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Bibliography

Sulouff, Jack F.

Year: 1985
Complete Citation:
Sulouff, Jack F. “The second violin sonata of Charles Ives: a thematic analysis.” Northern Illinois University, 1985.
Source: M. Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Sundell, Steven Lynn

Year: 1973
Complete Citation:
Sundell, Steven Lynn. “Charles Ives' use of simultaneity to conflict and blur tonality: the projection of multiple layers of music in "Putnam's camp" and related sources.” M.M. Thesis, University of Wisconsin-Madison, 1973.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Taruskin, Richard

Year: 1975
Complete Citation:
Taruskin, Richard. “To the Editor.” Current Musicology 19 (1975): 33-40.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Taubman, Howard

Year: 1949
Complete Citation:
Taubman, Howard. “Posterity Catches Up with Charles Ives.” The New York Times, October 23, 1949, sec. 6, 15, 34-36.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1949
Complete Citation:
Taubman, Howard. “Posterity Catches Up with Charles Ives, An Interview.” New York Times Magazine, October 23, 1949.
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1958
Complete Citation:
Taubman, Howard. “Forget Posterity.” The New York Times. November 23, 1958, sec. 2, 11.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Taylor, Paul Franklyn

Year: 1986
Complete Citation:
Taylor, Paul Franklyn. “Stylistic heterogeneity: the analytical key to movements IIa and IIb from the First Piano Sonata by Charles Ives.” D.M.A. diss., University of Wisconsin-Madison, 1986.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Téllez, José Luis

Year: 2004
Complete Citation:
Téllez, José Luis. “Charles Ives: Las Paradojas del Profeta.” Scherzo: Revista de Música, Vol. 19 (2004): 110-115.
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship

Theodore, Mary

Year: 2003
Complete Citation:
Theodore, Mary. “The violin and piano sonatas of Charles Ives: a methodical approach to performance with motivic analysis.” D.Mus. Thesis, Arts University of Washington, 2003.
Source: D.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Thoegersen, Peter Alexander

Year: 2012
Complete Citation:
Thoegersen, Peter Alexander. “Polytempic polymicrotonal music: “a road less traveled”.” Urbana, Illinois: University of Illinois at Urbana-Champaign, 2012.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Thomas, Philip

Year: 1996
Complete Citation:
Thomas, Phillip. “Music for One or More Alternately Tuned Acoustic Pianos, 1920-1993: Trends in Melody, Harmony, and Technique.” Ph.D. diss., University of Cincinnati, 1996.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Thompson, Bradley L.

Year: 2006
Complete Citation:
Thompson, Bradley L. “A matter of time: a lecture-recital on temporal issues in selected songs of Charles Ives.” D.M.A. Thesis, University of Colorado, 2006.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Thomson, Alexander J.

Year: 1969
Complete Citation:
Thomson, Alexander J. “Charles Ives: an analysis and application of his scoring technique.” M.S. Thesis, Western Connecticut State University, 1969.
Source: M.S. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Year: 1969
Complete Citation:
Thomson, Alexander J. “Charles Ives: An Analysis and Application of His Scoring Techniques.” M.S. thesis, Western Connecticut State Uni-versity, 1969.
Source: M.S. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Thomson, Virgil

Year: 1971
Complete Citation:
Thomson, Virgil. “The Ives Case.” New York Review of Books 14, no. 10, May 21, 1970, 9--11.
Source: Magazine
Reprints:

Thomson, Virgil. “The Ives Case.” In <i>American Music Since 1910</i>, 22-30. New York: Holt, Rinehart and Winston, 1971. * Thomson, Virgil. “The Ives Case.” <i>A Virgil Thomson Reader</i>, 460-67. Boston: Houghton Mifflin, 1981. * Thomson, Virgil. “The Ives Case.” In <i>Virgil Thomson: The State of Music & Other Writings</i>, edited by Tim Page. New York, NY: Library of America, 2016.

VI. Topical Studies
S. Reception Studies and Related Scholarship

Thurmaier, David Paul

Year: 2006
Complete Citation:
Thurmaier, David Paul. “Time and Compositional Process in Charles Ives’s Holidays Symphony.” Ph.D. diss., Indiana University, 2006.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Tick, Judith

Year: 1993
Complete Citation:
Tick, Judith. 1993. “Charles Ives and Gender Ideology.” In Musicology and Difference: Gender and Sexuality in Music Scholarship, edited by Ruth Solie, 125--147. Berkeley, CA: University of California Press.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Ufema, Cathryn Fekla

Year: Year unlisted
Complete Citation:
Ufema, Cathryn Fekla. “The Choral Psalms of Charles Ives.” M.A. Thesis, Pennsylvania State University.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Ura, Yuichi

Year: 2008
Complete Citation:
Ura, Yuichi. “A composer/conductor's insights into creative processes in composing and conducting original and core repertoire.” M.M. thesis, St. Cloud State University, 2008.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Urban, Marshall Linwood

Year: 1988
Complete Citation:
Urban, Marshall Linwood. “An investigation into elements of abstract compositional language, program, and philosophical expression in Charles Ives' "General William Booth Enters into Heaven”.” M.M. thesis, Boston University, 1988.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses