Image
Complete Citation:
Dwinell, Paul. “The Resurrection of Charles E. Ives.” Listen 1/5 (Septem-ber-October): 15--16.
Bibliography
Genres
Dwinell, Paul
Year: 1964
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Easter, Stanley Eugene
Year: 1969
Complete Citation:
Easter, Stanley Eugene. “A Study Guide for the Performance of Twent-ieth Century Music from Selected Ballet Repertoires for Trombones and Tuba.” Ed.D. diss., Columbia University, 1969.Notes:
Dis-cusses (in Chapter III) music for twelve ballets including Ivesiana {E216}, especially Central Park in the Dark, and A Set of Theater Pieces ("In the Inn" and "In the Night").
Source: Ed.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Eidenbenz, Michael
Year: 2004
Complete Citation:
Eidenbenz, Michael. “Zum ernsthaften Komponisten geweiht.” Dissonanz (2004): 55-56.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Eiseman, David
Year: 1972
Complete Citation:
Eiseman, David. “Charles Ives and the European Symphonic Tradition: A Historical Reappraisal.” Ph.D. diss., University of Illinois, 1972.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Year: 1972
Complete Citation:
Eiseman, David. “Charles Ives and the European tradition: a historical reappraisal.” Ph.D. diss., University of Illinois, 1972.Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Elliott Schwartz and Barney Childs, eds.
Year: 1967
Complete Citation:
Elliott Schwartz and Barney Childs, eds. Contemporary Composers on Contemporary Music. New York, NY: Holt, Rinehart and Winston, 1967.Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Evseeva, Marina
Year: 1989
Complete Citation:
Evseeva, Marina. “Fortepiannaja sonata v tvorcestve kompozitorov SSA XX veka: Carl’z Ajvz, Aaron Koplend, Vinsent Persiketti.” Ph.D. diss., Gosudarstvennaja Konservatorija, Moscow, 1989.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Ewing, James William
Year: 1965
Complete Citation:
Ewing, James William. “A study of selected songs of Charles Edward Ives.” D. Mus. thesis, Northwestern University.Source: D.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Ewen, David
Year: 1950
Complete Citation:
Ewen, David. “The Belated Discovery of Charles Ives.” Tomorrow 9/9 (May 1950): 10-14.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Fairfield, Patrick K.
Year: 2000
Complete Citation:
Fairfield, Patrick K. “Representations of gender and sexuality in the music and writings of Charles Ives.” Ph.D. diss., Brandeis University, 2000.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Feder, Stuart
Year: 2001
Complete Citation:
Feder, Stuart. “Coloquy: Heard Maladies Are Sweet (‘But Those Unheard Are Sweeter’): A Response to Gayle Sherwood.” Journal of the American Musicological Society 54, no. 3 (Fall 2001): 627--641.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Fessel, Pablo
Year: 2006
Complete Citation:
Fessel, Pablo. “Heterogeneidad y concreción en la simultneidad musical. Una caracterización teórica e histórica del concepto de textura.” Doctoral thesis, Universidad de Buenos Aires, 2005.Source: Doctoral Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Fiender, Reinhard
Year: 2004
Complete Citation:
Flender, Reinhard. “Charles E. Ives: Genie oder Maverick? Anmerk-ungen zum Schaffensprozeß und zur Rezeptionsgeschichte.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 25-34. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Filho, Carlos Marigo
Year: 2001
Complete Citation:
Filho, Carlos Marigo. “L'allusion musicale au début du XXe siècle.” Ph.D. diss., Université Panthéon-Sorbonne (Paris), 2001.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Finn, Geraldine
Year: 2001
Complete Citation:
Finn, Geraldine. “Music, Identity, and Difference in the Case of Charles Ives.” New Sound 18 [Yugoslavia]: 49-62.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Year: 2001
Complete Citation:
Finn, Geraldine. “Music, Identity, and Difference. In the Case of Charles Ives.” New Sound, Vol. 18 (2001): 49-62.Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Fosler-Lussier, Danielle
Year: 2019
Complete Citation:
Fosler-Lussier, Danielle. “Classical Music as Development Aid.” In Music in America’s Cold War Diplomacy. Berkeley, California: University of California Press, 2015.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Fouse, Kathryn Lea
Year: 1992
Complete Citation:
Fouse, Kathryn Lea. “Surrealsim in the Piano Music of Representative 20th-century American Composers with Three Recitals of Selected Works of Ives, Cowell, Crumb, Cage, Antheil, and Others.” D.M.A. diss., University of North Texas, 1992.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Year: 1993
Complete Citation:
Fouse, Kathryn Lea. “Surrealism in the Music of Representative Twen-tieth-Century Composers with Three Recitals of Selected Works of Ives, Cowell, Crumb, Cage, Antheil, and Others.” D.M.A. diss., University of North Texas, 1993.Notes:
Chapter 2 cites appearances of surrealism characteristics as defined in this paper.
Source: D.M.A. Dissertation.
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Frank, Alan Robert
Year: 1969
Complete Citation:
Frank, Alan Robert. “The Music of Charles Ives: For Presentation in the Listening Program of the Secondary School.” Ed.D. diss., Columbia University, 1969.Source: Ed.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations