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Bibliography

Manulkina, Olga

Year: 2017
Complete Citation:
Manulkina, Olga. “Leonard Bernstein’s 1959 Triumph in the Soviet Union.” In The Rite of Spring at 100, edited by Severine Neff et al., 219-236. Bloomington, IN: Indiana University Press, 2017.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Marstal, Henrik

Year: 1994
Complete Citation:
Marstal, Henrik. “Mahler og Ives: modernitetsaspekter: kollage-og citatanvendelser i udvalgte værker af Gustav Mahler og Charles E. Ives.” Thesis, Musikvidenskabeligt Institut, Københavns Universitet, 1994.
Source: Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Martin, Warren Charles

Year: 1974
Complete Citation:
Martin, Warren Charles. “Techniques of rhythmic variation in the songs for solo voice and piano written by Charles Ives in 1921.” Ph.D. diss., East Texas State University, 1974.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Massey, Drew

Year: 2010
Complete Citation:
Massey, Drew. An ““Unobtrusive minister of genius”: John Kirkpatrick and the editing of contemporary American music.” Ph.D. diss., Harvard University, 2010.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Mays, Kenneth Robert

Year: 1961
Complete Citation:
Mays, Kenneth Robert. “The use of hymn tunes in the works of Charles Ives.” M.M. Thesis, Indiana University, 1961.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

McCalla, James

Year: 1973
Complete Citation:
McCalla, James. “Structural and harmonic innovations in the music of Schoenberg, Stravinsky and Ives prior to 1915.” M.M. thesis, New England Conservatory of Music, 1973.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

McCandless, William Edgar

Year: 1974
Complete Citation:
McCandless, William Edgar. “Cantus firmus techniques in selected instrumental compostions, 1910-1960.” Ph.D. diss., Indiana University, 1974.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

McClees, Nancy Susan

Year: 1971
Complete Citation:
McClees, Nancy Susan. “The musical of Charles Ives as applied in his trio for violin and 'cello and piano.” M.A. Thesis, Dominican College of San Rafael, 1971.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

McDonald, Charlene Harb

Year: 1978
Complete Citation:
McDonald, Charlene Harb. “Trends in Selected Piano Sonatas of the First Quarter of the 20th Century: Formal Processes and Pianism.” D.M.A. diss., Indiana University, 1978.
Source: D.M.A. Disser-tation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

McDonald, Matthew

Year: 2012
Complete Citation:
McDonald, Matthew. “Ives and the Now.” In Music and Narrative since 1900, edited by Michael L. Klein and Nicholas Reyland, 285-307. Bloomington, IN: Indiana University Press, 2012.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

McDonald, Matthew James

Year: 2004
Complete Citation:
McDonald, Matthew James. “Translating experience, transcending time: temporal procedures and their expressive meanings in the music of Charles Ives.” Ph.D. diss., Yale University, 2004.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

McGinness, John

Year: 2006
Complete Citation:
McGinness, John. 2006. “Essay: Has Modernist Criticism Failed Charles Ives?” Music Theory Spectrum 28: 99-109.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2006
Complete Citation:
McGinness, John. “How Modernist Criticism Failed Charles Ives.” Music Theory Spectrum 28/1 (Spring 2006): 99-109.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Mehl, Kenneth B.

Year: 1974
Complete Citation:
Mehl, Kenneth B. “A stylistic analysis and comparison of four settings of Psalm 150: Franck, Bruckner, Ives and Hanson.” M.M. thesis, Southern Illinois University Edwardsville, 1974.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Mickelsen, William Cooper

Year: 1970
Complete Citation:
Mickelsen, William Cooper. “Hugo Riemann's history of harmonic theory with a translation of Harmonielehre.” Ph.D. diss., Indiana University, 1970.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Miller, Ashleé Michele

Year: 2016
Complete Citation:
Miller, Ashleé Michele. “Charles Ives on the Nature of Experience: The Compositional Design and Aesthetic Programs of Three Orchestral Works.” D.M.A. diss., Graduate Center CUNY, 2016.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Miller, Edward Oehler

Year: 1970
Complete Citation:
Miller, Edward Oehler. “The Dilemma of Charles Ives.” A.B. honors thesis, Harvard University, 1970.
Source: A.B. Honors Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Milligan, Terry Gilbert

Year: 1978
Complete Citation:
Milligan, Terry Gilbert. “Charles Ives: a study of the works for chamber ensemble written between 1898 and 1908 which utilize wind instruments.” D.M.A. diss., University of Texas at Austin, 1978.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Misener, Katharine L.

Year: 2000
Complete Citation:
Misener, Katharine L. “Ives as Innovator? Considerations of Sources, Biography, and Style for His Songs Based on Models.” M.A. thesis, University of Ottawa 2000.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Misener, Katharine Lynn

Year: 2000
Complete Citation:
Misener, Katharine Lynn. “Ives as innovator?: considerations of sources, biography, and style for his songs based on models.” M.A. Thesis, University of Ottawa, 2000.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses