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Bibliography

Henahan, Donal

Year: 1986
Complete Citation:
Henahan, Donal.“Maverick Composers Make Their Own Choices.” The New York Times, December 14, 1986, 2, 25, 32.
Notes:

Response to “Who Owns American Music?”

Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1987
Complete Citation:
Henahan, Donal. 1987. “Is an Icon Becoming a Has--Been?” New York Times, April 5.
Source: Newspaper
V. General Music Studies
S. Reception Studies and Related Scholarship

Henahan, Donald

Year: 1974
Complete Citation:
Henahan, Donald. “Composers Uncommemorated.” The Atlanta Constitution, July 6, 1974, 6T.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Horowitz, Joseph

Year: 2012
Complete Citation:
Horowitz, Joseph. “Charles Ives: Gentility and Rebellion.” In Moral Fire: Musical Portraits from America's Fin de Siècle. Berkeley: University of California Press, 2012.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Hubbs, Nadine

Year: 2019
Complete Citation:
Hubbs, Nadine. “Being Musical: Gender, Sexuality, and Musical Identity in Twentieth-Century America.” In The Queer Composition of America's Sound: Gay Modernists, American Music, and National Identity. Berkeley, CA: University of California Press, 2004.
Source: Newsletter
VI. Topical Studies
S. Reception Studies and Related Scholarship

Hutton, Edna Rait

Year: 1963
Complete Citation:
Hutton, Edna Rait. “The Legacy of Charles Ives.” Pan Pipes 55/2 (January 1963): 13-14, 30.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

J. W. Larson, Arthur W. Murphy, and Brooks Shepard, Jr.

Year: 1964
Complete Citation:
HiFi Stereo Review (November) 13/5: 8, 12.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

John Heiss, J. Peter Burkholder, Richard Dyer, Vivian Perlis, and Jan Swafford

Year: 2005
Complete Citation:
John Heiss, J. Peter Burkholder, Richard Dyer, Vivian Perlis, and Jan Swafford. “Ives and His Time and Ours.” Panel at at Charles Ives and His World, as Tribute to Iconoclastic American Com-poser. New England Conservatory of Music, Jordan Hall and Williams Hall, Boston, Massachusetts, March 13--17, 2005.
VI. Topical Studies
S. Reception Studies and Related Scholarship

Kamper, Dietrich

Year: 1987
Complete Citation:
Kamper, Dietrich. “Wandlungen des Ives-Bildes.” In Amerikanische Musik seit Charles Ives: Interpretation, Quellentexte, Komponistenmonographien, 3-14, Laaber, Germany: Laaber-Verlag, 1987.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Keller, James M., Michael Steinberg and Susan Key

Year: 2001
Complete Citation:
Keller, James M., Michael Steinberg and Susan Key. “Search for the modern: early 20th-century mavericks : Charles Ives, Carl Ruggles, Edgard Varèse, Henry Cowell, Ruth Crawford Seeger.” In American Mavericks: Visions, Pioneers, Iconoclasts, edited by Susan Key and Larry Rothe, 16-35. Berkely and Los Angeles, CA: University of California Press.
Source: Chapter in Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
B. Concert Series

Khittl, Christoph

Year: 1995
Complete Citation:
Khittl, Christoph. “‘Jenseits im Diesseits’: Ubungen zur Rezeptionsasthetik und Rezeptionsdidaktik.” Polyaisthesis 3 (1995): 98-106.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Kirkpatrick, John.

Year: 1975-76
Complete Citation:
Kirkpatrick, John. “Thoughts on the Ives Year.” Student Musicologists at Minnesota 6 (1975-1976): 218-224.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Kramer, Lawrence

Year: 1993
Complete Citation:
Kramer, Lawrence. “Ives’s Misogyny and Post-Reconstruction America.” Paper presented at Feminist Theory and Music: Toward a Common Language. Minneapolis, Minnesota, June, 1991.
Source: Conference Paper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1996
Complete Citation:
Kramer, Lawrence. “Powers of Blackness: Africanist Discourse in Mod-ern Concert Music.” Black Music Research Journal 16/1 (Spring 1996): 53-70.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Kupferberg, Herbert

Year: 1974
Complete Citation:
Kupferberg, Herbert. “Ives Centennial Hits Crescendo.” National Observer, October 26, 1974: 26.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Lambert. J. Philip

Year: 1989
Complete Citation:
Lambert. J. Philip. “Communications.” Journal of the American Musicological Society 42/1 (Spring 1989): 204-209.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Lederman, Minna

Year: 1983
Complete Citation:
Lederman, Minna. The Life and Death of a Small Magazine (Modern Music, 1924-46). No. 18. I.S.A.M. Monographs. Brooklyn: Institute for Studies in American Music, 1983.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Low, Ruth

Year: 1961
Complete Citation:
Low, Ruth. “Ives Not Appreciated Until End of His Life.” Danbury News-Times, April 15, 1961, 1.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Macdonald, Calum

Year: 1995
Complete Citation:
Macdonald, Calum. Charles Ives: the unanswered question, Barbican Centre Friday 19 - Sunday 21 January, 1996. London, United Kingdom: BBC Radio 3, 1995.
Source: Program Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
B. Concert Series

Manulkina, Olga

Year: 2017
Complete Citation:
Manulkina, Olga. “Leonard Bernstein’s 1959 Triumph in the Soviet Union.” In The Rite of Spring at 100, edited by Severine Neff et al., 219-236. Bloomington, IN: Indiana University Press, 2017.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship