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Complete Citation:
Mattner, Lothar. “Komponierren ohne Heiligenschein: Kölner Festival: ‘Charles Ives und die amerikanische Musik.’” Neue Zeitschrift für Musik 149 (May 1988): 46.
Bibliography
Genres
Matter, Lothar
Year: 1988
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
McDonald, Matthew
Year: 2012
Complete Citation:
McDonald, Matthew. “Ives and the Now.” In Music and Narrative since 1900, edited by Michael L. Klein and Nicholas Reyland, 285-307. Bloomington, IN: Indiana University Press, 2012.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
McGinness, John
Year: 2006
Complete Citation:
McGinness, John. 2006. “Essay: Has Modernist Criticism Failed Charles Ives?” Music Theory Spectrum 28: 99-109.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Year: 2006
Complete Citation:
McGinness, John. “How Modernist Criticism Failed Charles Ives.” Music Theory Spectrum 28/1 (Spring 2006): 99-109.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Mellers, Wilfrid
Year: 1985
Complete Citation:
Mellers, Wilfrid. “Almeida Theatre Festival.” Musical Times 126/1710 (August 1985): 478-479.Notes:
Discusses Ives's works in general.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Metcalf, Steve
Year: 1996
Complete Citation:
Metcalf, Steve. “A Cause for Celebrity Demystifying Charles Ives, An Often Overlooked Native Son: Statewide Edition 1.” The Hartford Courant, September 30, 1996.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Nicholls, David
Year: 1994
Complete Citation:
Nicholls, David. “Unanswerable Questions/Questionable Answers.” Music and Utters 75/2 (May 1994): 246-252.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Northcott, Bayan
Year: 1996
Complete Citation:
Northcott, Bayan. “The Double Life of Charles Ives; all-American Original Or Proto-Modernist Fake? in the Light of a BBC Retrospective, Bayan Northcott Reassesses Ives's Posthumous Reputation (Classical Music).” The Independent, January 12, 1996, 14.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
O’Gorman, Edward
Year: 1946
Complete Citation:
O’Gorman, Edward. “Music of Charles Ives Highlights Festival.” New York Post, May 13, 1946, 30.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Otten, Jürgen
Year: 2004
Complete Citation:
Otten, Jürgen. “Auf Transzendentalistischem Pfad: Das Festival Maerzmusik in Berlin Beschäftigte Sich Mit Charles Ives Und Den Konsequenzen.” Neue Zeitschrift Für Musik, vol. 165, no. 3 (2004): 68-68.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Palisca, Claude V.
Year: 1975
Complete Citation:
Palisca, Claude V. “Report on the Musicological Year 1974 in the United States.” Acta Musicologica 47/2 (July-December 1975): 283-289.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Paul, David C.
Year: 2005
Complete Citation:
Paul, David C. “Charles Ives, Autonomy, and Cold War Politics.” Paper presented at the American Musicological Society Annual Meeting. Washington, D.C., October 29, 2005.Source: Conference Paper
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Perlis, Vivian
Year: 1970
Complete Citation:
Perlis, Vivian. “Recent Ives Research.” Seminar, Ives at Minnesota, University of Minnesota, Minneapolis, Minnesota, April 24 1970.Source: Seminar
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Year: 1996
Complete Citation:
Vivian Perlis. “Ives Spirit Muses Brits,” review of The Unanswered Question Festival; January 19 to 21: London. Piano and Key-board (May/June) 180: 12-14.Source: Magazine
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Perkins. Francis D.
Year: 1948
Complete Citation:
Perkins. Francis D. “Letters: In Defense of Critics.” Harper’s 197 (Decem-ber 1948): 14.Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Permoser, Manfred
Year: 2005
Complete Citation:
Permoser, Manfred. “Echo: “Kontraste”: Minoritenkirche Krems / Stein.” Österreichische Musikzeitschrift, Vol. 60, No. 12 (2005): 47-48.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Pleasants, Henry
Year: 1969
Complete Citation:
Pleasants, Henry. Serious Music: And All That Jazz: An Adventure in Music Criticism. New York, NY: Simon and Schuster, 1969.Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Porter, David H.
Year: 2004
Complete Citation:
David H. Porter. “Don't Pin Him Down.” The New York Times 2, May 23, 2004, 2.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Potter, Hugh
Year: 1970
Complete Citation:
Potter, Hugh. “Paul Rosenfeld: Criticism and Prophesy.” American Quarterly 22/1 (Spring 1970): 82-94.Notes:
Quotes from Rosenfeld's review of the Concord Sonata. Adds that “Rosenfeld's great enthusiasm for the music of Charles Ives was partly attributed to Ives’ interest in American subject matter and his use of native themes.”
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Rabinowitz, Peter J.
Year: 1981
Complete Citation:
Rabinowitz, Peter J. “Fictional Music: Toward a Theory of Listening.” In Theories of Reading, Looking, and Listening, edited by Harry R. Garvin, 193-208. Bucknell Review, vol. 26, no. 1. Lewisburg, PA: Bucknell University Press, 1981.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship