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Bibliography

Rogan, William J.

Year: 1994
Complete Citation:
Rogan, William J. “Vorkämpfer einer neuen Schule? Charles Ives zum vierzigsten Todestag.” Das Orchester 42/11 (November 1994): 2-5.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Roos, James

Year: 1988
Complete Citation:
Roos, James. “A Fresh, Tough Look at a Legendary Composer.” Miami Herald 13. November 1988.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Rosenfeld, Paul

Year: 1927
Complete Citation:
Rosenfeld, Paul. “Musical Chronicle.” Dial 82 (April 1927): 358.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Rossomando, Fred Edward

Year: 1971
Complete Citation:
Rossomando, Fred Edward. “A Conductor's Guide to the Third Symphony of Charles Ives.” M.M. Thesis, Indiana University, 1977.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Ruckert, George

Year: 1967
Complete Citation:
Ruckert, George. “Charles Ives' four violin sonatas.” M.A. Thesis, Queens College, 1967.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Ruff, Erwin

Year: 1942
Complete Citation:
Ruff, Erwin. “A Study of Five Songs of Charles Ives.” M.A. thesis, Eastman School of Music, The University of Rochester, 1942.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Rutledge, John Alvin

Year: 1975
Complete Citation:
Rutledge, John Alvin. “A quartet for Charles Ives.” M.S. Thesis, Boston University, 1975.
Source: M.S. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Saminsky, Lazare

Year: 1932
Complete Citation:
Saminsky, Lazare. “Europe and America in Music Today.” Modern Music (January-February 1932): 93--95.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Sarette, Gregory L.

Year: 1977
Complete Citation:
Sarette, Gregory L. “Rhythm(ic?) Devices in Selected Works in Charles Ives.” M.A. Thesis, University of Wyoming, 1977.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Scharnhorst, Gary

Year: 1988
Complete Citation:
Scharnhorst, Gary. “From Soldier to Saint: Robert Gould Shaw and the Rhetoric of Racial Justice.” Civil War History 34 (December 1988): 321.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Schermer, Richard

Year: 1980
Complete Citation:
Schermer, Richard. “The Aesthetics of Charles Ives in Relation to his ‘String Quartet No. 2’.” M.A. thesis, California State University, 1980.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Schiff, David

Year: 2009
Complete Citation:
Schiff, David. “Ives’s Ears.” Nation 288, no. 1 (January 5, 2009): 30--33.
Source: Journal
V. General Music Studies
S. Reception Studies and Related Scholarship

Schuld, Diana Boe

Year: 1971
Complete Citation:
Schuld, Diana Boe. “The influence of transcendentalism upon the Music of Charles Ives.” M.A. Thesis, Hofstra University, 1971.
Source: M.A. Thesis
B. Theses

Searle, Humphrey

Year: 1939
Complete Citation:
Searle, Humphrey. “Growing Pains in England.” Modern Music 16/4 (May--June 1939): 220-224.
Notes:

Quotation from article: “One would like to hear more of Americans. A concert given by the BBC last winter included works by Whithorne, Carpenter, and Fuleihan, but what about Copland, Piston, Sessions, Ives, Harris? Their music is hardly ever played here.”

Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Senick, John Peter

Year: 1982
Complete Citation:
Senick, John Peter. “An analysis of selected songs of Charles Ives.” M.A. Thesis, Syracuse University, 1982.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Sharp, Mary Elizabeth

Year: 1979
Complete Citation:
Sharp, Mary Elizabeth. “A Survey of Musical Quotation from 1940-1975.” M.M. thesis, University of Louisville, 1979.
Notes:

References to Ives: in Part 1, “Introduction”: “The use of common material such as folk tunes, hymns, and patriotic songs will not be included since the music is not from the concert tradition. However, this creates a problem of inconsistency in some cases. Charles Ives quotes music from popular material together with concert pieces which have programmatic signifi-cance.”; in Part 5, “Early Twentieth-Century Practices in the Use of Quotation”: “The very same motive (Beethoven’s Symphony No. 5) is quoted by Ives in the Concord Sonata and is used as a cyclic device to depict fate and the character of Beethoven himself’; and in Parts 7-10, “Charles Ives' Use of Quotation.”

Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Shelton, Gregory Allard

Year: 1985
Complete Citation:
Shelton, Gregory Allard. An analysis of Charles Ives’s Three-page Sonata for Piano. M.A. Thesis, The American University, 1985.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Sherwood, Gayle

Year: 2001
Complete Citation:
Sherwood, Gayle. “Ives and Neurasthenia: A Response to Stuart Feder.” Journal of the American Musicological Society 54, no.3 (Fall 2001): 641-643.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Shulman, Ivan

Year: 2008
Complete Citation:
Shulman, Ivan. “Symphony no. 2 by Charles Ives: An Historic Review and Consideration of Performance Practice.” M.M. thesis, California State University at Long Beach, 2008.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Siegmeister, Elie

Year: 1961
Complete Citation:
Siegmeister, Elie. “The Case of Mr. Ives.” Music Today 4/1 (June--August 1961): 1-2.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship