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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Taylor, Paul Franklyn

Year: 1986
Complete Citation:
Taylor, Paul Franklyn. “Stylistic heterogeneity: the analytical key to movements IIa and IIb from the First Piano Sonata by Charles Ives.” D.M.A. diss., University of Wisconsin-Madison, 1986.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Téllez, José Luis

Year: 2004
Complete Citation:
Téllez, José Luis. “Charles Ives: Las Paradojas del Profeta.” Scherzo: Revista de Música, Vol. 19 (2004): 110-115.
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship

Theodore, Mary

Year: 2003
Complete Citation:
Theodore, Mary. “The violin and piano sonatas of Charles Ives: a methodical approach to performance with motivic analysis.” D.Mus. Thesis, Arts University of Washington, 2003.
Source: D.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Thoegersen, Peter Alexander

Year: 2012
Complete Citation:
Thoegersen, Peter Alexander. “Polytempic polymicrotonal music: “a road less traveled”.” Urbana, Illinois: University of Illinois at Urbana-Champaign, 2012.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Thomas, Philip

Year: 1996
Complete Citation:
Thomas, Phillip. “Music for One or More Alternately Tuned Acoustic Pianos, 1920-1993: Trends in Melody, Harmony, and Technique.” Ph.D. diss., University of Cincinnati, 1996.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Thompson, Bradley L.

Year: 2006
Complete Citation:
Thompson, Bradley L. “A matter of time: a lecture-recital on temporal issues in selected songs of Charles Ives.” D.M.A. Thesis, University of Colorado, 2006.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Thomson, Virgil

Year: 1971
Complete Citation:
Thomson, Virgil. “The Ives Case.” New York Review of Books 14, no. 10, May 21, 1970, 9--11.
Source: Magazine
Reprints:

Thomson, Virgil. “The Ives Case.” In <i>American Music Since 1910</i>, 22-30. New York: Holt, Rinehart and Winston, 1971. * Thomson, Virgil. “The Ives Case.” <i>A Virgil Thomson Reader</i>, 460-67. Boston: Houghton Mifflin, 1981. * Thomson, Virgil. “The Ives Case.” In <i>Virgil Thomson: The State of Music & Other Writings</i>, edited by Tim Page. New York, NY: Library of America, 2016.

VI. Topical Studies
S. Reception Studies and Related Scholarship

Thurmaier, David Paul

Year: 2006
Complete Citation:
Thurmaier, David Paul. “Time and Compositional Process in Charles Ives’s Holidays Symphony.” Ph.D. diss., Indiana University, 2006.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Tick, Judith

Year: 1993
Complete Citation:
Tick, Judith. 1993. “Charles Ives and Gender Ideology.” In Musicology and Difference: Gender and Sexuality in Music Scholarship, edited by Ruth Solie, 125--147. Berkeley, CA: University of California Press.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Usmanbas, Ilhan

Year: 1977
Complete Citation:
Usmanbas, Ilhan. “Random-and Provocative Thoughts on Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 254-256. Urbana, IL: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Varley, Dennis Matthew

Year: 1983
Complete Citation:
Varley, Dennis Matthew. “Charles E. Ives and Second pianoforte sonata, Concord, Mass., 1840-1860.” D.M.A. thesis, University of Colorado, 1983.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Vastano, Robert Guy

Year: 2002
Complete Citation:
Vastano, Robert Guy. “A biographical and theoretical analysis of the trumpet in selected chamber works of Charles Ives: an aid to performance.” D.M.A. Thesis, University of Texas at Austin, 2002.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Vinay, Gianfranco

Year: 1974
Complete Citation:
Vinay, Gianfranco. “Charles Ives e i musicisti europei: anticipazioni e dipendenze.” Nuova Rivista Musicale Italiana 7 (1973): 417-429.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Von Glahn, Denise

Year: 2001
Complete Citation:
Von Glahn, Denise. “Renewing Immortality: The Musical Monument of Charles Ives.” In Hope and Glory: Essays on the Legacy of the Fifty- Fourth Massachusetts Regiment, edited by Martin H. Blatt, Thomas J. Brown, and Donald Yacovone, 191--201. Amherst, MA: University of Massachusetts Press in Association with the Massachusetts Historical Society, 2001.
Notes:

In re: "Colonel Robert Shaw and His Colored Regiment" from Orchestral Set No. 1: Three Places In New England.

Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

von Rhein, John

Year: 1999
Complete Citation:
von Rhein, John. “Millennial Masterworks.” Chicago Tribune [Arts & Entertainment] (July 25, 1999): 5.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Walker, Gwyneth

Year: 1976
Complete Citation:
Walker, Gwyneth. “Tradition and the breaking of tradition in the string quartets of Ives and Schoenberg.” D.M.A. thesis, Hartt School of Music, University of Hartford, 1976.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Wallach, Laurence

Year: 1973
Complete Citation:
Wallach, Laurence. “The New England Education of Charles Ives.” Ph.D. diss., Columbia University, 1973.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Wallner, Bo

Year: 1968
Complete Citation:
Wallner, Bo. Var tids musik i Norden: Fran 20--Tal Till 60--Tal, 252, 255, 260. Stock-holm, Sweden: Nordiska Musikforlaget, 1968.
Notes:

Otto Henrik Donner quoted: "I Charles Ives har jag upplevten tonsdattare som inte laste sig vid nagon skenbar logik eller nagot system." Also mentions Donner’s Symphonie (I'Hommage a Ives) of 1964 {E080}.

Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Walton, Scott

Year: 2003
Complete Citation:
Walton, Scott. “An improvisational reading of Charles Ives's Concord sonata.” D.M.A. thesis, University of California, San Diego, 2003.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Ward, Charles Wilson

Year: 1974
Complete Citation:
Ward, Charles. “Charles Ives: The Relationship Between Aesthetic Theories and Compositional Processes.” Ph.D. diss., University of Texas at Austin, 1974.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations