Eidenbenz, Michael
Year: 2004
Complete Citation:
Eidenbenz, Michael. “Zum ernsthaften Komponisten geweiht.” Dissonanz (2004): 55-56.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Elliott Schwartz and Barney Childs, eds.
Year: 1967
Complete Citation:
Elliott Schwartz and Barney Childs, eds. Contemporary Composers on Contemporary Music. New York, NY: Holt, Rinehart and Winston, 1967.Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Ewen, David
Year: 1950
Complete Citation:
Ewen, David. “The Belated Discovery of Charles Ives.” Tomorrow 9/9 (May 1950): 10-14.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Feder, Stuart
Year: 2001
Complete Citation:
Feder, Stuart. “Coloquy: Heard Maladies Are Sweet (‘But Those Unheard Are Sweeter’): A Response to Gayle Sherwood.” Journal of the American Musicological Society 54, no. 3 (Fall 2001): 627--641.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Fiender, Reinhard
Year: 2004
Complete Citation:
Flender, Reinhard. “Charles E. Ives: Genie oder Maverick? Anmerk-ungen zum Schaffensprozeß und zur Rezeptionsgeschichte.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 25-34. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Finaldi, Edmond T.
Year: 1961
Complete Citation:
Finaldi, Edmond T. “Some musical ideas of Charles E. Ives, Connecticut's pioneer in contemporary music.” M.S. thesis, Western Connecticut State University, 1961.Source: M.S. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Finn, Geraldine
Year: 2001
Complete Citation:
Finn, Geraldine. “Music, Identity, and Difference. In the Case of Charles Ives.” New Sound, Vol. 18 (2001): 49-62.Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2001
Complete Citation:
Finn, Geraldine. “Music, Identity, and Difference in the Case of Charles Ives.” New Sound 18 [Yugoslavia]: 49-62.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Fisher, Jeff
Year: 2016
Complete Citation:
Fisher, Jeff. “Bernard Herrmann: conducting the obscure with the CBS Symphony.” M.M. thesis, University of South Dakota, 2016.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Fosler-Lussier, Danielle
Year: 2019
Complete Citation:
Fosler-Lussier, Danielle. “Classical Music as Development Aid.” In Music in America’s Cold War Diplomacy. Berkeley, California: University of California Press, 2015.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Frayne, Rob
Year: 1992
Complete Citation:
Frayne, Rob. “An analysis of partitions and strata in Charles Ives’s Three places in New England.” M. Mus. thesis, University of Ottawa, 1992.VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Fruchterman, Alessandra Astete
Year: 2018
Complete Citation:
Fruchterman, Alessandra Astete. “A red point in a green land: the setting of art song in foreign language by Barber, Britten, and Ives.” M.M. thesis, Belmont University, 2018.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Frye, Daniel W.
Year: 1974
Complete Citation:
Frye, Daniel W. ““In summer fields" by Charles E. Ives.” M.M.E. thesis, Bowling Green University, Ohio, 1974.Source: M.M.E. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Gammill, Ellen Reed
Year: 1975
Complete Citation:
Gammill, Ellen Reed. “The transcendental philosophy of Charles E. Ives.” M.M. thesis, Southern Methodist University, 1975.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Gann, Kyle
Year: 2004
Complete Citation:
Gann, Kyle. “Music: “Call It Special - American Influences Advance on the European Continent.”” The Village Voice, Vol. 49, No. 18 (2004): 93.Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Gardner, Kara Anne
Year: 1999
Complete Citation:
Gardner, Kara Anne. “Living the Ladies’ Smiles: The Feminization of American Music and the Modern Reaction (Amy Beach, Edward MacDowell, Charles Ives).” Ph.D. diss., Stanford University, 1999.Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Gaudet, Michael Ronald
Year: 1986
Complete Citation:
Gaudet, Michael Ronald. “A study of selected essays and songs of Charles Ives as expressions of progressive idealism.” M.A. thesis, University of Victoria, 1985.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Gerschefski, Peter E.
Year: 1959
Complete Citation:
Gerschefski, Peter E. “A critical analysis of the works of Charles Ives.” M.A. Thesis, University of Southern California, 1959.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Gillespie, Matthew D.
Year: 2004
Complete Citation:
Gillespie, Matthew D. “Charles Ives: an examination of three songs with some thoughts on multiple perspectives in his works.” M.M. Thesis, East Carolina University, 2004.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Gilmore, Bob
Year: 1996
Complete Citation:
Gilmore, Bob. “Reinventing Ives.” Music Analysis 19/1 (March 2000): 101-123.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship