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Bibliography

Searle, Humphrey

Year: 1939
Complete Citation:
Searle, Humphrey. “Growing Pains in England.” Modern Music 16/4 (May--June 1939): 220-224.
Notes:

Quotation from article: “One would like to hear more of Americans. A concert given by the BBC last winter included works by Whithorne, Carpenter, and Fuleihan, but what about Copland, Piston, Sessions, Ives, Harris? Their music is hardly ever played here.”

Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Sewell, Amanda Jo

Year: 2004
Complete Citation:
Sewell, Amanda Jo. “Reception and self-perception in the music of Charles Ives.” B.A. Thesis, Butler University, 2004.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Sherwood, Gayle

Year: 2001
Complete Citation:
Sherwood, Gayle. “Ives and Neurasthenia: A Response to Stuart Feder.” Journal of the American Musicological Society 54, no.3 (Fall 2001): 641-643.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Siegmeister, Elie

Year: 1961
Complete Citation:
Siegmeister, Elie. “The Case of Mr. Ives.” Music Today 4/1 (June--August 1961): 1-2.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Sinclair, James

Year: 1996
Complete Citation:
Sinclair, James. “An Ives Experience.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 38-39. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
VI. Topical Studies
S. Reception Studies and Related Scholarship

Smith, Catherine Parsons

Year: 1994
Complete Citation:
Smith, Catherine Parsons. “‘A Distinguished Virility’: Feminism and Modernism in American Art Music.” In Cecilia Reclaimed: Feminism Perspectives on Gender and Music, edited by Susan C. Cook and Judy S. Tsou, 94-95. Urbana, Illinois: University of Illinois Press, 1994.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Smith, Rebecca E.

Year: 2012
Complete Citation:
Smith, Rebecca E. “Exploring the multi-generational influence of American ragtime music through the works of Charles Ives, William Walton and William Bolcom.” B.A. honors thesis, Western Australian Academy of Performing Arts, Edith Cowan University, 2012.
Source: B.A. Honors Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Solie, Ruth A., ed.

Year: 1995
Complete Citation:
Solie, Ruth A. “Charles Ives and gender ideology.” In Musicology and difference: gender and sexuality in music scholarship. Berkeley, CA: University of California Press, 1995.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Solomon, Maynard

Year: 1985
Complete Citation:
Solomon, Maynard. “Charles Ives: Some Psychonalytic Implications.” Presented at the New York Psychoanalytic Society, New York, New York, December 10, 1985.
Notes:

This presentation was a response to Stuart Feder’s “Calcium Light Night and Other Early Memories of Charles Ives,” and is extant as an unpublished mansucript.

Source: Conference Presentation
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1989
Complete Citation:
Maynard Solomon. Counter-response to J. Philip Lambert. Journal of the American Musicological Society xlii (1989): 209-218.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1989
Complete Citation:
Solomon, Maynard. “Communications.” Journal of the American Musico- logical Society 42/1 (1989): 209-218.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Spahn, Teresa Kathleen

Year: 1988
Complete Citation:
Spahn, Teresa Kathleen. “The innovative style of Charles Ives: a study of the 114 songs.” B.M. Thesis, Converse College, 1988.
Source: B.M. Thesis
C. Baccalaureate Essays

Spaide, Christopher Addison

Year: 2011
Complete Citation:
Spaide, Christopher Addison. “Building a home: four portraits in twentieth-century American music.” B.A. thesis, Amherst College, 2011.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Stiller, Andrew

Year: 1986
Complete Citation:
Stiller, Andrew. “Who Owns American Music?” Opus 3/1 (December 1986): 18, 60.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Suhor, Charles

Year: 1976
Complete Citation:
Suhor, Charles. “To Charles Ives.” The English Journal, vol. 65, no. 5 (1976): 45-46.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Sullivan, Timothy

Year: 1966
Complete Citation:
Sullivan, Timothy. “An Approach to Analysis of the Second Movement of Symphony No. 4 by Charles E. Ives and An Essay on Composition Based on Observations on the Same Work.” Senior Essay, Yale University, 1966.
Source: Senior Essay
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Taruskin, Richard

Year: 1975
Complete Citation:
Taruskin, Richard. “To the Editor.” Current Musicology 19 (1975): 33-40.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Taubman, Howard

Year: 1949
Complete Citation:
Taubman, Howard. “Posterity Catches Up with Charles Ives.” The New York Times, October 23, 1949, sec. 6, 15, 34-36.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1949
Complete Citation:
Taubman, Howard. “Posterity Catches Up with Charles Ives, An Interview.” New York Times Magazine, October 23, 1949.
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1958
Complete Citation:
Taubman, Howard. “Forget Posterity.” The New York Times. November 23, 1958, sec. 2, 11.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship