music, edited by Susan C. Cook and Judy S. Tsou, 94-95. Urbana, Illinois: University of Illinois Press, 1994.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Solie, Ruth A., ed.
Year: 1995
Complete Citation:
Solie, Ruth A. “Charles Ives and gender ideology.” In Musicology and difference: gender and sexuality in music scholarship. Berkeley, CA: University of California Press, 1995.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Solomon, Maynard
Year: 1985
Complete Citation:
Solomon, Maynard. “Charles Ives: Some Psychonalytic Implications.” Presented at the New York Psychoanalytic Society, New York, New York, December 10, 1985.Notes: This presentation was a response to Stuart Feder’s “Calcium Light Night and Other Early Memories of Charles Ives,” and is extant as an unpublished mansucript.
Source: Conference Presentation
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1989
Complete Citation:
Solomon, Maynard. “Communications.” Journal of the American Musico- logical Society 42/1 (1989): 209-218.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1989
Complete Citation:
Maynard Solomon. Counter-response to J. Philip Lambert. Journal of the American Musicological Society xlii (1989): 209-218.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Stiller, Andrew
Year: 1986
Complete Citation:
Stiller, Andrew. “Who Owns American Music?” Opus 3/1 (December 1986): 18, 60.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Stolba, K. Marie
Year: 1990
Complete Citation:
Stolba, K. Marie. “Late Nineteenth-Century—Early Twentieth-Century Music.” In The Development of Western Music: An History, 789-793. Madison, WI: Brown and Benchmark, 1990.Notes: Discusses "The Alcotts" from the Concord Sonata, which is supplied with the supplementary recordings {D101}.
Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Suhor, Charles
Year: 1976
Complete Citation:
Suhor, Charles. “To Charles Ives.” The English Journal, vol. 65, no. 5 (1976): 45-46.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship