Image
Complete Citation:
Ewen, David. “Charles Ives.” In The complete book of 20th century music. New York, Prentice-Hall, 1952.
Bibliography
Genres
Ewen, David
Year: 1952
Notes:
1959 edition discusses Symphony No. 3 (“The Camp Meeting”) and Three Places in New England. The author states that the 1968 edition is a replacement for the previous title. A brief biographical comments; compact discussions of 114 Songs', From the Steeples and the Mountains; Symphonies Nos. 2, 3, 4; Three Places in New England; Sonata No. 2, "Concord, Mass., 1840-1860," for piano; and Quartet No. 2; with considerable information regarding premieres.
Source: Chapter in Book
Reprints:
Ewen, David. “Charles Ives.” In <i>The complete book of 20th century music</i>. New York, Prentice-Hall, 1959. * Ewen, David. <i>The World of Twentieth-Century Music</i>, 177, 394-403. Engle-wood Cliffs, NJ: Prentice-Hall, 1968:
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Feder, Stuart
Year: 2001
Complete Citation:
Feder, Stuart. “Coloquy: Heard Maladies Are Sweet (‘But Those Unheard Are Sweeter’): A Response to Gayle Sherwood.” Journal of the American Musicological Society 54, no. 3 (Fall 2001): 627--641.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Fiender, Reinhard
Year: 2004
Complete Citation:
Flender, Reinhard. “Charles E. Ives: Genie oder Maverick? Anmerk-ungen zum Schaffensprozeß und zur Rezeptionsgeschichte.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 25-34. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Finn, Geraldine
Year: 2001
Complete Citation:
Finn, Geraldine. “Music, Identity, and Difference. In the Case of Charles Ives.” New Sound, Vol. 18 (2001): 49-62.Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Year: 2001
Complete Citation:
Finn, Geraldine. “Music, Identity, and Difference in the Case of Charles Ives.” New Sound 18 [Yugoslavia]: 49-62.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Finney, Theodore M.
Year: 1935
Complete Citation:
Finney, Theodore M. A History of Music, 601-602. New York, NY: Harcourt, Brace & Howe, 1935,Source: Book
Reprints:
Finney, Theodore M. <i>A History of Music</i>, 645. Westport, CT: Greenwood Press, 1947. * Finney, Theodore M. <i>A History of Music</i>. Westport, CT: Greenwood Press, 1976.
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Fosler-Lussier, Danielle
Year: 2019
Complete Citation:
Fosler-Lussier, Danielle. “Classical Music as Development Aid.” In Music in America’s Cold War Diplomacy. Berkeley, California: University of California Press, 2015.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Gann, Kyle
Year: 1997
Complete Citation:
“Forefathers” Chapter — Gann, Kyle. American Music in the 20th Century. New York: Schirmer, 1997, 7-17 and passim.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Year: 2004
Complete Citation:
Gann, Kyle. “Music: “Call It Special - American Influences Advance on the European Continent.”” The Village Voice, Vol. 49, No. 18 (2004): 93.Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Gilmore, Bob
Year: 1996
Complete Citation:
Gilmore, Bob. “Reinventing Ives.” Music Analysis 19/1 (March 2000): 101-123.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Goldman, Richard
Year: 1974
Complete Citation:
Goldman, Richard. “American Music: 1918-1960.” In New Oxford History of Music, Vol. 10, 574-583. London, United Kingdom: Oxford University Press, 1974.Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Goosens, Eugene
Year: 1943
Complete Citation:
Goosens, Eugene. “The Public:- Has It Changed?” Modern Music 20/2 (Jan-uary-February 1943): 72--73.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Grannis, Lewis C.
Year: 1935
Complete Citation:
Grannis, Lewis C. Connecticut Composers, 53-57. New Haven, CT: State Federation of Music Clubs, 1935.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Griffiths, Paul
Year: 1978
Complete Citation:
Griffiths, Paul. A Concise History of Avant-Garde Music. New York, NY: Thames and Hudson, 1978.Source: Book
Reprints:
Griffiths, Paul. <i>Modern Music: A Concise History from Debussy to Boulez</i>. New York, NY: Oxford University Press, 1985. Griffiths, Paul. <i>Modern Music and After</i>. Revised edition. Oxford: Oxford Uni-versity Press, 1995.
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Grout, Donald Jay
Year: 1960
Complete Citation:
Grout, Donald Jay. A History of Western Music. New York, New York: W.W. Norton & Co., 1960.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Hale, William
Year: 2005
Complete Citation:
Hale, William. “The Difficulty of Ives.” Paper presented at Charles Ives and His World, as Tribute to Iconoclastic American Com-poser. New England Conservatory of Music, Jordan Hall and Williams Hall, Boston, Massachusetts, March 13--17, 2005.Source: Conference paper
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Hamm, Charles
Year: 1983
Complete Citation:
Hamm, Charles. “The Search for a National Identity.” In Music in the New World, 424-437. New York, NY: W.W. Norton, 1983.Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Hansen, Peter S.
Year: 1961
Complete Citation:
Hansen, Peter S. “Music in the United States.” In An Introduction to 20th Century Music, 77-84. Boston, MA: Allyn and Bacon, 1961.Source: Book
Reprints:
Hansen, Peter S. “Music in the United States.” In <i>An Introduction to 20th Century Music</i>, 2nd ed. Boston, MA: Allyn and Bacon, 1961. * Hansen, Peter S. “Music in the United States.” In <i>An Introduction to 20th Century Music</i>, 3rd ed. Boston, MA: Allyn and Bacon, 1967. * Hansen, Peter S. “Music in the United States.” In <i>An Introduction to 20th Century Music</i>, 86-96. 4th ed. Boston, MA: Allyn and Bacon, 1961.
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Year: 1967
Complete Citation:
Hansen, Peter S. An Introduction to Twentieth Century Music. Boston, MA: Allyn and Bacon, 1967.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Hanson, Howard
Year: 1927
Complete Citation:
Hanson, Howard. “Of Critics, Publishers and Patrons.” Modern Music IV, 2 (January-February 1927): 28-31.Source: Journal
V. General Music Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship