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Bibliography

Joyce, Mary Ann

Year: 1970
Complete Citation:
Joyce, Mary Ann. “The Three-Page Sonata of Charles Ives: An Analysis and a Corrected Version.” Ph.D. diss., Washington University, 1970.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Kamper, Dietrich

Year: 1987
Complete Citation:
Kamper, Dietrich. “Wandlungen des Ives-Bildes.” In Amerikanische Musik seit Charles Ives: Interpretation, Quellentexte, Komponistenmonographien, 3-14, Laaber, Germany: Laaber-Verlag, 1987.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Katz, David B.

Year: 1999
Complete Citation:
Katz, David B.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Kavanaugh, James Vincent

Year: 1978
Complete Citation:
Kavanaugh, James Vincent. “Music and American Transcendentalism: A Study of Transcendental Pythagoreanism in the Works of Henry David Thoreau, Nathaniel Hawthorne and Charles Ives.” Ph.D. diss., Yale University, 1978.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Kearnes, William Kay

Year: 1965
Complete Citation:
Kearns, William Kay. “Horatio Parker, 1863-1919: A Study of His Life and Music.” Ph.D. Thesis, University of Illinois, 1965.
Source: Ph.D Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Kelly, Kevin Oliver

Year: 1988
Complete Citation:
Kelly, Kevin Oliver. "The Songs of Charles Ives and the Cultural Con-text of Death.” Ph.D. dissertation, University of North Carolina, Chapel Hill, 1988.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Kesson, Jane Haines

Year: 1950
Complete Citation:
Kesson, Jane Haines. “Four contemporary American composers.” M.A. thesis, University of Pennsylvania, 1950.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Khittl, Christoph

Year: 1995
Complete Citation:
Khittl, Christoph. “‘Jenseits im Diesseits’: Ubungen zur Rezeptionsasthetik und Rezeptionsdidaktik.” Polyaisthesis 3 (1995): 98-106.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Kilian, Paul Henry

Year: 1975
Complete Citation:
Kilian, Paul Henry. “An historical & analytical study of Three Places in New England by Charles Ives.” M.A. thesis, California State University, Los Angeles, 1975.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Kinne, William Joseph

Year: 2015
Complete Citation:
Kinne, William Joseph. “The wind band music of Charles Ives: an annotated repertoire list of original works and arrangements.” D.M.A. Thesis, University of Colorado, 2015.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Kirkpatrick, John.

Year: 1975-76
Complete Citation:
Kirkpatrick, John. “Thoughts on the Ives Year.” Student Musicologists at Minnesota 6 (1975-1976): 218-224.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Kolosick, J. Timothy

Year: 1981
Complete Citation:
Kolosick, J. Timothy. “A Computer-Assisted, Set-Theoretic Investigation of Vertical Simultaneities in Selected Piano Compositions by Charles E. Ives.” Ph.D. diss., University of Wisconsin, Madison, 1981.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Kopp, Christina Lee

Year: 2006
Complete Citation:
Kopp, Christina Lee. “‘A School of New Men’: Composing an Ameri- can Identity in the Early Twentieth Century.” Ph.D. diss., Bos-ton University, 2006.
Notes:

Discusses compositions of Aaron Copland, Edward MacDowell, Arthur Farwell, and Charles Ives.

Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Kramer, Lawrence

Year: 1993
Complete Citation:
Kramer, Lawrence. “Ives’s Misogyny and Post-Reconstruction America.” Paper presented at Feminist Theory and Music: Toward a Common Language. Minneapolis, Minnesota, June, 1991.
Source: Conference Paper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1996
Complete Citation:
Kramer, Lawrence. “Powers of Blackness: Africanist Discourse in Mod-ern Concert Music.” Black Music Research Journal 16/1 (Spring 1996): 53-70.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Kuan, Flora Lu

Year: 1983
Complete Citation:
Kuan, Flora Lu. “The piano etudes of Debussy, Skryabin, and Ives.” D.M.A. diss., University of Colorado, 1983.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Kumlien, Wendell Clarke

Year: 1969
Complete Citation:
Kumlien, Wendell Clarke. “The Sacred Choral Music of Charles Ives: A Study in Style Development.” D.M.A. diss., University of Illinois, 1969.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Kupferberg, Herbert

Year: 1974
Complete Citation:
Kupferberg, Herbert. “Ives Centennial Hits Crescendo.” National Observer, October 26, 1974: 26.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Lacny, Catherine

Year: 1976
Complete Citation:
Lacny, Catherine. “Charles Edward Ives, 1874-1954: a biographical sketch and a treatise of the relationship between his political philosophy and his musical innovations.” M.A. Thesis, Rosary College, 1976.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Lambert. J. Philip

Year: 1989
Complete Citation:
Lambert. J. Philip. “Communications.” Journal of the American Musicological Society 42/1 (Spring 1989): 204-209.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship